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Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washOn-site Access Accessible by appointment in the Study Room
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1
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
2
- Mr. Hobson of Markfield and Family
- ca. 1806
3
- Study for the Foundlings
- ca. 1739
4
- Man with Horse and Cart Entering a Quarry
- ca. 1797
5
- Prison Scene
- undated
6
- The Indian Woman
- undated
7
- Sketch for Howard Scene
- undated
8
- Cloaked Figure Leaping
- undated
9
- Possibly a Deposition
- undated
10
- Shepherdess Cutting an Inscription on a Tree
- late 1770s
11
- Ladies in Waiting
- undated
12
- Prison Scene
- undated
13
- Horseman of Montecavallo
- between 1773 and 1774
14
- Two Sisters
- late 1770s
15
- Two Nude Children
- undated
16
- Boy Seated beneath a Rock
- undated
17
- Prison Scene
- 1790-1791
18
- Woman at a Column
- undated
19
- Sketch of a Family Group
- undated
20
- Sketch of Female Figure
- undated
21
- Seated Female Figure with Two Children
- undated
22
- Mother and Child
- undated
23
- Figure of a Standing Woman
- undated
24
- Sketch of a Lady
- undated
25
- Standing Figure of a Woman (Psyche)
- undated
26
- Unidentified Periodical / Play Illustration
- undated
27
- Unidentified Periodical / Play Illustration
- undated
28
- Unidentified Periodical / Play Illustration
- undated
29
- Unidentified Periodical / Play Illustration
- undated
30
- Unidentified Periodical/Play Illustration
- undated
31
- Cat Like Courtship
- undated
32
- The Great Court, Trinity College, Cambridge
- undated
33
- The Toilet
- undated
34
- Election Scene
- undated
35
- An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
- undated
36
- A Farm Cart
- undated
37
- Conway, North Wales: The Castle and the Old College House
- 1802
38
- View on the Liris at Isola di Sora
- 1790
39
- South View of Bath
- 1773
40
- Bath: The Circus
- 1773
41
- Bath: Queen Square
- 1773
42
- The City of Bath taken from the London Road
- 1773
43
- Bath: The New Bridge
- 1773
44
- London Cries: Shoe Cleaner
- ca. 1759
45
- London Cries: A Man with a Basket (Man Selling Pots and Pans)
- undated
46
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
47
- London Cries: Small Coal or Brushes
- ca. 1759
48
- London Cries: All Fire and No Smoke
- ca. 1759
49
- London Cries: Flowers
- undated
50
- London Cries: A Lace Seller
- ca. 1759
51
- London Cries: Boy with a Donkey
- ca. 1759
52
- London Cries: A Man Swaggering
- undated
53
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
54
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
55
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
56
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
57
- The Smock Exposed
- 1817
58
- The Reconcilation
- 1817
59
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
60
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
61
- Hogarth Drawing Sarah Malcolm
- 1817
62
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
63
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
64
- Hogarth Sitting to Roubiliac for His Bust
- 1817
65
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
66
- Interior of a Coppersmith's, Shoe Lane
- undated
67
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
68
- The Eleventh Hour
- 1817
69
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
70
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
71
- French Songs
- 1946
72
- Fiesta Mallorquina
- 1932
73
- Morning on a Hillside
- 1936
74
- An Autumn Afternoon on Hampstead Heath
- 1939
75
- Trio
- 1940
76
- Haymaking
- undated
77
- A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
- undated
78
- Riders, Figures and a Dog
- undated
79
- Figures with a Wagon and Horses
- undated
80
- "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
- 1729
81
- "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
- 1729
82
- May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255)May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
- undated
83
- March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127)March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
- undated
84
- November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
- undated
![Thomas Stothard June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)](https://media.collections.yale.edu/thumbnail/ycba/de8c44cf-d537-4631-b1ea-c9a0bdfd4121)
85
- June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
- undated
![Thomas Stothard April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)](https://media.collections.yale.edu/thumbnail/ycba/f8db807a-6d7f-48bc-910a-9b7ddb6f96f0)
86
- April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
- undated
![Thomas Stothard August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)](https://media.collections.yale.edu/thumbnail/ycba/62eb7eb2-0cc1-44eb-b049-334872524376)
87
- August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
- undated
88
- October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
- undated
89
- September 1st: The High Roads Were Filled (Vol. 2, p. 324)September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
- undated
90
- December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
- undated
91
- A Stage Coach Outside of the Entrance of an Inn
- undated
92
- Johnny and His Pony
- 1836
93
- A Soldier's Knapsack: Two Studies, Side and Front View
- undated
94
- Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
- undated
95
- A Chaise and Pair, With Post-Boy
- undated
96
- Young Woman playing a Violin
- between 1897 and 1898
97
- Conversazione
- undated
98
- A Game at Cards
- undated
99
- Wallflowers
- undated
100
- Philipines
- undated