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Materials & Techniques laid paper

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Credit Line Yale Center for British Art, Paul Mellon Fund

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Subject Terms buildings

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George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Bouvignes and Dinant
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
Abraham Blooteling Susanna and the Elders
Print made by Abraham Blooteling, 1640–1690
Susanna and the Elders
between 1670 and 1690
Samuel Hieronymus Grimm A View of the Fire in Covent Garden
Samuel Hieronymus Grimm, 1733–1794
A View of the Fire in Covent Garden
1769
Wenceslaus Hollar View of Eltville on the Rhine
Wenceslaus Hollar, 1607–1677
View of Eltville on the Rhine
between 1630 and 1635
John Bogle Night Watchman
Print made by John Bogle, 1746–1804
Night Watchman
1776
Bernard Lens II Bacchus
Print made by Bernard Lens II, 1659–1725
Bacchus
undated
Jan Broedelet Man Playing Instrument
Print made by Jan Broedelet, active 1690
Man Playing Instrument
ca. 1700
Richard Brookshaw The Ragged Concert
Print made by Richard Brookshaw, 1736–1804
The Ragged Concert
1770
Charles Phillips Venus and Cupid
Print made by Charles Phillips, 1737– after 1783
Venus and Cupid
1766
Samuel Buck The South View of Berwick Upon Tweed
Samuel Buck, 1696–1779
The South View of Berwick Upon Tweed
ca. 1743-1745
John Copley An Autumn Afternoon on Hampstead Heath
Print made by John Copley, 1875–1950
An Autumn Afternoon on Hampstead Heath
1939
William Faithorne the Younger The Crucifixion
Print made by William Faithorne the Younger, ca. 1669–1703
The Crucifixion
undated
Thomas Sandby Receipt for a Set of Six London Views
Thomas Sandby, 1721–1798
Receipt for a Set of Six London Views
ca. 1758