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Materials & Techniques laid paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms arch

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1. Christ and the Woman of Samaria

Christ and the Woman of Samaria
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Moonlight

Moonlight
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 15 3/4 inches (30.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Small Sailing Ship Drawn Up on the Shore Below Some Fortified Buildings

A Small Sailing Ship Drawn Up on the Shore Below Some Fortified Buildings
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Gray wash with graphite and black ink on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 3/8 x 11 1/4 inches (18.7 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body

The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 1 13/16 inches (11.1 × 4.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body

The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 2 11/16 inches (11.2 x 6.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir
Creator:
Print made by John Browne, 1741–1801
Date:
after 1762
Materials & Techniques:
Etching on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 9 x 12 1/16 inches (22.8 x 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching; open etched state on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Views in the Levant: Ruined Flat Archway

Views in the Levant: Ruined Flat Archway
Creator:
Attributed to Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 × 8 11/16 inches (34.8 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Creator:
Simon François Ravenet, 1706–1774
Date:
1753
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 7/8 × 21 5/8 inches (42.9 × 55 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Moonlight

Moonlight
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 3/8 inches (37.5 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Ceiling Decoration of Arch at Tripoli

Ceiling Decoration of Arch at Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 26 × 19 1/2 inches (66 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. In Saint Paul's Church, One of the Choir Doors

In Saint Paul's Church, One of the Choir Doors
Creator:
Wenceslaus Hollar, 1607–1677
Date:
between 1656 and 1658
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 3/4 × 5 inches (7 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. An Arch in the Vault of an Overgrown Ruin

An Arch in the Vault of an Overgrown Ruin
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Black ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 11 3/8 inches (22.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Gateway at Bamburgh Castle

Gateway at Bamburgh Castle
Creator:
Edward Hastings, active 1804–1861
Date:
1810
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 8 5/8 inches (18.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Messengers Before an Emperor

Messengers Before an Emperor
Creator:
Francis Hayman, 1707/8–1776
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 × 3 1/8 inches (12.7 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War

Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War
Creator:
Inigo Jones, 1573–1652
Date:
ca. 1622
Materials & Techniques:
Pen and brown ink and brown wash; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 6 3/4 inches (24.1 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Inside of Castle Gate, Taunton, Somerset

Inside of Castle Gate, Taunton, Somerset
Creator:
John Inigo Richards, 1730/31?–1810
Date:
1752
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Winkle Street, Southampton

Winkle Street, Southampton
Creator:
George Shepheard, ca. 1770–1842
Date:
1819
Materials & Techniques:
Watercolor, black ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 inches (20.6 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Ponte delle Torri, Seen Through an Arch

Ponte delle Torri, Seen Through an Arch
Creator:
Richard Wilson, ca. 1712–1782
Date:
undated
Materials & Techniques:
Black chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 8 1/8 inches (27.3 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Cobham Hall, Kent: Design for a Lintel for One End of a Passage

Cobham Hall, Kent: Design for a Lintel for One End of a Passage
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 8 inches (33.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Design for the Plasterwork Decoration of a Circular Rotunda

Design for the Plasterwork Decoration of a Circular Rotunda
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 7/16 x 14 15/16 inches (54.5 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Arch of Titus from the Forum, Rome

The Arch of Titus from the Forum, Rome
Creator:
Arthur Pond, ca. 1705–1758
Date:
ca. 1725
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 6 1/4 inches (24.8 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Maxstoke Priory, Warwickshire

Maxstoke Priory, Warwickshire
Creator:
John Inigo Richards, 1730/31?–1810
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 × 9 1/8 inches (14.9 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Reading Gate-Way

Reading Gate-Way
Creator:
Charles Tomkins, 1757–1823
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured cream laid paper
Dimensions:
Sheet: 6 × 8 13/16 inches (15.2 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Crowcombe Court: a gentleman with his dog walking by the river

Crowcombe Court: a gentleman with his dog walking by the river
Creator:
Coplestone Warre Bampfylde, 1719–1791
Date:
ca. 1775
Materials & Techniques:
Pen and gray ink, gray wash, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 18 3/16 inches (29.5 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Rock Bridge at the Scuola di Virgilio

Rock Bridge at the Scuola di Virgilio
Creator:
William Marlow, 1740–1813
Date:
undated
Materials & Techniques:
Gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 3/8 inches (13 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Edgar's Tower, Worcester

Edgar's Tower, Worcester
Creator:
Richard Bernard Godfrey, 1728–op.1794
Date:
1786
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper (page in book)
Dimensions:
Sheet: 13 1/2 x 8 9/16 inches (34.3 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/16 x 3 1/4 inches (10.6 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Samuel Scott

Samuel Scott
Creator:
John Faber the Younger, ca. 1695–1756
Date:
between 1731 and 1733
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 9 7/16 inches (31.6 × 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Vauxhall Gardens

Vauxhall Gardens
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1784
Materials & Techniques:
Watercolor, pen and black ink, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/16 x 20 11/16 inches (38.3 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Classical Landscape with Two Figures on Lake Shore

Classical Landscape with Two Figures on Lake Shore
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 5/16 x 7 3/4 inches (13.5 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. At Dover

At Dover
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 7 1/4 inches (11 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Monument to Shakespeare

Monument to Shakespeare
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1763
Materials & Techniques:
Graphite, watercolor, and pen and black ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 9/16 inches (39.1 x 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Landscape with a Bridge over River

Landscape with a Bridge over River
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/4 × 6 7/8 inches (13.3 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Bridge and Patna Gate and Monghyr Fort

Bridge and Patna Gate and Monghyr Fort
Creator:
William Daniell, 1769–1837
Date:
1788
Materials & Techniques:
Brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/16 × 20 3/4 inches (36.4 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Saloon with an Arch to a Garden and Fountain

Saloon with an Arch to a Garden and Fountain
Creator:
Nicholas Thomas Dall, op.1748–, d.1777
Date:
1771
Materials & Techniques:
Watercolor, pen, black ink, and gray ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 11 1/8 inches (19.1 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Design for a Royal Monument

Design for a Royal Monument
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Gray wash with pen with black, gray and brown ink, with traces of graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 5/16 x 7 1/2 inches (33.8 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Soul Exploring the Recesses of the Grave

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Soul Exploring the Recesses of the Grave

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection