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Materials & Techniques graphite
Remove constraint Materials & Techniques: graphiteAssociated People Shakespeare, William (1564–1616), playwright and poet
Remove constraint Associated People: Shakespeare, William (1564–1616), playwright and poetSearch Results
1
- Oberon and Titania
- 1837
2
- The Vine
- 1852
3
- The Witches' Cavern
- between 1792 and 1793
4
- Lear Awakened by Cordelia
- ca. 1774
5
- John Henderson as Falstaff
- 1780
6
- The Banquet Scene
- ca. 1792
7
- Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
- undated
8
- Miranda, Prospero, and Caliban: The Tempest
- undated
9
- Prospero and Miranda
- ca. 1787
10
- Standing Figure, Probably for Lady Macbeth
- undated
11
- Witches' Cavern: MacBeth's Second Visit
- undated
12
- Lear Awakened by Cordelia
- between 1774 and 1775
13
- Alcibiades and Timon
- undated
14
- Sketches for a Scene from 'Macbeth'
- ca. 1811
15
- Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
- 1802
16
- A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
- undated
17
- The Death of Cordelia
- undated
18
- Cleopatra on the Cydnus to Meet Antony
- ca. 1821
19
- Falstaff Disguised as Herne
- undated
20
- Macbeth and Banquo on the Heath
- ca. 1830
21
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
22
- Malvolio: Possibly a Self-Portrait in the Role
- undated
23
- Enter Malvolio, Crossgartered..
- 1863
24
- Apotheosis of Shakespeare's Characters
- 1871
25
- Ferdinand Riding the Waves
- ca. 1830
26
- Prospero Watching Ferdinand and Miranda
- ca. 1840
27
- Queen Katherine's Dream
- 1807
28
- Hecate
- 1815
29
- Falstaff Inspecting the Recruits
- between 1761 and 1765
30
- Shakespeare House, Aldersgate Street
- undated
31
- Study for 'Finding of the Body of Bassanio'
- 1804
32
- Anne Page and Slender
- 1821
33
- Prospero and Ariel
- 1821
34
- Falstaff Instructing Bardolph
- 1825
35
- Falstaff Dragging the Body of Hotspur
- 1825
36
- The Sleepwalking Scene in Macbeth
- undated
37
- Launce Teaching His Dog Crab
- undated
38
- Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
- 1849
39
- Prospero Summoning Ariel
- ca. 1800
40
- Design for Midsummer Night's Dream
- undated
41
- Design for A Winter's Tale
- undated
42
- Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
- 1821
43
- Lysander Awakening to See Helena
- 1825
44
- Falstaff in the Boar's Head
- 1807
45
- Head of a Man with a Beard and Long Hair in the Wind
- 1786
46
- Falstaff at Herne's Oak
- 1807
47
- The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
- undated
48
- Macbeth and the Witches
- between 1777 and 1778
49
- Henderson in the Character of Falstaff
- undated
50
- The Reconciliation of the Montagues and the Capulets
- 1854
51
- Infant Shakespeare, wih Comedy and Tragedy
- undated
52
- Troilus and Cressida?
- undated
53
- Monument to Shakespeare
- ca. 1763
54
- Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
- undated
55
- Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
- undated
56
- Fluellen Forcing Pistol to Eat His Leek
- undated
57
- Alcibiades and Timon
- ca. 1805
58
- Lady Percy Watching the Sleeping Hotspur
- 1781
59
- Prospero and Miranda
- 1781
60
- Imogen in the Cave, 'Cymbeline', Act III, Scene VI
- 1782
61
- Antigonus Disposing of Perdita
- ca. 1781
62
- Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
- 1780
63
- A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
- ca. 1830
64
- Shakespearean Scene (?): A Pilgrim
- 1796
65
- Ophelia's Death
- ca. 1781
66
- Lady Macbeth, Sleepwalking
- 1781
67
- Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
- undated
68
- Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
- undated
69
- Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
- undated
70
- Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
- undated
71
- Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
- undated
72
- Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
- undated
73
- Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
- undated
74
- Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
- undated
75
- Shakespeare Cliff, Dover
- ca. 1800
76
- Figure Leaning over Stairs
- 1789
77
- The Three Witches from Macbeth: Double, Double, Toil and Trouble
- 1781
78
- The Three Witches from Macbeth: Though the Bark Cannot be Lost..
- ca. 1781
79
- The Apparition of the Armed Head: Macbeth
- ca. 1781
80
- Lear and Cordelia
- ca. 1781
81
- Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
- 1781
82
- Lear and Cordelia
- ca. 1781
83
- Ferdinand and Ariel
- ca. 1781
84
- A Character (? Macbeth) in Renaissance Dress..
- undated
85
- Scene from MacBeth: Apparition of Banquo?
- undated
86
- Apparition of Banquo's Ghost: Banquet Scene from MacBeth
- undated
87
- Scene from Macbeth: Apparition of Banquo
- undated
88
- Timon of Athens Before His Cave
- ca. 1805
89
- Othello and Desdemona, 'Othello', Act V, Scene II
- ca. 1805
90
- Hamlet and the Ghost
- ca. 1825
91
- Macbeth and the Witch
- undated
92
- Sketch for the Passions: Pride
- ca. 1854
93
- Macbeth and the Apparition of the Armed Head
- ca. 1820
94
- Sketch for the Passions: Love
- 1853
95
- Warrior for Timon of Athens
- 1919
96
- A Fashion in 1845
- ca. 1845
97
- Reclining Nude, Possibly Titania
- undated
98
- Apparition: Banquo?
- undated
99
- Scene from MacBeth: Banquo?
- undated
100
- Scene from the Tempest
- undated