Materials & Techniques: laid paper / Credit Line: Yale Center for British Art, Paul Mellon Fund / Date: 1788

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Materials & Techniques laid paper

Credit Line Yale Center for British Art, Paul Mellon Fund

Date 1788

Print made by Samuel William Reynolds, 1773–1835

Château de Choquer

undated

Print made by Samuel William Reynolds, 1773–1835

Near Namur

undated

Print made by Samuel William Reynolds, 1773–1835

Between Namur and Liege

undated

Print made by Samuel William Reynolds, 1773–1835

Pass near Dinant

undated

Print made by Samuel William Reynolds, 1773–1835

Namur from the Meuse

undated

Print made by John Jones, ca. 1745–1797

Lady Caroline Price

1788

Print made by John Jones, ca. 1745–1797

Mrs. Beresford

1788

Print made by John Ogborne the Elder, 1755–1795

Mrs. Jordan in the Character of the Romp

1788

Print made by S. Einslie, active 1785–1808

Ann Elizabeth, Countess of Aldborough

1788

Print made by Joseph Collyer, 1748–1827

Miss Eliza Farren

1788

Print made by Caroline Watson, 1760–1814

Lady Elizabeth Foster

1788

Print made by unknown artist

Annette and Lubin

1788

Print made by Samuel William Reynolds, 1773–1835

Conduit at Liege

undated

Print made by Charles Howard Hodges, 1764–1837

Mrs. William Hope of Amsterdam

1788

Print made by William Sharp, 1749–1824

John Hunter, F.R.S

1788

Print made by Samuel William Reynolds, 1773–1835

Marchioness of Sligo

undated

Print made by William Sharp, 1749–1824

John Hunter, F.R.S

1788

Print made by John Young, 1755–1825

Neaera

1788

Print made by William Ward, 1766–1826

Suspence

1788

Print made by William Ward, 1766–1826

The Pledge of Love

1788

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