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Materials & Techniques gray wash

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Period 18th century

Remove constraint Period: 18th century

Height [cm] 23

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Giovanni Battista Borra View of the Valley of Laodicea
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
Giovanni Battista Borra Is'Tmo di Cizico unito al Continente
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
Alexander Cozens A Valley
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
Thomas Smith of Derby Town and Lake of Lugano
Thomas Smith of Derby, ca. 1720–1767
Town and Lake of Lugano
undated
Sir George Howland Beaumont seventh Baronet Mount Palatine
Sir George Howland Beaumont seventh Baronet, 1753–1827
Mount Palatine
1783
Henry Wigstead Interior of the Brandenburg House Theatre, Hammersmith
Henry Wigstead, ca. 1745–ca. 1800
Interior of the Brandenburg House Theatre, Hammersmith
ca. 1792
Sir James Thornhill Design for a Ceiling
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
Michael "Angelo" Rooker Kenilworth Castle, with Figures on the Hillside
Michael "Angelo" Rooker, 1746–1801
Kenilworth Castle, with Figures on the Hillside
undated
John Maurer The Mansion House
John Maurer, active 1713–1761
The Mansion House
undated
Canaletto Capriccio of a Venetian Courtyard
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
Richard Wilson Italianate Landscape Composition
pupil of Richard Wilson, 1713/4–1782
Italianate Landscape Composition
undated
Isaac Weld View of the Rock Bridge
Isaac Weld, 1774–1856
View of the Rock Bridge
between 1795 and 1797
John Flaxman The Creation of the Heavens
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
Gangaram Chintaman Tambat A Rhinoceros in the Peshwa's Menagerie at Poona
Gangaram Chintaman Tambat, active 1790s
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
Jean B. C. Chatelain The Grotto and the Temple of Contemplation, Stowe
Jean B. C. Chatelain, 1710–1771
The Grotto and the Temple of Contemplation, Stowe
1752
Thomas Girtin The Land Gate, Rye, Sussex
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
Sawrey Gilpin Abbey Ruin
Sawrey Gilpin, 1733–1807
Abbey Ruin
1760
Sawrey Gilpin A Greyhound
Sawrey Gilpin, 1733–1807
A Greyhound
1760
Sawrey Gilpin A Dwelling
Sawrey Gilpin, 1733–1807
A Dwelling
ca. 1760
James Gwin Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
James Gwin Position pour le Garde en Tierce et le Coup de Tierce
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
James Gwin Position de la Garde en Quarte, et le Coup de Flanconnade
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
James Gwin Quatrieme Position du Salut
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
James Gwin Risposte Aprés Avoir Trompé la Parade du Poignard
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
unknown artist The City of London from Somerset House
unknown artist
The City of London from Somerset House
ca. 1780
Anthony Walker Political Caricature: "The Spiritualists"
Anthony Walker, 1726–1765
Political Caricature: "The Spiritualists"
undated
James Gwin Premiere Position pour tirer L'Epée
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
James Gwin Position pour la Garde en Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
James Gwin Position pour la Garde en Tierce
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
James Gwin Position pour la Garde en Quarte et le Coup de Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
James Gwin Position de la Garde de Tierce et le Coup de Seconde
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
James Gwin De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
James Gwin De la Parade de Tierce, sur le Coup de Tierce
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
James Gwin De la Parade du Cavé sur le Coup de Flanconnade
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
James Gwin De la Risposte de Quarte apres la Parade de Quarte
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
James Gwin De la Risposte en Quinte de Pied forme sur le Coup de Seconde
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
James Gwin De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
James Gwin Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
James Gwin De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
James Gwin Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
Dominic Serres Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
Attributed to Dominic Serres, 1722–1793
Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
undated
John Robert Cozens Bath: Queen Square
Print made by John Robert Cozens, 1752–1797
Bath: Queen Square
1773
John Robert Cozens The City of Bath taken from the London Road
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
John Robert Cozens Bath: The New Bridge
Print made by John Robert Cozens, 1752–1797
Bath: The New Bridge
1773
John Robert Cozens Bath: The South Parade
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
John Robert Cozens Bath: The Crescent
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
John Robert Cozens Bath: The North Parade
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
John Robert Cozens South View of Bath
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
unknown artist Views in the Levant: Study of Figures From a Frieze or Panel
unknown artist
Views in the Levant: Study of Figures From a Frieze or Panel
ca. 1785
Giovanni Battista Borra Mausolio d'Haliatte in Faccia a Sardes
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
Giovanni Battista Borra View of the Valley of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Situazione Di Ceramo
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
unknown artist Venus and Cupid
unknown artist
Venus and Cupid
undated
Capt. Francis Grose Binsey Church, Oxford
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
Capt. Francis Grose Binsey Church, Oxford
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
Stephen Riou La Prigioni a Venezia
Stephen Riou, 1720–1780
La Prigioni a Venezia
1752
Stephen Riou Alzata della faciata d'una Casa per fare alla Villa
Stephen Riou, 1720–1780
Alzata della faciata d'una Casa per fare alla Villa
1752
Stephen Riou Il diritto della Facciata d'una Casa per fare alla Campagna
Stephen Riou, 1720–1780
Il diritto della Facciata d'una Casa per fare alla Campagna
1752
Stephen Riou Alzata di'una faciata d'un Palazzo di 15 finestre per fare in luogo nobile della citta
Stephen Riou, 1720–1780
Alzata di'una faciata d'un Palazzo di 15 finestre per fare in luogo nobile della citta
1752