Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul
ca. 1785
11
William Pars, 1742–1782
Temple of Jupiter Panhellenios at Aegina
between 1764 and 1766
12
Henry Swinburne, 1743–1803
Court of the Lions in the Alhambra of Granada
1775 to 1776
13
Henry Swinburne, 1743–1803
Court of the Lions in the Alhambra of Granada
1775 to 1776
14
Henry Swinburne, 1743–1803
Architectural Sketches of Sections in Alhambra of Granada
1775 to 1776
15
Henry Swinburne, 1743–1803
Entrance of the Torre de las dos Hermanas in the Alhambra
1775 to 1776
16
Henry Swinburne, 1743–1803
Plan of the Palaces of Charles the Fifth, and of the Moorish Kings in the Alhambra of Granada
1775 to 1776
17
Henry Swinburne, 1743–1803
Sketches for Capitals of Columns and Mosaic Squares at Alhambra
1775 to 1776
18
Henry Swinburne, 1743–1803
The Great Bath of the Alhambra
1775 to 1776
19
Henry Swinburne, 1743–1803
Picturesque Landscape
undated
20
Henry Swinburne, 1743–1803
Gates of the Alhambra: Puerta del Juicio
1775 to 1776
21
Henry Swinburne, 1743–1803
Gavarnie, France
undated
22
Henry Swinburne, 1743–1803
View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
1764
23
Henry Swinburne, 1743–1803
Near La Rocca
1777 to 1778
24
Henry Swinburne, 1743–1803
Near Guadix
1775 to 1776
25
Henry Swinburne, 1743–1803
Carmona
1775 to 1776
26
Henry Swinburne, 1743–1803
Mountain Landscape View of a River Flowing through a Town
undated
27
Henry Swinburne, 1743–1803
A Waterfall
undated
28
Henry Swinburne, 1743–1803
Sketch of a Villiage Set in in Hilly Landscape
undated
29
Henry Swinburne, 1743–1803
Isle of Capri Seen on the South
1777 to 1778
30
Henry Swinburne, 1743–1803
Château Sainte-Marie, France
undated
31
Henry Swinburne, 1743–1803
Bridge of Snow
undated
32
Henry Swinburne, 1743–1803
Part of the Ruins Seen From the East End of the Church
undated
33
Henry Swinburne, 1743–1803
Bagneres-de-Bigoree, France
undated
34
Henry Swinburne, 1743–1803
View of the Cascine Near Florence
1787
35
Henry Swinburne, 1743–1803
View of the Road Near Borchetta
undated
36
Henry Swinburne, 1743–1803
Study of a Section Piece From The Lions Court at Alahambra
1775 to 1776
37
Henry Swinburne, 1743–1803
Landscape View of a Grotto
undated
38
Henry Swinburne, 1743–1803
View of a City Harbor
undated
39
Henry Swinburne, 1743–1803
Bagneres-de-Bigorre, France
undated
40
Henry Swinburne, 1743–1803
Rocky Landscape with Waterfalls and Goats
undated
41
Henry Swinburne, 1743–1803
The Alhambra From the Fort of St. Helena
1775 to 1776
42
Joseph Cartwright, c.1789–1829
Junk Ship Employed Against Gibralter..Single Junk Ship
1782
43
Attributed to Dominic Serres, 1722–1793
Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
undated
44
unknown artist
Two Frigates
undated
45
Michael "Angelo" Rooker, 1746–1801
The Gate at Blenheim
1787
46
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
47
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
48
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
49
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
50
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
51
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
52
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
53
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
54
Thomas Rowlandson, 1756–1827
The Recruiting Officer
1797
55
unknown artist
Docks, September 6, 1777
1777
56
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
57
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
58
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
59
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
60
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
61
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
62
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
63
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
64
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
65
Sawrey Gilpin, 1733–1807
A Dwelling
ca. 1760
66
Captain John Bernard Gilpin, 1701–1776
View from a Riverbank
undated
67
Rev. William Gilpin, 1724–1804
Landscape with Large Cruciform
1769
68
Rev. William Gilpin, 1724–1804
Landscape with Castle, River and Mountain
between 1762 and 1783
69
Rev. William Gilpin, 1724–1804
Landscape
1765
70
Rev. William Gilpin, 1724–1804
View of Windermere
between 1762 and 1783
71
Rev. William Gilpin, 1724–1804
Landscape with Castle on Riverbank
1763
72
Rev. William Gilpin, 1724–1804
River Landscape with Castle in the Distance
1766
73
Rev. William Gilpin, 1724–1804
Two Trees in a Landscape
between 1762 and 1783
74
Rev. William Gilpin, 1724–1804
Three Figures in a Landscape
1766
75
Rev. William Gilpin, 1724–1804
Landscape with Road Leading to Abbey
1762
76
Rev. William Gilpin, 1724–1804
Mountain Landscape
between 1762 and 1783
77
unknown artist
Westminster Bridge from Lambeth Walk
undated
78
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
79
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
80
Paul Sandby, 1731–1809
London Cries: Flowers
undated
81
Robert Morrison, active ca. 1791
Design for Court of Edinburgh University
1779
82
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
83
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
84
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
85
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
86
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
87
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
88
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
89
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
90
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
91
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
92
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
93
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Bath
1798
94
unknown artist
Evening
1799
95
unknown artist
Mid-Day
1799
96
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
97
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
98
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
99
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
100
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."