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Materials & Techniques hand coloring

Remove constraint Materials & Techniques: hand coloring

Period 18th century

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Genre landscape

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1. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

2. Peterborough

Peterborough
Creator:
Print made by James Walker, 1748–1808
Date:
1796
Materials & Techniques:
Etching and line engraving, with hand coloring in watercolor; 2nd. published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 5/8 × 11 3/4 inches (49.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Obelisk in the Garden at Versailles

The Obelisk in the Garden at Versailles
Creator:
Print made by unknown artist
Materials & Techniques:
Etching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream antique laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Scene in the East Indies

Scene in the East Indies
Creator:
Print made by William Walker, 1729–1793
Date:
1782
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

5. The Lodge and Garden from the Great Lake

The Lodge and Garden from the Great Lake
Creator:
Francois Vivares, 1709–1780
Date:
1772
Materials & Techniques:
Hand colored engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 16 5/8 × 25 1/4 inches (42.2 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Moat Island

The Moat Island
Creator:
Francois Vivares, 1709–1780
Date:
1772
Materials & Techniques:
Hand colored engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 16 5/8 × 25 inches (42.2 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The View from One Tree Hill in Greenwich Park

The View from One Tree Hill in Greenwich Park
Creator:
John Wood, 1728–1781
Date:
1744
Materials & Techniques:
Hand colored engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 3/16 × 26 inches (41.1 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Battersea, Chelsea and London from Mr. Rucker's Villa

Battersea, Chelsea and London from Mr. Rucker's Villa
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1795
Materials & Techniques:
Hand colored aquatint on smooth, medium, cream wove paper
Dimensions:
Sheet: 13 9/16 × 20 1/8 inches (34.4 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A View of the Bridge at Walton-on-Thames in Surrey

A View of the Bridge at Walton-on-Thames in Surrey
Creator:
Charles Grignion, 1717–1810
Date:
1752
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A View from Richmond Hill Up the River

A View from Richmond Hill Up the River
Creator:
Charles Grignion, 1717–1810
Date:
1794
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Cudgelling Match between English and French Negroes in the Island of Dominica

A Cudgelling Match between English and French Negroes in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 13 7/8 inches (29.5 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Free Natives of Dominica

Free Natives of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1780
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 × 8 1/4 inches (30.2 × 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection