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Materials & Techniques gray ink

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Creator Gender male

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Period 18th century

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George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
ca. 1790–92
On view at YUAG
John Flaxman Get Thee Behind Me, Satan
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
On view at YUAG
John Flaxman The Creation of the Heavens
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
On view at YUAG
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
George Romney David before Saul
George Romney, 1734–1802
David before Saul
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
1790-1791
Willey Reveley Views in the Levant: Paestum
Willey Reveley, 1760–1799
Views in the Levant: Paestum
ca. 1785
Willey Reveley Views in the Levant: Malta
Attributed to Willey Reveley, 1760–1799
Views in the Levant: Malta
ca. 1785
Willey Reveley Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul
Willey Reveley, 1760–1799
Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul
ca. 1785
William Pars Temple of Jupiter Panhellenios at Aegina
William Pars, 1742–1782
Temple of Jupiter Panhellenios at Aegina
between 1764 and 1766
Henry Swinburne Court of the Lions in the Alhambra of Granada
Henry Swinburne, 1743–1803
Court of the Lions in the Alhambra of Granada
1775 to 1776
Henry Swinburne Court of the Lions in the Alhambra of Granada
Henry Swinburne, 1743–1803
Court of the Lions in the Alhambra of Granada
1775 to 1776
Henry Swinburne Architectural Sketches of Sections in Alhambra of Granada
Henry Swinburne, 1743–1803
Architectural Sketches of Sections in Alhambra of Granada
1775 to 1776
Henry Swinburne Entrance of the Torre de las dos Hermanas in the Alhambra
Henry Swinburne, 1743–1803
Entrance of the Torre de las dos Hermanas in the Alhambra
1775 to 1776
Henry Swinburne Plan of the Palaces of Charles the Fifth, and of the Moorish Kings in the Alhambra of Granada
Henry Swinburne, 1743–1803
Plan of the Palaces of Charles the Fifth, and of the Moorish Kings in the Alhambra of Granada
1775 to 1776
Henry Swinburne Sketches for Capitals of Columns and Mosaic Squares at Alhambra
Henry Swinburne, 1743–1803
Sketches for Capitals of Columns and Mosaic Squares at Alhambra
1775 to 1776
Henry Swinburne The Great Bath of the Alhambra
Henry Swinburne, 1743–1803
The Great Bath of the Alhambra
1775 to 1776
Henry Swinburne Picturesque Landscape
Henry Swinburne, 1743–1803
Picturesque Landscape
undated
Henry Swinburne Gates of the Alhambra: Puerta del Juicio
Henry Swinburne, 1743–1803
Gates of the Alhambra: Puerta del Juicio
1775 to 1776
Henry Swinburne Gavarnie, France
Henry Swinburne, 1743–1803
Gavarnie, France
undated
Henry Swinburne View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
Henry Swinburne, 1743–1803
View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
1764
Henry Swinburne Near La Rocca
Henry Swinburne, 1743–1803
Near La Rocca
1777 to 1778
Henry Swinburne Near Guadix
Henry Swinburne, 1743–1803
Near Guadix
1775 to 1776
Henry Swinburne Carmona
Henry Swinburne, 1743–1803
Carmona
1775 to 1776
Henry Swinburne Mountain Landscape View of a River Flowing through a Town
Henry Swinburne, 1743–1803
Mountain Landscape View of a River Flowing through a Town
undated
Henry Swinburne A Waterfall
Henry Swinburne, 1743–1803
A Waterfall
undated
Henry Swinburne Sketch of a Villiage Set in in Hilly Landscape
Henry Swinburne, 1743–1803
Sketch of a Villiage Set in in Hilly Landscape
undated
Henry Swinburne Isle of Capri Seen on the South
Henry Swinburne, 1743–1803
Isle of Capri Seen on the South
1777 to 1778
Henry Swinburne Château Sainte-Marie, France
Henry Swinburne, 1743–1803
Château Sainte-Marie, France
undated
Henry Swinburne Bridge of Snow
Henry Swinburne, 1743–1803
Bridge of Snow
undated
Henry Swinburne Part of the Ruins Seen From the East End of the Church
Henry Swinburne, 1743–1803
Part of the Ruins Seen From the East End of the Church
undated
Henry Swinburne Bagneres-de-Bigoree, France
Henry Swinburne, 1743–1803
Bagneres-de-Bigoree, France
undated
Henry Swinburne View of the Cascine Near Florence
Henry Swinburne, 1743–1803
View of the Cascine Near Florence
1787
Henry Swinburne View of the Road Near Borchetta
Henry Swinburne, 1743–1803
View of the Road Near Borchetta
undated
Henry Swinburne Study of a Section Piece From The Lions Court at Alahambra
Henry Swinburne, 1743–1803
Study of a Section Piece From The Lions Court at Alahambra
1775 to 1776
Henry Swinburne Landscape View of a Grotto
Henry Swinburne, 1743–1803
Landscape View of a Grotto
undated
Henry Swinburne View of a City Harbor
Henry Swinburne, 1743–1803
View of a City Harbor
undated
Henry Swinburne Bagneres-de-Bigorre, France
Henry Swinburne, 1743–1803
Bagneres-de-Bigorre, France
undated
Henry Swinburne Rocky Landscape with Waterfalls and Goats
Henry Swinburne, 1743–1803
Rocky Landscape with Waterfalls and Goats
undated
Henry Swinburne The Alhambra From the Fort of St. Helena
Henry Swinburne, 1743–1803
The Alhambra From the Fort of St. Helena
1775 to 1776
Joseph Cartwright Junk Ship Employed Against Gibralter..Single Junk Ship
Joseph Cartwright, c.1789–1829
Junk Ship Employed Against Gibralter..Single Junk Ship
1782
Dominic Serres Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
Attributed to Dominic Serres, 1722–1793
Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
undated
unknown artist Two Frigates
unknown artist
Two Frigates
undated
Michael "Angelo" Rooker The Gate at Blenheim
Michael "Angelo" Rooker, 1746–1801
The Gate at Blenheim
1787
Michael "Angelo" Rooker Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Rowlandson Bucks of the First Head
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
Thomas Rowlandson The Recruiting Officer
Thomas Rowlandson, 1756–1827
The Recruiting Officer
1797
unknown artist Docks, September 6, 1777
unknown artist
Docks, September 6, 1777
1777
James Gwin Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
James Gwin Position Aprés Avoir Désarmé sur le Coup de Tierce
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
Giovanni Battista Borra View of a Valley with Ruins at Sardis
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
Giovanni Battista Borra Castello di Smirna
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
Giovanni Battista Borra View of the Modern City of Pergamon
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
Giovanni Battista Borra Posizione delle Piramidi di Sachara
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
John Michael Rysbrack Illustration to the Iliad
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
Sawrey Gilpin A Dwelling
Sawrey Gilpin, 1733–1807
A Dwelling
ca. 1760
Captain John Bernard Gilpin View from a Riverbank
Captain John Bernard Gilpin, 1701–1776
View from a Riverbank
undated
Rev. William Gilpin Landscape with Large Cruciform
Rev. William Gilpin, 1724–1804
Landscape with Large Cruciform
1769
Rev. William Gilpin Landscape with Castle, River and Mountain
Rev. William Gilpin, 1724–1804
Landscape with Castle, River and Mountain
between 1762 and 1783
Rev. William Gilpin Landscape
Rev. William Gilpin, 1724–1804
Landscape
1765
Rev. William Gilpin View of Windermere
Rev. William Gilpin, 1724–1804
View of Windermere
between 1762 and 1783
Rev. William Gilpin Landscape with Castle on Riverbank
Rev. William Gilpin, 1724–1804
Landscape with Castle on Riverbank
1763
Rev. William Gilpin River Landscape with Castle in the Distance
Rev. William Gilpin, 1724–1804
River Landscape with Castle in the Distance
1766
Rev. William Gilpin Two Trees in a Landscape
Rev. William Gilpin, 1724–1804
Two Trees in a Landscape
between 1762 and 1783
Rev. William Gilpin Three Figures in a Landscape
Rev. William Gilpin, 1724–1804
Three Figures in a Landscape
1766
Rev. William Gilpin Landscape with Road Leading to Abbey
Rev. William Gilpin, 1724–1804
Landscape with Road Leading to Abbey
1762
Rev. William Gilpin Mountain Landscape
Rev. William Gilpin, 1724–1804
Mountain Landscape
between 1762 and 1783
unknown artist Westminster Bridge from Lambeth Walk
unknown artist
Westminster Bridge from Lambeth Walk
undated
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Paul Sandby London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
Paul Sandby London Cries: Flowers
Paul Sandby, 1731–1809
London Cries: Flowers
undated
Robert Morrison Design for Court of Edinburgh University
Robert Morrison, active ca. 1791
Design for Court of Edinburgh University
1779
James Gwin Position de la Garde Italienne de L'Epée & Poignard
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
James Gwin Du Desarmement Aprés Avoir Paré le Coup de Quarte
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
James Gwin De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
James Gwin Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
James Gwin De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
James Gwin Du Desarmement Aprés la Parade au Dehors des Armes
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
James Gwin Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
James Gwin Risposte Aprés Avoir Trompé la Parade du Poignard
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
James Gwin L'Epée & Lanterne Combattüe par L'Epée et Manteau
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
Heinrich W. Schweickhardt Haymaking
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
Thomas Rowlandson Comforts of Bath: The Bath
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Bath
1798
unknown artist Evening
unknown artist
Evening
1799
unknown artist Mid-Day
unknown artist
Mid-Day
1799
Samuel Howitt Coursing: Setting Out
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
Thomas Rowlandson Breakfast before the Hunt
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
Louis Philippe Boitard Dosing a Racehorse
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
John Vanderbank "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729