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Materials & Techniques gray wash

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Topic subjectplace ss United Kingdom

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Hulks in the Medway
Creator:
Francis Swaine, 1730–1782
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 12 1/4 inches (15.2 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Needles from Alum Bay
Creator:
George Barret Jr., 1767–1842
Date:
undated
Materials & Techniques:
Pen and black ink, pen and brown ink, gray wash and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 12 inches (14 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landing of William of Orange at Tor Bay
Creator:
Peter Monamy, 1681–1749
Date:
1688
Materials & Techniques:
Gray wash, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 3/8 x 14 3/8in. (23.8 x 36.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View from Ashton Meadows, Bristol
Creator:
Nicholas Pocock, 1740–1821
Date:
1791
Materials & Techniques:
Watercolor with pen and black ink; verso: graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Island of Portland
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 × 4 3/8 inches (7.6 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Men of War off Sheerness
Creator:
Peter Monamy, 1681–1749
Date:
undated
Materials & Techniques:
gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 7 1/2 inches (15.6 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rochester, Kent: from the North
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Naval Squadron Lying at Spithead
Creator:
Francis Swaine, 1730–1782
Date:
between 1745 and 1783
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
West Cowes, Isle of Wight
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown and gray wash and pen brown ink on medium, smooth, cream wove paper mounted on card
Dimensions:
Sheet: 5 5/8 x 9 1/4 inches (14.3 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Elizabeth Manwaring
The South View of Berwick Upon Tweed
Creator:
Samuel Buck, 1696–1779
Date:
ca. 1743-1745
Materials & Techniques:
Pen and black ink, with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 31 7/8 inches (31.1 x 81 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund