Architectural Drawing of the Temple of Sunias Minerva
1802-1804
7
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
8
Sir Robert Smirke the younger, 1781–1867
The Castle Inhabited by Petrarch, Vaucluse
1802
9
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
10
Joseph Cartwright, c.1789–1829
Three Ships with Barque-like Rigging
undated
11
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
12
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
13
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
14
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
15
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
16
John Thomas Smith, 1766–1833
The Smock Exposed
1817
17
John Thomas Smith, 1766–1833
The Reconcilation
1817
18
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
19
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
20
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
21
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
22
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
23
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
24
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
25
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
26
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
27
Print made by John Copley, 1875–1950
Morning on a Hillside
1936
28
Print made by John Copley, 1875–1950
In My Studio
1949
29
John Piper, 1903–1992
Cottage at Deane, Hants
1938
30
Francis Barlow, 1622–1704
Hare Hunting
undated
31
John Piper, 1903–1992
Selborne Church
1961
32
unknown artist
Tattersall's Training School
1771
33
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
34
Print made by François Louis Thomas Francia, 1772–1839
Landscape with Cottages
undated
35
Thomas Daniell, 1749–1840
Rocky Landscape
undated
36
Thomas Daniell, 1749–1840
Buddha
undated
37
Attributed to Augustin Heckel, 1690–1770
Album of Fifty-five Ornamental Designs
undated
38
Sir George Howland Beaumont seventh Baronet, 1753–1827
Leasehold Farm Boxted
1791
39
Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Gorge and Cattle
undated
40
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
41
Thomas Hearne, 1744–1817
The Welsh Curate
undated
42
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
43
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
44
Dr. Thomas Monro, 1759–1833
Cottage amongst Trees
undated
45
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
46
Isaac Weld, 1774–1856
Pass of the Gemmi/ Descending to Leukas Bad (Switzerland)
ca. 1817
47
Heneage Finch fourth Earl of Aylesford, 1751–1812
Tenby
undated
48
James Gwin, 1700–1769
Troisieme Position du Salut
1763
49
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
50
Nicholas Pocock, 1740–1821
View from Ashton Meadows, Bristol
1791
51
Edward Pierce, c.1630–1695
The Diana Fountain, Bushy Park: Original Design
undated
52
Edward Penny, 1714–1791
The Generosity of Johnny Permain
undated
53
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
54
Michel Jean Cazabon, 1813–1888
St. James' Barracks from the Playground of the Model School
1857
55
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
56
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
57
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
58
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
59
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
60
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
61
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
62
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
63
Michel Jean Cazabon, 1813–1888
Los Gallos, Icacos Bay
1857
64
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
65
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
66
unknown artist
Ariadne
undated
67
Louis Laguerre, 1663–1721
Christ Disputing with the Elders in the Temple
undated
68
unknown artist
Self-portrait for Group at 10 Edgware Road
undated
69
unknown artist
Apparition of Banquo's Ghost: Banquet Scene from MacBeth
undated
70
Monro School
On the Banks of the Lago di Como
ca. 1796
71
David Roberts, 1796–1864
Interior of Durham Cathedral
undated
72
unknown artist
Scene in Hell
undated
73
unknown artist
The Lyre Player
undated
74
Francis Towne, 1740–1816
The Chestnut Grove, Near Rocca del Papa Near Lake Albano
1781
75
Thomas Rowlandson, 1756–1827
Parisian Street Figures
1786
76
Thomas Rowlandson, 1756–1827
Two Greyhounds Lying under a Tree
undated
77
Rev. William Gilpin, 1724–1804
Fir Trees in a Mountain Landscape
undated
78
unknown artist
Trerice Manor, Cornwall: View of the Front
undated
79
John Collet, ca. 1725–1780
In Place
1769
80
Michel Jean Cazabon, 1813–1888
Caledonia and Craig Islands
1857
81
Attributed to Augustin Heckel, 1690–1770
A Lion
undated
82
Attributed to Augustin Heckel, 1690–1770
Classical Heads of Man and Woman
undated
83
Attributed to Augustin Heckel, 1690–1770
Portrait of a Man Facing Right
undated
84
Attributed to Augustin Heckel, 1690–1770
A Grotesque
undated
85
Henry Edridge, 1769–1821
Oakley Hall
1860
86
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
87
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
88
Attributed to Augustin Heckel, 1690–1770
Profile of a Grotesque and a Man Facing Left
undated
89
Attributed to Augustin Heckel, 1690–1770
Two Grotesque Heads Facing One Another
undated
90
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
91
Attributed to Augustin Heckel, 1690–1770
Two Columns with a Head of a Woman and a Grotesque Head
undated
92
Attributed to Augustin Heckel, 1690–1770
Head of Grotesque Man Surrounded by Musical Instruments