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Materials & Techniques laid paper

Remove constraint Materials & Techniques: laid paper

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Subject Terms guitar

Remove constraint Subject Terms: guitar

Search Results

Domestic Amusement: Playing on the Guitar
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
ca. 1760
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 9 13/16 inches (32.1 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War
Creator:
Inigo Jones, 1573–1652
Date:
ca. 1622
Materials & Techniques:
Pen and brown ink and brown wash; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 6 3/4 inches (24.1 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Duchess of Devonshire and the Countess of Bessborough
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on cream laid paper
Dimensions:
Sheet: 19 11/16 x 16 3/4 inches (50 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Rogero

Rogero
Creator:
after Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 8 1/8 inches (28.4 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Amorous Turk
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink and wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/2 x 12 1/8 inches (29.2 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection