Powder Tower, One of the Original City Gates into the City of Prague
1802-1804
9
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
10
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
11
Henry Swinburne, 1743–1803
Rocky Landscape with Waterfalls and Goats
undated
12
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
13
John Thomas Smith, 1766–1833
The Smock Exposed
1817
14
John Thomas Smith, 1766–1833
The Reconcilation
1817
15
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
16
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
17
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
18
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
19
James Bruce, 1730–1794
Study of the Front of a Horse
undated
20
Attributed to George Perfect Harding, 1780–1853
Iconographie Anglaise par Reynolds et Autres: Dr. Richard D. Bentley
undated
21
Wenceslaus Hollar, 1607–1677
A View from Peterborough Tower at Tangier
1669
22
Harry John Johnson, 1826–1884
Alicante, Spain
1853
23
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
24
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
25
Joseph Windham, 1739–1810
Netley Abbey
undated
26
Aubrey Vincent Beardsley, 1872–1898
The Lady at the Dressing Table
ca. 1897
27
Thomas Hearne, 1744–1817
Farmhouse and Buildings by a Stream
undated
28
William Knight, active 1807–1845
Chiddingstone Place, View from the Lake
ca. 1850s
29
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
30
Dr. Thomas Monro, 1759–1833
Composition: The Edge of a Wood
undated
31
James Paine, 1717–1789
Design for a Temple on a Square Plan and with a Dome: Elevation
undated
32
Hamlet Winstanley, 1698–1756
The Adoration
1723
33
Henry Tresham, 1751–1814
Playing at Dice, Trepani
between 1780 and 1790
34
John Kendall, 1766–1829
Sarcophagus in a Church
May 10, 1806
35
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
36
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
37
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
38
Charles Brooking, 1723–1759
Two Frigates before the Wind
undated
39
Joseph Wilton, 1722–1803
Design for a Frieze
undated
40
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
41
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
42
Paul Sandby, 1731–1809
London Cries: Small Coal or Brushes
ca. 1759
43
pupil of Richard Wilson, 1713/4–1782
Italianate Landscape Composition
undated
44
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Screen
undated
45
Sir Charles D'Oyly, 1781–1845
Garden Reach - Calcutta
undated
46
James Sowerby, 1756–1822
Grebes
undated
47
attributed to Paul Sandby, 1731–1809
Two Boats at Anchor
undated
48
Thomas Rowlandson, 1756–1827
Landscape with a Hunting Party
undated
49
Sawrey Gilpin, 1733–1807
Horseman fleeing storm
undated
50
unknown artist
Landscape with Trees and a Distant Castle
ca. 1800
51
Heneage Finch fourth Earl of Aylesford, 1751–1812
Landscape with a Bridge
1790 to 1795
52
John Flaxman, 1755–1826
Two Women Talking to a Man at a Counter
undated
53
Hubert-François Gravelot, 1699–1773
Port Mahon
between 1756 and 1773
54
Sawrey Gilpin, 1733–1807
Studies of Cattle
undated
55
Thomas Daniell, 1749–1840
Sculptural Study
undated
56
Francis Towne, 1740–1816
Oakhampton Castle
1772
57
unknown artist
Tattersall's Training School
1771
58
Attributed to Batty Langley, 1696–1751
Moody Hall: Floor Plan of the First Design
undated
59
Samuel Collings, active 1784–1795
A Querulous Committee Meeting
undated
60
Thomas Chippendale, 1718–1779
Designs for Gothic Chairs
undated
61
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putti
undated
62
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
63
Samuel Scott, 1701/2–1772
A View of Bristol with Ratcilffe Church and Lime Kiln Dock
undated
64
unknown artist
Dancer playing Cymbals
undated
65
Charles Hamilton Smith, 1776–1859
Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13
ca. 1837
66
James Ward, 1769–1859
Studies of Gulls
undated
67
Edward Francis Burney, 1760–1848
Bathing Houses at Margate
undated
68
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
69
unknown artist
Erlestoke Park
ca. 1825
70
Sawrey Gilpin, 1733–1807
Garden View from the Side of a House
ca. 1760
71
Sawrey Gilpin, 1733–1807
Boats at Sea
undated
72
Rev. William Gilpin, 1724–1804
River Landscape with Castle in the Distance
1766
73
John Glover, 1767–1849
On the River Wye with Wilton Castle Ruins on a Bend in the River
after 1794
74
Joseph Cartwright, c.1789–1829
Side View of Corvette
undated
75
Thomas Rowlandson, 1756–1827
Mrs. Abington
undated
76
Samuel Hieronymus Grimm, 1733–1794
The Bishop's Palace, Bromley (A Country House)
undated
77
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
78
Henry Swinburne, 1743–1803
Architectural Sketches of Sections in Alhambra of Granada
1775 to 1776
79
Henry Swinburne, 1743–1803
Sketches for Capitals of Columns and Mosaic Squares at Alhambra
1775 to 1776
80
Gwen John, 1876–1939
Young Woman playing a Violin
between 1897 and 1898
81
Sir Robert Smirke the younger, 1781–1867
Front of La Maddalena Church, Venice
1802-1804
82
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
83
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
84
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
85
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
86
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
87
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
88
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
89
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
90
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
91
Giovanni Battista Borra, 1713–1770
Plan of the Bay of Tyre
ca. 1750
92
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
93
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
94
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
95
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
96
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
97
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis