<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Fielded ilsnumber_ss:3624810

Remove constraint Fielded: ilsnumber_ss:3624810

Materials & Techniques gray wash

Remove constraint Materials & Techniques: gray wash

Search Results

Conversazione
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, graphite and white gouache on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 4 3/4 × 8 inches (12.1 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Wallflowers
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, and gray wash on medium, slightly textured, cream wove paper mounted to medium, slightly textured, gray wove paper
Dimensions:
Sheet: 5 1/2 × 7 1/2 inches (14 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Philipines
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash and graphite on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
London Damsels
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Graphite and gray wash on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 7 1/2 × 5 inches (19.1 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Christmas Belles
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 4 1/2 inches (19.1 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund