Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
ca. 1860
7322
Sydenham Teast Edwards, 1768–1819
Hound Standing: profile, facing left
1795
7323
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
7324
Daniel Maclise, 1806–1870
An Elephant, walking to left
undated
7325
Samuel Howitt, 1756–1822
Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
1805
7326
unknown artist
Appledore Church, Cornwall
undated
7327
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume I
between 1780 and 1788
7328
Thomas Rowlandson, 1756–1827
The Launching of a Ship
ca. 1800
7329
John Varley, 1778–1842
John Sell Cotman
1810
7330
John Varley, 1778–1842
Anthony Vandyke Copley Fielding
1810
7331
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
7332
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
7333
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
7334
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
7335
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
7336
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
7337
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
7338
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
7339
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
7340
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
7341
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
7342
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
7343
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
7344
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
7345
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
7346
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
7347
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
7348
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
7349
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
7350
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
7351
unknown artist
New Rooms at Westminster for the Bishops
undated
7352
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
7353
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
7354
unknown artist
Exterior of Painted Chamber, North View
undated
7355
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
7356
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
7357
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
7358
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
7359
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
7360
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
7361
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
7362
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
7363
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
7364
unknown artist
In the Via Mala, Between Coire and Splugen
ca. 1796
7365
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
7366
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
7367
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
7368
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
7369
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
7370
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
7371
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
7372
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
7373
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
7374
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
7375
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
7376
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
7377
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
7378
Thomas Rowlandson, 1756–1827
A Young Woman in a Blue Striped Dress
undated
7379
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
7380
Thomas Rowlandson, 1756–1827
Spanish Inquisition
undated
7381
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
7382
Thomas Rowlandson, 1756–1827
The London Citizen
undated
7383
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
7384
Thomas Rowlandson, 1756–1827
Interior of a Dressing Room with Jack Bannister
between 1790 and 1795
7385
Thomas Rowlandson, 1756–1827
Preparatory sketch for 'Dr Syntax Sketching the Lake'
1812
7386
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
7387
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York