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Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washPeriod 18th century
Remove constraint Period: 18th centuryHeight [cm] 27
Remove constraint Height [cm]: 27Search Results
1
- Benjamin Read
- ca. 1757
2
- Sketches for "The Accusation of Susanna"
- undated
3
- Prison Scene
- undated
4
- Design for Title Page
- undated
5
- A Valley
- between 1775 and 1780
6
- Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
- ca. 1768
7
- The Coal Wharf, Oxford
- 1792
8
- Wooded Landscape with Cattle, Figures and a House
- undated
9
- The Tooth Drawer
- undated
10
- The Falls at Tivoli
- between 1752 and 1757
11
- Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
- ca. 1733
12
- Unidentified Country House: Rear Elevation
- undated
13
- Weighing Scale
- undated
14
- Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers
- ca. 1770
15
- Unidentified Country House: Front Elevation
- undated
16
- Cookham on the Thames, Berkshire
- 1792
17
- Open Landscape with Horsemen and Covered Cart
- between 1780 and 1788
18
- Wooded Landscape with Country Cart and Figures Walking down a Lane
- ca. 1760
19
- Porchester Castle, Hampshire
- undated
20
- Classical Figures in Battle
- undated
21
- Leicester, St. Mary's Church
- 1778
22
- Wooded Landscape with Figures, Cottage and Cow
- between 1785 and 1788
23
- Man Asleep leaning against a table
- undated
24
- A Querulous Committee Meeting
- undated
25
- Pont Aber Glaslyn
- 1785
![Samuel Davis Kapta [Chapcha] Castle](https://media.collections.yale.edu/thumbnail/ycba/1a3261be-05f5-4ac0-89ed-f90c3c460113)
26
- Kapta [Chapcha] Castle
- 1783
27
- Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps
- ca. 1785
28
- An Orchestra Rehearsing
- undated
29
- View of the Falls of Niagara
- between 1795 and 1797
30
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
31
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
32
- Quatrieme Position du Salut
- 1763
33
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
34
- Premiere Position pour tirer L'Epée
- 1763
35
- Position pour la Garde en Quarte
- 1763
36
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
37
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
38
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
39
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
40
- De la Parade Dequinte sur le Coup de Quinte
- 1763
41
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
42
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
43
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
44
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
45
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
46
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
47
- Bhurt Chullenghan
- undated
48
- Musical Instruments
- undated
49
- Cobham Hall, Kent: Elevation of the Office
- ca. 1790