Frontispiece design for John Fayram's "Eight Views after Nature"
ca. 1739
6607
Attributed to Capt. Francis Grose, 1731–1791
Northwest View of Castle Church, Hexham, Northumberland
undated
6608
Rev. Lansdown Guilding, 1798–1831
View of the Great Eruption of Morne Soufriere, St. Vincent
undated
6609
C. Hacker
Arcades: of Interlaced Mouldings
1830
6610
follower of Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant and Donkeys
undated
6611
Joseph Michael Gandy, 1771–1843
Design for a Farm House. Elevations of Two Fronts
between 1794 and 1797
6612
Daniel Gardner, 1750–1805
Mrs. Thomas Pownall, née Kennett
1784
6613
Hubert-François Gravelot, 1699–1773
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
undated
6614
Rev. John Gardnor, 1729–1808
Carrig Cennen Castle, Carmarthenshire
undated
6615
Hubert-François Gravelot, 1699–1773
Design for a Medal: Concordia Victrix
ca. 1767
6616
Attributed to Andrew Geddes, 1783–1844
Sheepdog Asleep in a Landscape
undated
6617
Hubert-François Gravelot, 1699–1773
Layout Design for a Bookplate
undated
6618
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Bust of a Roman Man
undated
6619
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Battle of Troy with the Trojan Horse
undated
6620
Hubert-François Gravelot, 1699–1773
Design for a Vignette: The King of France Surrounded by Courtiers
undated
6621
Hubert-François Gravelot, 1699–1773
Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
undated
6622
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
1762
6623
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Allegorical Landscape
undated
6624
John White Abbott, 1763–1851
The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
1810
6625
Hubert-François Gravelot, 1699–1773
Design for a Royal Monument
undated
6626
Hubert-François Gravelot, 1699–1773
Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
undated
6627
Hubert-François Gravelot, 1699–1773
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
undated
6628
unknown artist
Blue & Yellow Maccaw
1832
6629
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
6630
Paul Sandby, 1731–1809
Study of Cow Parsley
undated
6631
Paul Sandby, 1731–1809
Edward Mason
between 1755 and 1760
6632
Joseph Edward Southall, 1861–1944
At the Cottage Gate, July 16, 1906
1906
6633
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
6634
Thomas Stothard, 1755–1834
A Tiger, Full-Length, in Profile, Walking Towards Right
undated
6635
Gangaram Chintaman Tambat, active 1790s
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
6636
William Webb, ca. 1780–1845
A Harrier
undated
6637
James Ward, 1769–1859
Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters
undated
6638
James Ward, 1769–1859
Study of a Plunging Eagle
undated
6639
John Glover, 1767–1849
St. Davids Head, Pembrokeshire
ca. 1805
6640
James Wyatt, 1746–1813
Projected Design for Fonthill Abbey, Wiltshire
1798
6641
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
6642
David Cox, 1783–1859
A Mountainous View, North Wales
ca. 1815
6643
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
6644
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
6645
Print made by James Basire the younger, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
6646
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
6647
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
6648
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
6649
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
6650
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
6651
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
6652
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
6653
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
6654
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
6655
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
6656
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
6657
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
6658
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
6659
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
6660
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
6661
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
6662
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
6663
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
6664
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
6665
unknown artist
Grave of the Supposed William Lyndewode
1852
6666
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
6667
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
6668
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
6669
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
6670
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
6671
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
6672
George Harley, 1791–1871
Ruins of Westminster Palace
1834
6673
unknown artist
Near Chiavenna
ca. 1796
6674
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
6675
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
6676
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
6677
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
6678
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
6679
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
6680
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
6681
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
6682
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
6683
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
6684
Monro School
Buildings Overlooking Water, near Naples
ca. 1796
6685
unknown artist
Henry VII Chapel, Westminster Abbey
undated
6686
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
6687
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
6688
Thomas Rowlandson, 1756–1827
The Surprise
ca. 1817
6689
Thomas Rowlandson, 1756–1827
The Family Picture
1817
6690
Thomas Rowlandson, 1756–1827
The Fair Penitent
ca. 1817
6691
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
6692
Thomas Rowlandson, 1756–1827
The Scold, with News of Olivia
ca. 1817
6693
Thomas Rowlandson, 1756–1827
The Vicar Preaching to the Prisoners
ca. 1817
6694
Thomas Rowlandson, 1756–1827
The Sailor's Return
undated
6695
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
6696
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
6697
attributed to Peter DeWint, 1784–1849
Houses at Kingston on the Thames
undated
6698
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Seated Woman and Standing Man