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Materials & Techniques gray ink

Remove constraint Materials & Techniques: gray ink

Period 18th century-19th century

Remove constraint Period: 18th century-19th century

Height [cm] 28

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Side View of Single Barque
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink and graphite on thick, rough, beige wove paper
Dimensions:
Mount: 10 15/16 × 16 3/4 inches (27.8 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
The Guards on the March for the Duke of York's Campaign in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Several Battleships at Battle: Row Boats with Figures
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 12 7/8 × 19 7/8 inches (32.7 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
The Picnic
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite; verso: graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 x 16 7/16 inches (27.8 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Fist Fight, With the Prince Regent Among the Spectators
Creator:
George Dance, 1741–1825
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/16 × 16 3/4 inches (28.4 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figure Study of a Lady (back view)
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 11/16 × 6 1/4 inches (19.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
Figure Study of a Lady
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 13/16 × 6 3/8 inches (19.8 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
Figure Study of a Lady
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
Mountainous Landscape with Figures
Creator:
attributed to Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Watercolor, with pen in gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 x 17 inches (27.9 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Woodcutter's Picnic
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and vermillion ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 10 13/16 x 15 1/16 inches (27.5 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Group of Trees
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 15 7/8 inches (27.6 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Dying Sailor
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 12 13/16 inches (27.5 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Rogero

Rogero
Creator:
after Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 8 1/8 inches (28.4 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge on the Malton Road from York
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/8 x 17 3/4 inches (37.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View in Barnscliff, near Scarborough, when Overflowed by the Derwent
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper prepared with orange wash, mounted on thick, moderately textured, cream laid paper with wash line border
Dimensions:
Mount: 14 5/8 x 17 1/2 inches (37.1 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Island of Hoy, the Orkneys
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, pen, brown ink, graphite, gray ink, and gray wash on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 7/8 inches (28.3 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Longleat from Park Hill
Creator:
Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:
undated
Materials & Techniques:
Gray wash, pen and gray ink, brown ink, black ink, graphite, gouache, and scratching out on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 13 5/8 × 17 1/8 inches (34.6 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Occupied Fort
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 5/16 × 24 1/16 inches (36.4 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
George Richardson, ca.1738–ca.1813
Date:
undated
Materials & Techniques:
Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 13 1/8 inches (27.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
George Richardson, ca.1738–ca.1813
Date:
undated
Materials & Techniques:
Watercolor and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 13 3/4 inches (28.3 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection