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1. Huntsman and Hounds

Huntsman and Hounds
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1896
Materials & Techniques:
Pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 11/16 × 9 13/16 inches (22.1 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Sale at Ward's Repository, No. 2

Sale at Ward's Repository, No. 2
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1918
Materials & Techniques:
Crayon, graphite, and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 17 inches (34.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Meet

No cover image available
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1898
Materials & Techniques:
Pastel, graphite and charcoal on medium, smooth, cream laid paper
Dimensions:
Sheet: 5 1/4 × 7 5/16 inches (13.3 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Meet

No cover image available
Creator:
Robert Polhill Bevan, 1865–1925
Date:
between 1901 and 1925
Materials & Techniques:
Black chalk, white chalk, and gray wash; verso: graphite and black chalk, incised for transfer on medium, smooth, beige wove paper
Dimensions:
Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Studies of Horses

Studies of Horses
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 6 3/4 inches (15.9 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

6. Three Sportsmen Sleeping at the Table in Their Chairs

Three Sportsmen Sleeping at the Table in Their Chairs
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray-brown ink, and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 x 6 15/16 inches (10.2 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Stable Boy on a Pony

Stable Boy on a Pony
Creator:
Arthur James Stark, 1831–1902
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 × 6 7/8 inches (14 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider

Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

9. Jeytie Lifting Weights

Jeytie Lifting Weights
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
between 1790 and 1796
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 7 1/4 inches (20.3 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Archers Stalking a Stag

Archers Stalking a Stag
Creator:
John Martin, 1789–1854
Date:
1821
Materials & Techniques:
Watercolor, brown wash, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Racing Scene: three racehorses with jockeys up

Racing Scene: three racehorses with jockeys up
Creator:
Tessa Pullan, born 1953
Date:
1994
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 22 3/4 inches (39.4 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Six Studies of Horses and Riders

Six Studies of Horses and Riders
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 11 1/2 inches (19.1 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Morning

Morning
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Evening

Evening
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 × 5 13/16 inches (10.2 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Mid-Day

Mid-Day
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Foxhunting: Rider, Taking a Fence

Foxhunting: Rider, Taking a Fence
Creator:
George Alken, 1794–active 1837
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Exercising a Racehorse

Exercising a Racehorse
Creator:
George Alken, 1794–active 1837
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 10 3/4 inches (20.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Foxhunting: Full Cry

Foxhunting: Full Cry
Creator:
George Alken, 1794–active 1837
Date:
between 1827 and 1837
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 10 3/16 inches (16.7 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. A Gentleman Riding With a Groom, and Coversing

A Gentleman Riding With a Groom, and Coversing
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 13/16 × 10 3/8 inches (19.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Foxhunting: Drawing Covert

Foxhunting: Drawing Covert
Creator:
George Alken, 1794–active 1837
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 9 7/8 inches (16.7 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team

"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 9 7/8 inches (15.6 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. "Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right

"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 9 1/16 inches (16.7 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. "Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse

"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 1/2 inches (16.8 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. "Scraps", No. 28: Skittle Alley With Players and Spectators

"Scraps", No. 28: Skittle Alley With Players and Spectators
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 9 5/16 inches (17.3 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. "Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching

"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 9 inches (17.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. "Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds

"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 5/16 inches (18.3 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 3/16 inches (18.3 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 9 1/16 inches (16.7 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 11/16 inches (17 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 9 1/8 inches (19.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.

Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Turbaned Cavalryman on a Horse

Turbaned Cavalryman on a Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 5 1/16 inches (16.5 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Knight Falling From His Horse at a Squire's Tilt

Knight Falling From His Horse at a Squire's Tilt
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Turbaned Cavalryman, Right Arm with Curved Sword Upraised

Turbaned Cavalryman, Right Arm with Curved Sword Upraised
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1827 and 1851
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 5/16 × 4 13/16 inches (16 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 3/16 inches (16.4 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 1/4 inches (16.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 8 5/16 inches (17.3 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 1/2 inches (16.4 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk and white gouache on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. "Doing the Thing: and the Thing Done:" Doing it No How

"Doing the Thing: and the Thing Done:" Doing it No How
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 × 9 3/16 inches (15.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. "Doing the Thing: and the Thing Done:" Doing the Down Leap

"Doing the Thing: and the Thing Done:" Doing the Down Leap
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. "Doing the Thing: and the Thing Done:" The Down Leap Done

"Doing the Thing: and the Thing Done:" The Down Leap Done
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. "Doing the Thing: and the Thing Done:" Doing it Somehow

"Doing the Thing: and the Thing Done:" Doing it Somehow
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. "Some Do and Some Don't: It is All a Notion:" Getting a Fall

"Some Do and Some Don't: It is All a Notion:" Getting a Fall
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. "Some Do and Some Don't: It is All a Notion:" Getting a Dive

"Some Do and Some Don't: It is All a Notion:" Getting a Dive
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 11/16 inches (19.4 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. "Some Do and Some Don't: It is All a Notion:" Getting into a Bog

"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road

Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 8 7/8 inches (16 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. "Some Do and Some Don't: It is All a Notion:" Getting Home

"Some Do and Some Don't: It is All a Notion:" Getting Home
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1820 and 1821
Materials & Techniques:
Graphite, watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 13/16 inches (18.4 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Morning Ride

Morning Ride
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1823
Materials & Techniques:
Graphite and watercolor on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 1/2 inches (18.3 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Two Pointers, Facing Right with a Sportsman

Two Pointers, Facing Right with a Sportsman
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on thick, smooth, cream wove paper
Dimensions:
Sheet: 9 3/16 × 11 inches (23.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Point-to-Point Racing

Point-to-Point Racing
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Watercolor, charcoal, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/16 × 9 15/16 inches (13.8 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Wild Duck Shooting

Wild Duck Shooting
Creator:
Edward Duncan, 1803–1882
Date:
1825
Materials & Techniques:
Watercolor, pen and brown ink, gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Pheasant Shooting

Pheasant Shooting
Creator:
Edward Duncan, 1803–1882
Date:
1825
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Seven Studies of Jockeys' Caps

Seven Studies of Jockeys' Caps
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 8 9/16 × 10 1/16 inches (21.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Hunting Sketch: Gone to Earth

Hunting Sketch: Gone to Earth
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on thin, moderately textured, laid paper
Dimensions:
Sheet: 8 5/8 × 13 5/8 inches (21.9 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Two Riders Conversing

Two Riders Conversing
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 9/16 inches (15.2 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Woodcock Shooting

Woodcock Shooting
Creator:
William Heath, 1795–1840
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gum arabic, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 11/16 × 7 3/16 inches (24.6 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Rubbing Down a Horse in a Paddock at a Racetrack

Rubbing Down a Horse in a Paddock at a Racetrack
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 11/16 × 9 11/16 inches (19.5 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. A Young Man with a Horse, with Studies of Hounds and Dead Hare

A Young Man with a Horse, with Studies of Hounds and Dead Hare
Creator:
John Hoppner, 1758–1810
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. The Death

The Death
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 7/16 × 11 3/4 inches (24 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Woodcock Shooting

Woodcock Shooting
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 13/16 × 8 inches (14.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. The Sporting Undergraduate

The Sporting Undergraduate
Creator:
Henry William Bunbury, 1750–1811
Date:
1772
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 3 1/8 inches (9.5 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Duke of Wellington Riding Copenhagen

The Duke of Wellington Riding Copenhagen
Creator:
Possibly Sir Thomas Lawrence, 1769–1830
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 5 1/2 inches (18.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. The Annual Sculling Race for Doggett's Coat and Badge

The Annual Sculling Race for Doggett's Coat and Badge
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. A Crowded Race Meeting

A Crowded Race Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds

Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
Creator:
James Pollard, 1792–1867
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 14 1/16 inches (14.9 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. An English Postilion

An English Postilion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 8 1/2 × 11 11/16 inches (21.6 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Man Leading a Trotting Stallion to Right

Man Leading a Trotting Stallion to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and black chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/16 × 9/16 inches (18.3 × 1.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left

Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream wove paper
Dimensions:
Contemporary drawn border: 6 5/8 × 7 1/8 inches (16.8 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Studies of a Jockey Whipping-On

Studies of a Jockey Whipping-On
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 5/16 × 6 1/2 inches (23.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. A Boar Hunt

A Boar Hunt
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 1/8 × 10 7/8 inches (23.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Riders and Hounds in an Open Landscape

Riders and Hounds in an Open Landscape
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 13/16 × 16 5/8 inches (27.5 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar

Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 11/16 × 19 13/16 inches (24.6 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Kindly, with Jockey Up

Kindly, with Jockey Up
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/16 × 8 1/16 inches (16 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Sloven, with Jockey Up, Galloping to Right

Sloven, with Jockey Up, Galloping to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 8 5/16 inches (15.9 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Victorious, with Jockey Up

Victorious, with Jockey Up
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 7/16 × 7 1/2 inches (13.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Coursing - After the Kill

Coursing - After the Kill
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, red chalk, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Flying Childers and Grooms

Flying Childers and Grooms
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 1/4 inches (9.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On

'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection