Single Frigate, Stern Forward; Albion 20 April 1817
1817
505
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig
undated
506
Joseph Cartwright, c.1789–1829
Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat
undated
507
Joseph Cartwright, c.1789–1829
Several Battleships at Battle: Row Boats with Figures
undated
508
Joseph Cartwright, c.1789–1829
Several Ships in Formation for Battle in Heavy Seas
undated
509
Joseph Cartwright, c.1789–1829
Six Battleships Tacking in Heavy Seas
undated
510
Joseph Cartwright, c.1789–1829
Two Sloops of War, One Barque and One Schooner (?), Sterns Forward, in Heavy Seas; Several Sailing Vessels in Background
undated
511
Pierre-Etienne Falconet, 1741–1791
George Stubbs
undated
512
Willem van de Velde the Elder, ca. 1611–1693
Celebration on the Thames near Whitehall
1685
513
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
514
Print made by John Robert Cozens, 1752–1797
Bath: The Circus
1773
515
Print made by John Robert Cozens, 1752–1797
Bath: Queen Square
1773
516
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
517
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
518
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
519
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
520
Print made by John Robert Cozens, 1752–1797
Bath: The New Bridge
1773
521
William West of Clifton near Bristol, 1801–1861
Soliders in Costume of the Middle Ages around a Blazing Idol
undated
522
William West of Clifton near Bristol, 1801–1861
Bowmen at a Moonlit Lake Shooting Wildfowl
undated
523
unknown artist
A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
1759
524
John Flaxman, 1755–1826
The Adoration of the Magi, a Design for Bas Relief
undated
525
Attributed to Robert Home, 1752–1834
Traveller in a Palanquin in India
undated
526
John Baverstock Knight, 1785–1859
Quay at Dartmouth
1823
527
John Baverstock Knight, 1785–1859
Dartmouth Castle
undated
528
John Baverstock Knight, 1785–1859
Totness
1823
529
Francis Place, 1647–1728
City of Bath
1678
530
Nicholas Pocock, 1740–1821
Bristol
ca. 1780
531
unknown artist
Two Trees
undated
532
unknown artist
Landscape with Waterfall
undated
533
unknown artist
Indian Statue
undated
534
Sir Horace Jones, 1819–1887
Part of Goodrich Castle
1842
535
unknown artist
Norton Hall, Cheshire: Ground Plan with Designs for a Canal
between 1760 and 1776
536
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
537
unknown artist
Smithills Hall, Lancashire: Exterior View
1769
538
Attributed to John Sanderson, active 1730; died 1774
Unidentified Country House: Ground Floor Plan
undated
539
unknown artist
Unidentified Country House
between 1700 and 1715
540
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
541
Attributed to office of Robert Adam, 1728–1792
Design for a Door-knocker
undated
542
John Bounarotti Papworth, 1775–1847
Design for a Country House
undated
543
Sir Robert Taylor, 1714–1788
Thames Ditton, Surrey: Design for Gothic Church
ca. 1776
544
Student of Thomas Sandby, 1721–1798
Rockhewn Temple of Elephanta
ca. 1770-1790
545
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
546
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
547
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
548
Paul Sandby, 1731–1809
London Cries: Small Coal or Brushes
ca. 1759
549
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
550
Paul Sandby, 1731–1809
London Cries: Flowers
undated
551
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
552
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
553
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
554
Robert Adam, 1728–1792
Headfort House, Ireland: Section of One End of the Parlor
1771
555
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
556
Robert Adam, 1728–1792
Headfort House, Ireland: Elevations of the Front Hall
between 1771 and 1775
557
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Great Room Ceiling
1765
558
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
559
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
1771 or 1772
560
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
561
Robert Adam, 1728–1792
Headfort House, Ireland: Staircase Ceiling
between 1771 and 1775
562
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
563
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
564
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing Mary Street
1765
565
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing the Garden
1765
566
Francis Place, 1647–1728
Extensive View of Windsor Castle
undated
567
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
568
Follower of Francis Barlow, 1622–1704
Illustration to Aesop's Fables: The Fox & the Crane
undated
569
George Barret Jr., 1767–1842
Boulner, East Yarmouth
undated
570
Sir George Howland Beaumont seventh Baronet, 1753–1827
View over Valley
undated
571
Sir George Howland Beaumont seventh Baronet, 1753–1827
Abbey Church at St. Albans
1781
572
Sir George Howland Beaumont seventh Baronet, 1753–1827
Figure in Tree near Pond
undated
573
Sir George Howland Beaumont seventh Baronet, 1753–1827
Part of Brind Gill in Ligburthwaite
undated
574
Sir George Howland Beaumont seventh Baronet, 1753–1827
Church in Trees
undated
575
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ben Glog (North Wales)
undated
576
Sir George Howland Beaumont seventh Baronet, 1753–1827
Bridge over Stream, North Wales
1800
577
Louis Philippe Boitard, active 1734–1760
Man Asleep with his Mouth Wide Open and Hands Crossed
undated
578
Louis Philippe Boitard, active 1734–1760
A Man Asleep with Hands Crossed in a Chair
undated
579
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
580
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
581
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
582
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
583
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
584
John Thomas Smith, 1766–1833
The Smock Exposed
1817
585
John Thomas Smith, 1766–1833
The Reconcilation
1817
586
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
587
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
588
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
589
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
590
Richard Brookes, 1721–1763
Rough Diamonds
ca. 1760
591
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
592
Richard Brookes, 1721–1763
Woodpecker and Two Birds
1760
593
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
594
Richard Brookes, 1721–1763
Crowned Eagle and Two Birds
1760
595
Richard Brookes, 1721–1763
Crystals and Fossils
ca. 1760
596
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
597
Richard Brookes, 1721–1763
Sheep, and Three Animals
ca. 1760
598
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont