Materials & Techniques: gray wash - YCBA Collections Search Search Results

601. Interior of a Coppersmith's, Shoe Lane

Creator:: Henry William Burgess, active 1809–1860
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

602. The Humble Bee and Insects

Creator:: Richard Brookes, 1721–1763
Date:: 1760
Materials & Techniques:: Pen and black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 3 1/2 inches (14.3 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

603. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

604. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

605. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

606. A Valley

Creator:: Alexander Cozens, 1717–1786
Date:: between 1775 and 1780
Materials & Techniques:: Brushed black ink, graphite, brown wash and gray wash on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

607. Allegory of Napoleonic Battles

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 x 5in. (7.9 x 12.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

608. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

609. Study for Illustration - A Princess with her Attendants

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 7 inches (19.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

610. Landscape

Creator:: John Minton, 1917–1957
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

611. A Scene from Roman History

Creator:: circle of Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Gray wash, black ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/16 x 8 15/16 inches (33.2 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Anne W. and David T. Mininberg, Yale BA 1957

612. Scutari

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 13/16 x 21 1/4 inches (37.7 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

613. The South View of Berwick Upon Tweed

Creator:: Samuel Buck, 1696–1779
Date:: ca. 1743-1745
Materials & Techniques:: Pen and black ink, with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 31 7/8 inches (31.1 x 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

614. Sheep in Twilight

Creator:: Print made by John Copley, 1875–1950
Date:: 1922
Materials & Techniques:: Etching and aquatint with gray wash on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 15 3/8 x 11 7/16 inches (39 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

615. Pink Vase (Self-Portrait)

Creator:: Print made by John Copley, 1875–1950
Date:: 1949
Materials & Techniques:: Etching with gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 13/16 x 14 3/16 inches (47.8 x 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

616. French Songs

Creator:: Print made by John Copley, 1875–1950
Date:: 1946
Materials & Techniques:: Etching with gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 18 5/8 inches (35.8 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

617. Fig Trees in Winter

Creator:: Print made by John Copley, 1875–1950
Date:: 1927
Materials & Techniques:: Etching with gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 13 1/4 inches (29.2 x 33.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

618. A Bather About to Dive

Creator:: Print made by John Copley, 1875–1950
Date:: 1932
Materials & Techniques:: Etching with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 12 3/16 inches (39.6 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

619. Fiesta Mallorquina

Creator:: Print made by John Copley, 1875–1950
Date:: 1932
Materials & Techniques:: Etching with gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/16 inches (26.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

620. Morning on a Hillside

Creator:: Print made by John Copley, 1875–1950
Date:: 1936
Materials & Techniques:: Etching with gray wash on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 14 7/16 x 11 7/16 inches (36.7 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

621. Two Figures

Creator:: Print made by John Copley, 1875–1950
Date:: 1950
Materials & Techniques:: Etching with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 9 5/16 inches (39.3 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

622. A Figure in Distress

Creator:: Print made by John Copley, 1875–1950
Date:: 1944
Materials & Techniques:: Etching with gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 11 5/8 inches (39.4 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

623. An Autumn Afternoon on Hampstead Heath

Creator:: Print made by John Copley, 1875–1950
Date:: 1939
Materials & Techniques:: Etching and drypoint with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/16 x 12 1/2 inches (41.8 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

624. In My Studio

Creator:: Print made by John Copley, 1875–1950
Date:: 1949
Materials & Techniques:: Etching with gray wash on medium, slightly textured, white laid paper
Dimensions:: Sheet: 16 x 11 3/4 inches (40.6 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

625. Cottage at Deane, Hants.

Creator:: John Piper, 1903–1992
Date:: 1938
Materials & Techniques:: Gray wash and brown wash with pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

626. Chowringhee Road from No. XI Esplanade

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: between 1833 and 1838
Materials & Techniques:: Watercolor, graphite, white gouache, brown wash, and gray wash on moderately thick, moderately textured, blue wove paper
Dimensions:: Mount: 6 11/16 × 21 inches (17 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

627. Water View near Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: between 1833 and 1838
Materials & Techniques:: Watercolor, graphite, white gouache, and gray wash on moderately thick, moderately textured, blue/gray wove paper
Dimensions:: Sheet: 7 1/16 × 15 1/16 inches (17.9 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

628. Grebes

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Gray wash, brown wash, white gouache, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 6 1/2 inches (19.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

629. Office of the Sudder Board of Revenue from Kyd Street - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: between 1833 and 1838
Materials & Techniques:: Watercolor, gray wash, white gouache, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:: Mount: 8 11/16 × 15 1/8 inches (22.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

630. Head of a Racoon

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Graphite, gray wash and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 inches (21.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

631. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

632. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

633. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

634. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

635. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

636. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

637. Du Desarmement Aprés la Parade au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

638. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

639. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

640. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

641. Trent

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite and gray wash on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 15/16 × 11 1/2 inches (22.7 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

642. Pass Between the Tyrol & Bavarian States

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite, gray wash on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 11/16 inches (11.7 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

643. Mountains Near St. Johann, Austria

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Watercolor, gray wash, blue wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 3/4 inches (11.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

644. Lambach, Upper Austria

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

645. Inn Beyond Unken, Austria

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 11/16 inches (11.7 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

646. Entry Gateway to Prince Adam Liechtenstein's; Villa in Wien

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 6 5/8 × 4 11/16 inches (16.8 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

647. The Mad House in the Suburbs of Vienna

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Gray wash, graphite, pen and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 7 11/16 inches (23.2 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

648. Prague and the Charles Bridge Over the Moldau River

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/2 inches (27.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

649. One of the Upper Prague Streets

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

650. A Palace in the Streets of Prague

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 4 3/8 inches (19.4 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

651. Powder Tower, One of the Original City Gates into the City of Prague

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, gray wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 3/4 × 5 inches (19.7 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

652. A Cow House, Attached to a Villa Near Dresden

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, graphite, pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 6 3/4 inches (11.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

653. Villa in the Electoral Gardens Near Dresden

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 9 1/2 inches (19.4 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

654. Sketch of the Interior of St. Stephens Cathedral, Vienna

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 11/16 × 10 9/16 inches (34.8 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

655. Sketch of an Ornamental Arched Entry

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 11/16 × 7 1/2 inches (24.6 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

656. Interior of a Temple

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 10 3/4 inches (22.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

657. Sketch of a Mausoleum

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/2 × 4 5/8 inches (16.5 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

658. Study of a Stone Mausoleum

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 6 3/8 inches (11.7 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

659. Interior of a Church

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 4 5/8 inches (19.1 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

660. Trio

Creator:: Print made by John Copley, 1875–1950
Date:: 1940
Materials & Techniques:: Etching and drypoint with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 15 5/8 inches (35.9 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

661. Study of a Woman with Wide Hat

Creator:: Joseph Crawhall, 1861–1913
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on thin, smooth, brown wove paper mounted to thick card.
Dimensions:: Sheet: 11 x 7 1/2in. (28 x 19cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

662. Figures in the Wind

Creator:: Print made by John Copley, 1875–1950
Date:: 1940
Materials & Techniques:: Etching with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 x 12 13/16 inches (41.6 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

663. Haymaking

Creator:: Heinrich W. Schweickhardt, 1746–1797
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 × 12 9/16 inches (17.8 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

664. A Rhinoceros: Head and Shoulders, Facing Left

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Black chalk, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 8 1/2 inches (15.9 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

665. Studies of Cattle

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 12 1/8 inches (20 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

666. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Pen and brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

667. Riders, Figures and a Dog

Creator:: Thomas Ross, active from 1753
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 3 15/16 × 6 1/2 inches (10 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

668. Figures with a Wagon and Horses

Creator:: Thomas Ross, active from 1753
Date:: undated
Materials & Techniques:: Pen and black ink, red chalk, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 7/8 × 5 11/16 inches (7.3 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

669. Two Horses' Heads

Creator:: John Michael Rysbrack, 1694–1770
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, red chalk, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 3/16 × 8 11/16 inches (13.2 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

670. A Coach with Royal Coat of Arms

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1764
Materials & Techniques:: Watercolor, pen and black ink, graphite and gray wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 4 9/16 × 7 1/16 inches (11.6 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

671. Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Contemporary drawn border: 6 5/8 × 7 1/8 inches (16.8 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

672. Six Foxhounds Resting

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite, gray wash and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 8 1/4 inches (11.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

673. A Saddle Horse of the Duke of Devonshire

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, and gray wash on medium, slightly textured, beige laid paper
Dimensions:: Mount: 6 × 7 5/8 inches (15.2 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

674. Hare Hunting

Creator:: Francis Barlow, 1622–1704
Date:: undated
Materials & Techniques:: Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

675. The Saddling Enclosure, Epsom

Creator:: James Barenger, 1780–after 1831
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/8 × 12 11/16 inches (25.7 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

676. Dosing a Racehorse

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

677. "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 6 1/4 inches (16.8 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

678. "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 6 inches (15.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

679. "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/16 inches (21 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

680. A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse...

Creator:: John Wootton, 1682–1764
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 6 13/16 inches (19.4 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

681. The Meet

Creator:: John Wootton, 1682–1764
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 × 8 5/8 inches (13.7 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

682. Hounds in a Landscape

Creator:: John Wootton, 1682–1764
Date:: undated
Materials & Techniques:: Gray wash, pen and brown ink, black ink, charcoal crayon, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 5/16 × 12 1/4 inches (36.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

683. Foxhunting: The Kill

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 7 5/16 inches (24.1 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

684. May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255)May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

685. March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127)March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

686. November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

687. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

688. April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

689. August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink, and pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

690. October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

691. September 1st: The High Roads Were Filled (Vol. 2, p. 324)September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 3/4 × 4 1/2 inches (12.1 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

692. December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brow ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

693. Design for a Naval Monument: Elevation

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: 1799
Materials & Techniques:: Pen and black ink, brown and gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 11 5/8 × 8 5/8 inches (29.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

694. Design for a Naval Monument: Elevation

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: 1799
Materials & Techniques:: Pen and gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 1/16 × 8 5/8 inches (25.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

695. A Stage Coach Outside of the Entrance of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Brown wash, gray wash, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 10 1/16 inches (14.9 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

696. Johnny and His Pony

Creator:: Sir David Wilkie, 1785–1841
Date:: 1836
Materials & Techniques:: Brown wash and gray wash, with black chalk, and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 1/2 x 6 5/8 inches (11.4 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

697. A Soldier's Knapsack: Two Studies, Side and Front View

Creator:: Michael Angelo Hayes, 1811–1880
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, white gouache, gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 13/16 inches (13.3 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

698. Two-wheeled Tip-cart with Horses

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 1/8 x 8 1/2 inches (5.4 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

699. Stout Man on a Bucking Horse

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, moderately textured, cream laid paper, mounted on beige wove paper
Dimensions:: Sheet: 3 1/4 × 3 13/16 inches (8.3 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

700. Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743

Creator:: James Seymour, 1702–1752
Date:: 1743
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 3/8 × 14 3/8 inches (23.8 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques gray wash

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601. Interior of a Coppersmith's, Shoe Lane

602. The Humble Bee and Insects

603. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

604. The Eleventh Hour

605. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

606. A Valley

607. Allegory of Napoleonic Battles

608. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

609. Study for Illustration - A Princess with her Attendants

610. Landscape

611. A Scene from Roman History

612. Scutari

613. The South View of Berwick Upon Tweed

614. Sheep in Twilight

615. Pink Vase (Self-Portrait)

616. French Songs

617. Fig Trees in Winter

618. A Bather About to Dive

619. Fiesta Mallorquina

620. Morning on a Hillside

621. Two Figures

622. A Figure in Distress

623. An Autumn Afternoon on Hampstead Heath

624. In My Studio

625. Cottage at Deane, Hants.

626. Chowringhee Road from No. XI Esplanade

627. Water View near Calcutta

628. Grebes

629. Office of the Sudder Board of Revenue from Kyd Street - Calcutta

630. Head of a Racoon

631. Position de la Garde Italienne de L'Epée & Poignard

632. Du Desarmement Aprés Avoir Paré le Coup de Quarte

633. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

634. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

635. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

636. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

637. Du Desarmement Aprés la Parade au Dehors des Armes

638. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

639. Risposte Aprés Avoir Trompé la Parade du Poignard

640. L'Epée & Lanterne Combattüe par L'Epée et Manteau

641. Trent

642. Pass Between the Tyrol & Bavarian States

643. Mountains Near St. Johann, Austria

644. Lambach, Upper Austria

645. Inn Beyond Unken, Austria

646. Entry Gateway to Prince Adam Liechtenstein's; Villa in Wien

647. The Mad House in the Suburbs of Vienna

648. Prague and the Charles Bridge Over the Moldau River

649. One of the Upper Prague Streets

650. A Palace in the Streets of Prague

651. Powder Tower, One of the Original City Gates into the City of Prague

652. A Cow House, Attached to a Villa Near Dresden

653. Villa in the Electoral Gardens Near Dresden

654. Sketch of the Interior of St. Stephens Cathedral, Vienna

655. Sketch of an Ornamental Arched Entry

656. Interior of a Temple

657. Sketch of a Mausoleum

658. Study of a Stone Mausoleum

659. Interior of a Church

660. Trio

661. Study of a Woman with Wide Hat

662. Figures in the Wind

663. Haymaking

664. A Rhinoceros: Head and Shoulders, Facing Left

665. Studies of Cattle

666. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

667. Riders, Figures and a Dog

668. Figures with a Wagon and Horses

669. Two Horses' Heads

670. A Coach with Royal Coat of Arms

671. Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left

672. Six Foxhounds Resting

673. A Saddle Horse of the Duke of Devonshire

674. Hare Hunting

675. The Saddling Enclosure, Epsom