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Materials & Techniques hand coloring

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Period 18th century

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1. The Complaint, and the Consolation; or, Night Thoughts

The Complaint, and the Consolation; or, Night Thoughts
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Bound volume of engravings
Dimensions:
Spine: 16 3/4in. (42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Revolt of the Fleet, 1642

The Revolt of the Fleet, 1642
Creator:
John Harris, active 1686–1740
Date:
ca. 1710
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Calm

A Calm
Creator:
Print made by John Boydell, 1720–1804
Date:
1754
Materials & Techniques:
Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/16 x 21 1/8 inches (38.9 x 53.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A Small Breeze

A Small Breeze
Creator:
Print made by Thomas Boydell, active 1750–1751
Date:
1753
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 20 1/16 inches (36.2 x 50.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Morning

Morning
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 14 1/4 x 20 1/16 inches (36.2 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Evening

Evening
Creator:
Print made by John Boydell, 1720–1804
Date:
1755
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Greenland Fishery

Greenland Fishery
Creator:
Print made by John Boydell, 1720–1804
Date:
1754
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Noon

Noon
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/16 x 21 inches (39.2 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A Modern Spread Eagle

A Modern Spread Eagle
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1782
Materials & Techniques:
Etching with hand coloring on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 6 3/4 inches (26.3 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Visit to the Convent at Amiens

Visit to the Convent at Amiens
Creator:
unknown artist
Date:
1803
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 18 15/16 × 26 5/16 inches (48.1 × 66.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Miss Farren

Miss Farren
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Color-printed etching and stipple engraving with hand coloring in watercolor (possibly fifth state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 13 1/2 inches (54.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. The Celebrated Victory ... on the Glorious First of June 1794

The Celebrated Victory ... on the Glorious First of June 1794
Creator:
Print made by Daniel Orme, 1766–1837
Date:
1795
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 23 1/4 inches (50.5 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. General Washington

General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 28 3/8 × 18 1/2 inches (72.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. General Washington

General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. William Dodd, L. L. D.

William Dodd, L. L. D.
Creator:
John Goldar, 1729–1795
Date:
between 1775 and 1795
Materials & Techniques:
Line engraving with hand coloring on moderately thick, slightly textured, cream laid paper, laid in mount
Dimensions:
Sheet: 6 3/4 × 3 15/16 inches (17.1 × 10 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

17. A View of the Bridge at Walton-on-Thames in Surrey

A View of the Bridge at Walton-on-Thames in Surrey
Creator:
Charles Grignion, 1717–1810
Date:
1752
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. A View from Richmond Hill Up the River

A View from Richmond Hill Up the River
Creator:
Charles Grignion, 1717–1810
Date:
1794
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 9/16 × 22 1/4 inches (39.5 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Gadshill

Gadshill
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1796
Materials & Techniques:
Color printed mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/16 x 12 3/16 inches (41.5 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A Young Lady Encouraging the Low Comedian

A Young Lady Encouraging the Low Comedian
Creator:
Print made by William Ward, 1766–1826
Date:
1787
Materials & Techniques:
Mezzotint with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 11/16 × 18 1/8 inches (60.2 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Battersea, Chelsea and London from Mr. Rucker's Villa

Battersea, Chelsea and London from Mr. Rucker's Villa
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1795
Materials & Techniques:
Hand colored aquatint on smooth, medium, cream wove paper
Dimensions:
Sheet: 13 9/16 × 20 1/8 inches (34.4 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The North View of Battersea

The North View of Battersea
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 1/4 × 12 5/8 inches (21 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Southampton or Bloomsbury Square

Southampton or Bloomsbury Square
Creator:
Sutton Nicholls, active 1725
Date:
1754
Materials & Techniques:
Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 16 × 21 3/8 inches (40.6 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Mask

The Mask
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1790
Materials & Techniques:
Color printed etching and stipple engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/16 × 12 9/16 inches (25.9 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

27. A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens
Creator:
Print made by unknown artist
Date:
1755
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Two Bunches of Penny Primroses, Two Bunches a Penny

Two Bunches of Penny Primroses, Two Bunches a Penny
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1793
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 13 1/4 inches (42.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Sweet China Oranges, Sweet China

Sweet China Oranges, Sweet China
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1794
Materials & Techniques:
Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/16 × 13 1/2 inches (43.7 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. New Mackrel, New Mackrel

New Mackrel, New Mackrel
Creator:
Print made by Niccoló Schiavonetti, 1771–1813
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with handcoloring in water color on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 13 1/2 inches (43.5 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Do You Want Any Matches?

Do You Want Any Matches?
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1794
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Fresh Gathered Peas, Young Hastings

Fresh Gathered Peas, Young Hastings
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 13 7/8 inches (43.2 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Knives, Scissars, and Razors to Grind

Knives, Scissars, and Razors to Grind
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Strawberrys, Scarlet Strawberries.

Strawberrys, Scarlet Strawberries.
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 13 1/2 inches (43.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Round & Sound, Five Pence a Pound, Duke Cherries

Round & Sound, Five Pence a Pound, Duke Cherries
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 13 3/8 inches (43.5 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Old Chairs to Mend

Old Chairs to Mend
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 13 3/8 inches (43.8 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A New Love Song, Only ha'Penny a Piece

A New Love Song, Only ha'Penny a Piece
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1796
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 13 5/16 inches (42.5 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Hot Spice Gingerbread, Smoking Hot!

Hot Spice Gingerbread, Smoking Hot!
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1796
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 12 3/4 inches (42.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Milk below Maids

Milk below Maids
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1793
Materials & Techniques:
Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured cream wove paper
Dimensions:
Sheet: 16 1/4 × 12 1/2 inches (41.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Colonel Mordaunt's Cock Match

Colonel Mordaunt's Cock Match
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1792
Materials & Techniques:
Mezzotint and etching with hand coloring in watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798
Creator:
Richard Livesay, 1753–1826
Date:
1799
Materials & Techniques:
Aquatint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/8 × 23 9/16 inches (48.6 × 59.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The South Entrance of Duke's Place

The South Entrance of Duke's Place
Creator:
John Thomas Smith, 1766–1833
Date:
1814
Materials & Techniques:
Hand colored etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 13 1/4 × 11 inches (33.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Bank

The Bank
Creator:
Print made by Thomas Malton the Younger, 1748–1804
Date:
1781
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 17 7/16 × 22 15/16 inches (44.3 × 58.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. North Front of the Bank

North Front of the Bank
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 16 1/16 × 12 1/16 inches (40.8 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Principal Front of the Bank of England

Principal Front of the Bank of England
Creator:
Thomas Malton, 1726–1801
Date:
1790
Materials & Techniques:
Hand colored etching on slightly textured, medium, gray wove paper
Dimensions:
Sheet: 15 1/4 × 20 9/16 inches (38.7 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Bank of England in ye Poultry

The Bank of England in ye Poultry
Creator:
unknown artist
Date:
1724
Materials & Techniques:
Hand colored engraving on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 6 9/16 × 9 9/16 inches (16.7 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Bank

The Bank
Creator:
unknown artist
Date:
1792
Materials & Techniques:
Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The South View of Barnes

The South View of Barnes
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving on moderately textured, moderately thick, brown laid paper
Dimensions:
Sheet: 9 3/4 × 15 3/16 inches (24.8 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. South Front of the Bank

South Front of the Bank
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Hand colored aquatint on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 1/8 × 15 1/16 inches (30.8 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Internal View of the Four per cent Reduced Annuity Office, at the Bank of England

Internal View of the Four per cent Reduced Annuity Office, at the Bank of England
Creator:
Thomas Malton, 1726–1801
Date:
1790
Materials & Techniques:
Hand colored aquatint on slightly textured, moderately thick, gray wove paper
Dimensions:
Sheet: 15 × 19 13/16 inches (38.1 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Lleweney Bleach Works

Lleweney Bleach Works
Creator:
Thomas Malton, 1726–1801
Date:
1798
Materials & Techniques:
Hand-colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 5/8 × 25 7/8 inches (52.4 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. A Sea Engagement between the English and Algerines

A Sea Engagement between the English and Algerines
Creator:
Print made by Paul Fourdrinier, 1698–1758
Date:
ca. 1743
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 inches (31 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Obelisk in the Garden at Versailles

The Obelisk in the Garden at Versailles
Creator:
Print made by unknown artist
Date:
between 1740 and 1757
Materials & Techniques:
Etching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. A View of Paris

A View of Paris
Creator:
Print made by Paul Angier, active 1749
Materials & Techniques:
Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Credulity

Credulity
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1796
Materials & Techniques:
Color-printed etching and stipple engraving, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 9 5/16 inches (30 × 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Free Natives of Dominica

Free Natives of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1780
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 × 8 1/4 inches (30.2 × 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. A Cudgelling Match between English and French Negroes in the Island of Dominica

A Cudgelling Match between English and French Negroes in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 13 7/8 inches (29.5 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. A Negroes Dance in the Island of Dominica

A Negroes Dance in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/8 x 15 3/4 inches (33.4 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Shakespeare Sacrificed; or, The Offering to Avarice

Shakespeare Sacrificed; or, The Offering to Avarice
Creator:
Print made by James Gillray, 1756–1815
Date:
1789
Materials & Techniques:
Etching with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
Creator:
Print made by James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching with hand coloring on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 x 15 3/4 inches (22.9 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)

The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
Creator:
James Gillray, 1756–1815
Date:
1796
Materials & Techniques:
Etching with hand coloring in watercolor
Dimensions:
Sheet: 10 9/16 × 8 5/8 inches (26.8 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...
Creator:
Print made by J. Carwitham, active 1720–1740
Date:
1778
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Newgate

Newgate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Mount: 11 3/4 × 15 7/16 inches (29.8 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Encampment at Farnham near St. Edmund's Bury

Encampment at Farnham near St. Edmund's Bury
Creator:
Charles Tomkins, 1757–1823
Date:
1782
Materials & Techniques:
Colored aquatint on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 26 1/2 inches (42.2 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Tellicherry

Tellicherry
Creator:
Print made by Gerard van der Gucht, 1696–1776
Date:
1736
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 x 23 1/2in. (45.7 x 59.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Fort St. George

Fort St. George
Creator:
Print made by Gerard van der Gucht, 1696–1776
Date:
1736
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/8 × 23 3/4 inches (46 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Ships in Distress

Ships in Distress
Creator:
Richard Bernard Godfrey, 1728–op.1794
Date:
1796
Materials & Techniques:
Line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/8 x 16 11/16 inches (30.8 x 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. The Fall of the Wolsey of the Woolsack

The Fall of the Wolsey of the Woolsack
Creator:
James Gillray, 1756–1815
Date:
1792
Materials & Techniques:
Etching with hand coloring in watercolor
Dimensions:
Sheet: 9 × 13 1/2 inches (22.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. A View of the New Bridge Over the Thames at Walton in Surrey

A View of the New Bridge Over the Thames at Walton in Surrey
Creator:
Anthony Walker, 1726–1765
Date:
1750
Materials & Techniques:
Colored engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 24 3/16 inches (32.4 × 61.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Queen Katherine's Dream

Queen Katherine's Dream
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving and hand-coloring
Dimensions:
Sheet: 17 7/8 x 20in. (45.4 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. French Barracks

French Barracks
Creator:
Etched by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. English Barracks

English Barracks
Creator:
Etched by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Reapers

Reapers
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Line engraving and stipple engraving with hand coloring
Dimensions:
Sheet: 22 x 26 1/2in. (55.9 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. St. Augustine's Gate, Canterbury

St. Augustine's Gate, Canterbury
Creator:
Valentine Green, 1739–1813
Date:
1779
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 20 15/16 inches (40.5 × 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Dover Castle

Dover Castle
Creator:
Print made by Henry Hulsberg, active 1700s–died 1729
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thin, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 23 13/16 inches (48 × 60.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. The Lodge and Garden from the Great Lake

The Lodge and Garden from the Great Lake
Creator:
Francois Vivares, 1709–1780
Date:
1772
Materials & Techniques:
Hand colored engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 16 5/8 × 25 1/4 inches (42.2 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Moat Island

The Moat Island
Creator:
Francois Vivares, 1709–1780
Date:
1772
Materials & Techniques:
Hand colored engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 16 5/8 × 25 inches (42.2 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The View from One Tree Hill in Greenwich Park

The View from One Tree Hill in Greenwich Park
Creator:
Print made by Joseph Wood, 1720–1763 or 1764
Date:
1744
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 3/16 × 26 inches (41.1 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Turnips & Carrots ho

Turnips & Carrots ho
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 12 7/8 inches (41.3 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

81. Accurate Perspective View of the Outside of the Royal Exchange in London

Accurate Perspective View of the Outside of the Royal Exchange in London
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving, hand colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Peterborough

Peterborough
Creator:
Print made by James Walker, 1748–1808
Date:
1796
Materials & Techniques:
Etching and engraving, with hand coloring in watercolor; second published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 5/8 × 11 3/4 inches (49.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk

Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1798
Materials & Techniques:
Line engraving and stipple engraving with hand coloring in watercolor gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

84. A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd

A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd
Creator:
Print made by William O'Keefe, active 1794–1807
Date:
1796
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Plate: 13 7/8 × 9 7/8 inches (35.2 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754
Creator:
Print made by workshop of Mark Catesby, 1682–1749
Date:
1754
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

86. An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
Creator:
Print made by Mark Catesby, 1682–1749
Date:
1754
Materials & Techniques:
Aquatint etching and engraving with original hand coloring on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 20 1/2 inches (36.5 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

87. Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768
Creator:
Print made by Adam Ludwig Wirsing, 1733–1797
Date:
1768
Materials & Techniques:
Engraving with original hand coloring on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 x 14 inches (50.8 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

88. Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Creator:
Print made by John Harris the elder, 1767–1832
Date:
1797
Materials & Techniques:
Engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 x 12 1/8 inches (40.6 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

89. The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
Creator:
Print made by James Caldwall, 1739–1819
Date:
1800
Materials & Techniques:
Aquatint, stipple and line engraving with hand coloring on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 23 1/2 x 18 7/8 inches (59.7 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

90. The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812

The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812
Creator:
Print made by Joseph Constantine Stadler, active 1780–1812
Date:
1800
Materials & Techniques:
Aquatint engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/8 x 16 1/4 inches (51.8 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

91. Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
Creator:
Print made by Elizabeth Blackwell, died 1774
Date:
1737
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

92. Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
Creator:
Print made by Elizabeth Blackwell, died 1774
Date:
1737
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 9 1/4 inches (36.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

93. Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Creator:
Print made by John Harris the elder, 1767–1832
Date:
1797
Materials & Techniques:
Engraving with original hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 x 12 1/4 inches (40.6 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

94. View of Palace Yard on the day of the Coronation of His Majesty George IV

View of Palace Yard on the day of the Coronation of His Majesty George IV
Creator:
Print made by Charles J. Hullmandel, 1789–1850
Date:
1821
Materials & Techniques:
Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Howe's Victory off Ushant

Howe's Victory off Ushant
Creator:
Robert Dodd, 1748–1816
Date:
1795
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 7/8 × 30 inches (53 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. New Inn

New Inn
Creator:
Samuel Ireland, 1744–1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. North Front of Temple Hall

North Front of Temple Hall
Creator:
Samuel Ireland, 1744–1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Furnival's Inn

Furnival's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 3/8 inches (12.7 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Clifford's Inn

Clifford's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 1/2 inches (12.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Lincoln's Inn Gate

Lincoln's Inn Gate
Creator:
Samuel Ireland, 1744–1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection