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Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 19th century
Remove constraint Period: 19th centurySearch Results
1
- A Harrow in the Orchard
- ca. 1896
2
- Helmingham: The Silent Pool
- ca. 1800
3
- Mr. Hobson of Markfield and Family
- ca. 1806
4
- A Bridge near Salisbury Court, Perhaps Milford Bridge
- ca. 1829
5
- Trees and Deer
- 1825
6
- Cottage among Trees
- ca. 1795
7
- Study of Waves
- undated
8
- Opening the Fold: Early Morning
- ca. 1880
9
- Cornfields with Barn, Shoreham
- ca. 1829
10
- A Cottage among Trees, Shoreham
- undated
11
- Shoreham, Kent
- between 1831 and 1832
12
- Boxhill
- 1868
13
- An Ancient Barn at Shoreham
- undated
14
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
15
- Study for "The Shearers"
- between 1833 and 1834
16
- The Primitive Cottage, Shoreham
- undated
17
- Rheinfels Looking to Katz and Gourhausen
- 1817
18
- Mountainous Landscape with Town in Valley
- ca. 1840
19
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
20
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
21
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
22
- The Capo Sant' Angelo, Amalfi
- ca. 1885
23
- Ruins of Messenia
- 1802-1804
24
- Ruins of Messenia
- 1802-1804
25
- Ruins of Sparta
- 1802-1804
26
- The Ruins of an Ancient Temple on the Summit of a Mountain Near Andritza
- 1802-1804
27
- Architectural Drawing of the Porticos of a Temple
- 1802-1804
28
- Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
- 1802-1804
29
- Study of the Capital of a PIllar
- 1802-1804
30
- Study of the Capital of a Pillar
- 1802-1804
31
- Landscape With Mountains in the Horizon
- 1802-1804
32
- Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon
- 1802-1804
33
- Temple Near the Site of Ancient Phigalia
- 1803
34
- North Porch of the Erectheion, Athens
- ca. 1804
35
- Temple of Olympian Zeus, Athens
- 1802-1804
36
- Landscape of a Village
- 1802-1804
37
- Mount Parnassus
- 1802-1804
38
- Temple of Aphaea
- 1802-1804
39
- Remains of the Temple of Aphaea, Island of Aigina
- 1802-1804
40
- Architectural Drawing of the Temple of Concordia
- 1802-1804
41
- Entrance into Girgenti From the Port
- 1802-1804
42
- Temple Ruins
- 1802-1804
43
- Sketch of Part of a Column
- 1802-1804
44
- Study of a Bust
- 1802-1804
45
- Powder Tower, One of the Original City Gates into the City of Prague
- 1802-1804
46
- One of the Upper Prague Streets
- 1802-1804
47
- A Cow House, Attached to a Villa Near Dresden
- 1802-1804
48
- Villa in the Electoral Gardens Near Dresden
- 1802-1804
49
- Sketch of an Ornamental Arched Entry
- 1802-1804
50
- Interior of a Church
- 1802-1804
51
- Sketch of a Mausoleum
- 1802-1804
52
- Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814
- 1814
53
- North-West Front, Cassiobury
- 1816
54
- Corbeaux Town, Port of Spain
- 1857
55
- Forest Scenery near Tamana
- 1857
56
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
57
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
58
- Hogarth Declaring His Love to Miss Thornhill
- 1817
59
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
60
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
61
- The Smock Exposed
- 1817
62
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
63
- The Reconcilation
- 1817
64
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
65
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
66
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
67
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
68
- Decorative Design with Heads of a Cat, Hare and Goose
- undated
69
- Wychwood Forest
- 1806
70
- Edinburgh Castle and Horse Fair
- ca. 1828
71
- Humorous Family Scene
- undated
72
- Totnes from the Seymour Hotel
- 1838
73
- Two Little Girls
- ca. 1810
74
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
75
- Cheyne Walk, Old Chelsea
- 1861
76
- Pale Melancholy
- ca. 1804
77
- Alicante, Spain
- 1853
78
- Study of J.M.W. Turner Sketching
- undated
79
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
80
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
81
- The Eleventh Hour
- 1817
82
- Interior of a Coppersmith's, Shoe Lane
- undated
83
- Rusthill Common near Tunbridge Wells, Kent
- ca. 1840
84
- Pale Melancholy
- ca. 1804
85
- A Winding River
- undated
86
- The Search after Truth
- undated
87
- Kenilworth Castle
- 1807
88
- Cleopatra on the Cydnus to Meet Antony
- ca. 1821
89
- But Deliver Us From Evil
- 1805
90
- The Old Double Bridge, Bury St. Edmunds
- 1833
91
- The Nile, Looking towards Nabia
- ca. 1869
92
- The Spoiled Child, Scene I
- ca. 1802
93
- The Spoiled Child, Scene II
- ca. 1802
94
- The Spoiled Child, Scene IV
- ca. 1802
95
- The Spoiled Child, Scene III
- ca. 1802
96
- The Spoiled Child, Scene VI
- ca. 1802
97
- Henstridge Church, 23 August 1833
- 1833
98
- 38 Sketches in Cumberland, Westmoreland, etc
- 1834 to 1846
99
- Scene from Quentin Durward
- 1833
100
- Romantic Landscape
- 1803