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Materials & Techniques laid paper
Remove constraint Materials & Techniques: laid paperCredit Line Yale Center for British Art, Paul Mellon Fund
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon FundSearch Results
1
- Male Nude
- 1808
2
- Ship in a Storm
- between 1820 and 1826
3
- Shields Lighthouse
- between 1820 and 1826
4
- Paestum
- between 1820 and 1826
5
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgment
- 1805 to 1808
6
- Figure Study 1
- early 1790s
7
- Figure Composition Study 2
- early 1770s
8
- Leaves 1
- undated
9
- Study of a Cow
- undated
10
- Figure Composition Study 27
- undated
11
- Figure Composition Study 30
- undated
12
- Study of Leaves 2
- undated
13
- Figure Composition Study 34
- undated
14
- Study of Three Women
- undated
15
- Male Head 2
- mid-1750s
16
- Figure Composition Study 36
- undated
17
- Figure Composition Study 37
- undated
18
- Figure Composition Study 38
- undated
19
- Figure Composition Study 39
- undated
20
- Study of Two Seated Figures
- undated
21
- Study of a Standing Figure
- undated
22
- Figure Study 4
- early 1790s
23
- Figure Composition Study 49
- undated
24
- Figure Composition Study 50
- undated
25
- Study of Two Figures and a Face
- undated
26
- Study of a Seated Woman
- undated
27
- Figure Study 10
- undated
28
- Composition of Two Figures
- undated
29
- Figure Study Eleven
- undated
30
- Figure Study Twelve
- undated
31
- Figure Study Thirteen
- undated
32
- Female Figure
- undated
33
- Figure Study 5
- early 1790s
34
- Figure Study 6
- 1790s
35
- Figure Study of a Woman
- undated
36
- Figure Composition Study 8
- 1770s
37
- Figure Study 8
- ca. 1779
38
- Figure Composition Study 9
- 1770s
39
- Figure Composition Study 13
- mid- to late 1790s
40
- Study of a Horse's Forelegs
- undated
41
- Figure Composition Study 14
- early 1770s
42
- Figure Study 16
- mid-1790s
43
- Figure Composition Study 17
- 1770s
44
- Figure Study 9
- 1770s
45
- Figure Study 2
- mid- to late 1790s
46
- Landscape
- undated
47
- Figure Composition Study 25
- undated
48
- King Lear in the Storm
- ca. 1761
49
- Manuscript Notes
- 1773
50
- Manuscript Notes
- 1773
51
- Manuscript Notes
- 1773
52
- Manuscript Notes
- 1773
53
- Manuscript Notes
- 1773
54
- Manuscript Notes
- 1773
55
- Manuscript Notes
- 1773
56
- Manuscript Notes
- 1773
57
- Manuscript Notes
- 1773
58
- Manuscript Notes
- 1773
59
- Manuscript Notes
- 1773
60
- Italian Sketchbook
- 1773
61
- Manuscript Notes
- 1773
62
- Manuscript Notes
- 1773
63
- Manuscript Notes
- 1773
64
- Manuscript Notes
- 1773
65
- Sketchbook Drawing
- 1773
66
- Manuscript Notes
- 1773
67
- Sketchbook Drawing
- 1773
68
- Manuscript Notes
- 1773
69
- Sketchbook Drawing
- 1773
70
- Sketchbook Drawing
- 1773
71
- Sketchbook Drawing
- 1773
72
- Sketchbook Drawing
- 1773
73
- Sketchbook Drawing
- 1773
74
- Sketchbook Drawing
- 1773
75
- Sketchbook Drawing
- 1773
76
- Sketchbook Drawing
- 1773
77
- Sketchbook Drawing
- 1773
78
- Sketchbook Drawing
- 1773
79
- Sketchbook Drawing
- 1773
80
- Sketchbook Drawing
- 1773
81
- Sketchbook Drawing
- 1773
82
- Sketchbook Drawing
- 1773
83
- Sketchbook Drawing
- 1773
84
- Sketchbook Drawing
- 1773
85
- Sketchbook Drawing
- 1773
86
- Sketchbook Drawing
- 1773
87
- Sketchbook Drawing
- 1773
88
- Sketchbook Drawing
- 1773
89
- Sketchbook Drawing
- 1773
90
- Sketchbook Drawing
- 1773
91
- Sketchbook Drawing
- 1773
92
- Sketchbook Drawing
- 1773
93
- Sketchbook Drawing
- 1773
94
- Sketchbook Drawing
- 1773
95
- Sketchbook Drawing
- 1773
96
- Sketchbook Drawing
- 1773
97
- Sketchbook Drawing
- 1773
98
- Sketchbook Drawing
- 1773
99
- Sketchbook Drawing
- 1773
100
- Sketchbook Drawing
- 1773