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Materials & Techniques gray wash

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1. Avenue and Entrance to St. James Barracks

Avenue and Entrance to St. James Barracks
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1857
Materials & Techniques:
Pen and black ink, gray ink, black wash, gray wash, graphite, ang gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Fortified Buildings rising Steeply from a River Bank (in Italy ?) with Boat centre and distant Mountains

Fortified Buildings rising Steeply from a River Bank (in Italy ?) with Boat centre and distant Mountains
Creator:
Thomas Wyck, 1616–1677
Date:
undated
Materials & Techniques:
Gray wash with graphite on medium, slightly textured, cream laid paper mounted on medium slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 1/8 inches (15.2 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Cavalry Battle

A Cavalry Battle
Creator:
Jan Wyck, ca. 1645–1700
Date:
undated
Materials & Techniques:
Gray wash with black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. An Officer upon a Rampart Directing the Bombardment of a Distant Town

An Officer upon a Rampart Directing the Bombardment of a Distant Town
Creator:
Jan Wyck, ca. 1645–1700
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Low Flying Spitfires over Trees

Low Flying Spitfires over Trees
Creator:
Sir Walter Thomas Monnington, 1902–1976
Date:
undated
Materials & Techniques:
Gray wash and graphite with white chalk on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 17 3/8 inches (31.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Cavalry Troops and Camp Followers on the Move

Cavalry Troops and Camp Followers on the Move
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor and graphite; verso: gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 10 1/8 inches (17 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Siege at Badajoz

Siege at Badajoz
Creator:
Henry Aston Barker, 1774–1856
Date:
ca. 1813
Materials & Techniques:
Pen and black ink, pen and red ink, gray wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/4 × 12 1/2 inches (37.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Cavalry Battle with a Distant view of a Town

Cavalry Battle with a Distant view of a Town
Creator:
Jan Wyck, ca. 1645–1700
Date:
undated
Materials & Techniques:
Pen and brown ink with black, brown & gray washes on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 11 1/2 inches (21.6 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Rutgers Barclay, Yale BA 1957

9. An Historical Episode: ? A Military Officer Leading other Figures in Taking an Oath upon a Sword on a Table before Churchmen

An Historical Episode: ? A Military Officer Leading other Figures in Taking an Oath upon a Sword on a Table before Churchmen
Creator:
Charles Reuben Ryley, 1752–1798
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper mounted thin, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 1/4 inches (11.7 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Embarkation at Southampton, June 20th 1794 (Version A)

Embarkation at Southampton, June 20th 1794 (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Pen and brown ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 9/16 x 11 3/16 inches (21.7 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Port Mahon

Port Mahon
Creator:
Hubert-François Gravelot, 1699–1773
Date:
between 1756 and 1773
Materials & Techniques:
Pen and black ink, pen and brown ink, brown wash, gray wash, watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Soldier's Knapsack: Two Studies, Side and Front View

A Soldier's Knapsack: Two Studies, Side and Front View
Creator:
Michael Angelo Hayes, 1811–1880
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, white gouache, gray wash on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 13/16 inches (13.3 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Encampment at Maestricht

Encampment at Maestricht
Creator:
Thomas Sandby, 1721–1798
Date:
1747
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 2 1/2 × 16 1/16 inches (6.4 × 40.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Mars in Three Positions

The Mars in Three Positions
Creator:
Nicholas Pocock, 1740–1821
Date:
1779
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly texture, cream laid paper
Dimensions:
Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

15. A Naval Squadron Lying at Spithead

A Naval Squadron Lying at Spithead
Creator:
Francis Swaine, 1730–1782
Date:
between 1745 and 1783
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

16. View of the Tryall in Two Positions

View of the Tryall in Two Positions
Creator:
Nicholas Pocock, 1740–1821
Date:
1779
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, slightley textured, cream laid paper
Dimensions:
Sheet: 15 1/8 × 21 1/8 inches (38.4 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

17. Putting Arms in Hands of the Indians

Putting Arms in Hands of the Indians
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

18. Putting Arms in the Hands of the Indians

No cover image available
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 9 1/2 inches (13.3 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery