Materials & Techniques: ink / Image Available: Available - YCBA Collections Search Search Results

1. The Judgement of Korah, Dathan and Abiram

Creator:: Maria Hadfield Cosway, 1759–1838
Date:: ca. 1801
Materials & Techniques:: Pen and ink and oil on canvas
Dimensions:: 14 3/4 × 11 1/2 inches (37.5 × 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II

Creator:: James Smetham, 1821–1889
Date:: ca. 1874
Materials & Techniques:: Oil over ink on panel
Dimensions:: 4 3/4 x 12 9/16 inches (12.1 x 31.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Landscape No. 326

Creator:: John Virtue, born 1947
Date:: between 1996 and 1997
Materials & Techniques:: Ink, acrylic, and shellac on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Friends of British Art Fund
On View:: Not on view

4. The Seven Ages of Man: The Infant, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Pen and ink and oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Pen and ink and oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

6. Ivy Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:: Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Human Figure, Anterior View (Intended for a Plate That was Never Published)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: soft-ground etching on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Human Skeleton, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Ink with touches of graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 13 1/4 inches (48.9 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Human Skeleton, Posterior View (Relates to Table II)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Ink with traces of graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Ink with traces of graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 14 inches (45.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Study for the Foundlings

Creator:: William Hogarth, 1697–1764
Date:: ca. 1739
Materials & Techniques:: Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint, with graphite and white chalk; trial proof
Dimensions:: Plate: 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Book of Thel, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)

Creator:: William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Book of Thel, Plate 1, "Thel's Motto . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Book of Thel, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Book of Thel, Plate 1, "Thel's Motto . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Untitled

Creator:: Steven Sykes, active 1947
Date:: 1947
Materials & Techniques:: Watercolor and ink; verso: watercolor, black chalk, and pen and black ink on medium, textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 16 1/2in. (27.3 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. The Road to East Grinstead

Creator:: John James Barralet, 1747–1815
Date:: Undated
Materials & Techniques:: Pen and ink and watercolor on medium, moderately textured, cream laid paper laid down on rough, cream laid paper
Dimensions:: Sheet: 13 11/16 x 22 5/8 inches (34.8 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Harlech

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1805-1811
Materials & Techniques:: Watercolor and pen and ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 8 1/4 inches (9.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Old House beside a Pool

Creator:: unknown artist
Date:: ca. 1810
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 12 7/8 inches (26 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Inattention

Creator:: Thomas Heaphy, 1775–1835
Date:: 1808
Materials & Techniques:: Watercolor, pen and ink, sponging, and gum over graphite on wove paper
Dimensions:: Sheet: 25 3/8 x 19 3/4 inches (64.5 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Robbing a Market Girl

Creator:: Thomas Heaphy, 1775–1835
Date:: 1807
Materials & Techniques:: Watercolor, white gouache, pen and ink and gum over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 23 5/8 × 17 7/8 inches (60 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. View from Greenwich Park

Creator:: William P. Sherlock, c.1780–1850
Date:: undated
Materials & Techniques:: Watercolor, ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 × 11 1/8 inches (12.7 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Interior of the Brandenburg House Theatre, Hammersmith

Creator:: Henry Wigstead, ca. 1745–ca. 1800
Date:: ca. 1792
Materials & Techniques:: Gray wash and graphite with pen and black on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 13 1/2 inches (22.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Royal Rush Light

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1798
Materials & Techniques:: Watercolor, pen and ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 13 3/8 inches (40 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Cobham Hall, Kent: Corbels and Moulding for the Groins in the Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1795
Materials & Techniques:: Graphite and pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 x 22 1/2 inches (35.6 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Italian Mountain Landscape

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen, and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 8 3/4 inches (22.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Album of Landscape and Figure Studies: A Desolate Harbor Surrounded by Moors

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Graphite, pen and ink, watercolor, scratching out; verso: graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Album of Landscape and Figure Studies: Rural Landscape Scene with Farm and Grazing Sheep

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Watercolor; verso: graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Album of Landscape and Figure Studies: Ruins of a Castle on a Rocky Coastline

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Watercolor, pen and black ink, and scratching out
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Album of Landscape and Figures Studies: Slight Sketch of Rocks

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Graphite; verso: pen, brush and ink, watercolor, scratching out
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Album of Landscape and Figure Studies: Two Stone Cottages

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Pen and ink, watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Album of Landscape and Figure Studies: Two Houses Along a Roadside in the Mountains

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Watercolor; verso: graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Album of Landscape and Figure Studies: Villa in the Mountains

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Pen and ink, watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Album of Landscape and Figure Studies: Castle Ruins on a Hilltop

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Graphite, brush and ink, watercolor; verso: graphite (one sketch) pen and ink, watercolor (other sketch)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Album of Landscape and Figure Studies: Sketch of Rural Landscape with Horse-Drawn Carriage

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Graphite; verso: pen, brush and ink, watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Album of Landscape and Figure Studies: Sketch of Castle Ruins with Cows Grazing in the foreground

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Pen and ink; verso: graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Album of Landscape and Figure Studies: Three Ships at Sea

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Graphite, pen and ink, watercolor; verso: graphite, pen and ink, watercolor, scratching out
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Album of Landscape and Figure Studies: Rocky Coastal Scene

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Watercolor, scratching out; verso: pen and ink, and watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Album of Landscape and Figure Studies: Storm at Sea

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Watercolor, pen and ink, and scratching out
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Album of Landscape and Figure Studies: Man Riding a Horse on the Beach

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Watercolor; verso: ink
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Album of Landscape and Figure Drawings: Houses on a Rocky shoreline

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Album of Landscape and Figure Studies. A Waterfall

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Watercolor, graphite, pen and ink, and scratching out
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Majesty's Ship Tyber of 46 Guns off Teignmouth, Commanded by Captain Dacres

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 inches (18.4 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Amateurs of Tye-Wig Music

Creator:: Edward Francis Burney, 1760–1848
Date:: ca. 1800-1815
Materials & Techniques:: Pen and ink and watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/16 x 28 5/16in. (48.7 x 71.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black and blue ink, pen and graphite with watercolor and gouache, verso: yellow gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 12 7/8 × 5 3/4 inches (32.7 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Watercolor, yellow gouache, pen and black ink, blue ink, and graphite on medium, smooth, brown wove paper
Dimensions:: Sheet: 11 1/2 × 6 inches (29.2 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck

Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck

Creator:: John Flaxman, 1755–1826
Date:: ca. 1795
Materials & Techniques:: Album of pen and ink sketches on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 3/8in. (26.7 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Three Ladies

Creator:: John Vanderbank, 1694–1739
Date:: 1726
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 7 3/16 inches (28.3 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Woman with Child

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and pen and black ink; watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 6 3/4 inches (25.4 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Album of Landscape and Figure Studies: Hatfield House

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Watercolor, graphite, and pen and ink
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Album of Landscape and Figure Studies: Sketch of a Duck

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Graphite; verso: ink
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Shepherd and Shepherdess by Moonlight

Creator:: Welby Sherman, active 1827
Date:: undated
Materials & Techniques:: Pen and ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/2 × 4 3/4 inches (6.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Grotto, Virginia Water

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1754
Materials & Techniques:: Watercolor over ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 10 13/16in. (20.6 x 27.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Spy's Taken at Greenwich on Easter Monday

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: undated
Materials & Techniques:: Pen and ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 15 1/2 inches (32.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Design for a Tudoresque Country House

Creator:: Attributed to Joseph Michael Gandy, 1771–1843
Date:: undated
Materials & Techniques:: Pen and ink, watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 18 7/8 inches (33.8 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Hill Hall, Essex

Creator:: unknown artist
Date:: ca. 1780
Materials & Techniques:: Pen and ink and watercolor on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/4 x 22 15/16 inches (32.4 x 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Designs for Gothic Ornamentation

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1831
Materials & Techniques:: Pen and blue ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/8 inches (18.4 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Design for a Cope

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and blue ink on thin, smooth, white fabric
Dimensions:: Sheet: 10 1/2 x 15 3/8 inches (26.7 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Sketches of Peasants and Work-Horses

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with pen and ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 1/2 inches (15.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Gun and Limber, No. 7

Creator:: Thomas Sandby, 1721–1798
Date:: 1747
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 1/16 × 7 3/16 inches (5.2 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Finsbury Square

Creator:: George Sidney Shepherd, 1784–1862
Date:: 1814
Materials & Techniques:: Watercolor, ink, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A Notebook of Portrait Compositions

Creator:: Thomas Bardwell, 1704–1767
Date:: ca. 1730
Materials & Techniques:: Volume of fifty-four pen and ink and watercolor drawings on medium, slightly textured, cream laid paper
Dimensions:: Spine: 5 3/8 inches (13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome

Creator:: Sir William Chambers, 1723–1796
Date:: between 1750 and 1755
Materials & Techniques:: Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 9 5/8in. (35.2 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Three Full-Length Figures of Men Talking

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Pen and red-brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 7 3/8 inches (23.5 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A Kneeling Knight with a Female Figure and Child

Creator:: Queen Charlotte, 1744–1818
Date:: undated
Materials & Techniques:: Brown wash, pen and black ink, and graphite on thick, slightly textured, cream card
Dimensions:: Sheet: 16 × 14 inches (40.6 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, anonymous gift in honor of John Morton Morris

95. The Old Bridge in Devon

Creator:: Thomas Girtin, 1775–1802
Date:: between 1797 and 1801
Materials & Techniques:: Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A Bend in the River

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1926
Materials & Techniques:: Drypoint printed with black ink and light blue ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 20 3/4 inches (48.3 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

97. Upnor Lodge

Creator:: Mary Smirke, 1779–1853
Date:: 1820
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Windsor Castle from near Brocas Meadows

Creator:: William Daniell, 1769–1837
Date:: 1827
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Mount: 18 3/16 × 25 15/16 inches (46.2 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Yellow-eyed Babbler (Chrysomma sinense) perched on Chinese hat plant (Holmskioldia sanguinea)

Creator:: unknown artist
Date:: ca. 1770
Materials & Techniques:: Watercolor, gouache, pen and ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Vicar Preaching to the Prisoners

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. The Judgement of Korah, Dathan and Abiram

2. Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II

3. Landscape No. 326

4. The Seven Ages of Man: The Infant, 'As You Like It,' II, vii

5. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

6. Ivy Cottage, Shoreham

7. The Rising Moon

8. Human Figure, Anterior View (Intended for a Plate That was Never Published)

9. Human Skeleton, Anterior View

10. Human Skeleton, Posterior View (Relates to Table II)

11. Human Skeleton, Lateral View

12. Study for the Foundlings

13. Catania, Sicily

14. The Book of Thel, Plate 4, "Why should the mistress . . . ."

15. Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)

16. Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)

17. The Book of Thel, Plate 2, Title Page

18. The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

19. The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

20. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

21. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

22. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

23. Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)

24. The Book of Thel, Plate 1, "Thel's Motto . . . ."

25. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

26. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

27. Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

28. Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

29. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

30. Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

31. Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

32. Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

33. Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

34. Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

35. Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)

36. The Book of Thel, Plate 2, Title Page

37. The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

38. The Book of Thel, Plate 4, "Why should the mistress . . . ."

39. The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

40. The Book of Thel, Plate 1, "Thel's Motto . . . ."

41. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

42. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

43. Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

44. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

45. Untitled

46. The Road to East Grinstead

47. Harlech

48. Old House beside a Pool

49. Inattention

50. Robbing a Market Girl

51. View from Greenwich Park

52. Interior of the Brandenburg House Theatre, Hammersmith

53. The Royal Rush Light

54. Cobham Hall, Kent: Corbels and Moulding for the Groins in the Dairy

55. Italian Mountain Landscape

56. Album of Landscape and Figure Studies: A Desolate Harbor Surrounded by Moors

57. Album of Landscape and Figure Studies: Rural Landscape Scene with Farm and Grazing Sheep

58. Album of Landscape and Figure Studies: Ruins of a Castle on a Rocky Coastline

59. Album of Landscape and Figures Studies: Slight Sketch of Rocks

60. Album of Landscape and Figure Studies: Two Stone Cottages

61. Album of Landscape and Figure Studies: Two Houses Along a Roadside in the Mountains

62. Album of Landscape and Figure Studies: Villa in the Mountains

63. Album of Landscape and Figure Studies: Castle Ruins on a Hilltop

64. Album of Landscape and Figure Studies: Sketch of Rural Landscape with Horse-Drawn Carriage

65. Album of Landscape and Figure Studies: Sketch of Castle Ruins with Cows Grazing in the foreground

66. Album of Landscape and Figure Studies: Three Ships at Sea

67. Album of Landscape and Figure Studies: Rocky Coastal Scene

68. Album of Landscape and Figure Studies: Storm at Sea

69. Album of Landscape and Figure Studies: Man Riding a Horse on the Beach

70. Album of Landscape and Figure Drawings: Houses on a Rocky shoreline

71. Album of Landscape and Figure Studies. A Waterfall

72. Majesty's Ship Tyber of 46 Guns off Teignmouth, Commanded by Captain Dacres

73. Amateurs of Tye-Wig Music

74. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London