Materials & Techniques: laid paper / On-site Access: Accessible by appointment in the Study Room / Date: 1799

1. Every Sous Begad!

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Characters in the Streets of London

Creator:: Benjamin West, 1738–1820
Date:: 1799
Materials & Techniques:: Brown wash with pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 15 13/16 inches (30.2 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Pale Melancholy

Creator:: William Havell, 1782–1857
Date:: ca. 1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Conversation on a Country Road

Creator:: Richard Westall, 1765–1836
Date:: 1799
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper mounted moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 x 9 1/8 inches (18.1 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Painter-Stainers’ Hall

Creator:: Charles Tomkins, 1757–1823
Date:: 1799
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 5 3/8 inches (22.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Full-length Figure of a Man Dressed in Black Holding a Walking Stick

Creator:: Robert, Frankland, baronet, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 5 1/8 inches (17.8 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Head of a Girl: Probably a Study of Mrs. De Wint

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Black chalk, red chalk, and white chalk on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 13 7/8 x 10 1/4 inches (35.2 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Dutch Vice Admiral under Admiral De Winter striking his flag to the English Vice Admiral Onslow under Admiral Duncan at the Battle of Camperdown, 11th October 1797

The Dutch Vice Admiral under Admiral De Winter striking his flag to the English Vice Admiral Onslow under Admiral Duncan at the Battle of Camperdown, 11th October 1797

Creator:: Robert Cleveley, 1747–1809
Date:: 1799
Materials & Techniques:: Graphite, watercolor, pen and black ink on moderately textured, medium, cream laid paper
Dimensions:: Sheet: 13 1/2 × 19 7/8 inches (34.3 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Zebra

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: 1799
Materials & Techniques:: Wood-engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 11/16 x 14 5/8 inches (24.6 x 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Ryskamp in honor of Mr. and Mrs. Paul Mellon

10. Study of Sir Alexander Allan

Creator:: Thomas Hickey, 1741–1824
Date:: 1799
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 16 3/4 × 10 1/8 inches (42.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. [Animals: an eagle with a dead pheasant, watched by a fox]

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1799
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 24 1/4 inches (49.2 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Hopes of the Family, An Admission at the University

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

13. Cottage Amongst Trees

Creator:: pupil of Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, cream laid paper
Dimensions:: Mount: 8 7/16 x 9 5/8 inches (21.4 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Interior of a Church, Looking West from South Aisle

Creator:: imitator of John Sell Cotman, 1782–1842
Date:: ca. 1804
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 7 1/2 inches (28.9 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Castle Acre Priory, Norfolk, West Front

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1804
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted to medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Right Honorable William Pitt

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 29 7/8 × 21 3/8 inches (75.9 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. St. John

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: c.1799
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 16 1/4 inches (51.8 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. Hon. Mrs. Bouverie

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1799
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 11 inches (37.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. The Douglas Children

Creator:: Print made by James Ward, 1769–1859
Date:: 1799
Materials & Techniques:: Mezzotint (third state) on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 22 × 18 inches (55.9 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. Mrs. Pope as Juliet

Creator:: Print made by William Ward, 1766–1826
Date:: ca. 1804
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. Lady Anne Lambton and Family

Creator:: Print made by John Young, 1755–1825
Date:: 1799
Materials & Techniques:: Mezzotint (first state) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 27 1/4 × 21 1/2 inches (69.2 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

22. Countess of Oxford

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1799
Materials & Techniques:: Mezzotint (state al) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 11 inches (37.5 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. Englishman at Paris, 1767

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A Boy Employed in Burning Weeds

Creator:: James Ward, 1769–1859
Date:: 1799
Materials & Techniques:: Mezzotint on moderately thick, moderataly textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 25 3/16 inches (51.8 × 64 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Jesus College in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Aquatint with etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 27 3/16 inches (53.3 × 69.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Damn Mambrino

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 8 3/8 inches (30.6 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite on cream wove tracing paper; laid on smooth, moderately thick, cream laid paper
Dimensions:: Sheet: 20 7/8 × 16 1/16 inches (53 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor on textured, thick, cream laid paper
Dimensions:: Sheet: 17 5/8 × 25 7/8 inches (44.8 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. La Fontaine de Topana a Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: 1799
Materials & Techniques:: Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. La Fontaine de Ste. Sophie a Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: 1799
Materials & Techniques:: Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Rue Pigale, Quai D'Orsay: Elevation View

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Ink on slightly textured, thin, cream wove paper laid on smooth, thick, cream laid paper
Dimensions:: Sheet: 12 3/4 × 19 1/8 inches (32.4 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite and watercolor; (verso) pen and pink and black ink on smooth, thin, beige tracing paper laid on smooth, moderately thick, white laid paper
Dimensions:: Sheet: 24 1/2 × 17 11/16 inches (62.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and pink ink, graphite, watercolor on smooth, thin, cream wove paper laid on smooth, moderately thick, cream laid paper
Dimensions:: Sheet: 25 7/8 × 18 3/4 inches (65.7 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 7/8 inches (26 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pena dn black and brown ink, watercolor, graphite on textured, thick, beige laid paper
Dimensions:: Sheet: 18 1/4 × 26 1/8 inches (46.4 × 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Rue Pigale, Quai D'Orsay - Elevation sur la Cour

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and brown ink, watercolor on slightly textured, thin, cream wove paper on smooth, thick, cream laid paper
Dimensions:: Sheet: 15 9/16 × 20 7/16 inches (39.5 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 16 7/8 × 19 3/4 inches (42.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 12 1/2 × 13 inches (31.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 12 × 13 3/8 inches (30.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 3/8 inches (18.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 17 7/16 × 24 3/4 inches (44.3 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 17 3/4 × 26 1/16 inches (45.1 × 66.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 18 × 26 3/8 inches (45.7 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, watercolor on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 5/16 × 14 7/8 inches (26.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 14 5/8 × 10 3/8 inches (37.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 14 × 10 3/4 inches (35.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques laid paper

On-site Access Accessible by appointment in the Study Room

Date 1799

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1. Every Sous Begad!

2. Characters in the Streets of London

3. Pale Melancholy

4. Conversation on a Country Road

5. Painter-Stainers’ Hall

6. Full-length Figure of a Man Dressed in Black Holding a Walking Stick

7. Head of a Girl: Probably a Study of Mrs. De Wint

8. The Dutch Vice Admiral under Admiral De Winter striking his flag to the English Vice Admiral Onslow under Admiral Duncan at the Battle of Camperdown, 11th October 1797

9. Zebra

10. Study of Sir Alexander Allan

11. [Animals: an eagle with a dead pheasant, watched by a fox]

12. The Hopes of the Family, An Admission at the University

13. Cottage Amongst Trees

14. Interior of a Church, Looking West from South Aisle

15. Castle Acre Priory, Norfolk, West Front

16. The Right Honorable William Pitt

17. St. John

18. Hon. Mrs. Bouverie

19. The Douglas Children

20. Mrs. Pope as Juliet

21. Lady Anne Lambton and Family

22. Countess of Oxford

23. Englishman at Paris, 1767

24. A Boy Employed in Burning Weeds

25. Jesus College in the University of Cambridge

26. Damn Mambrino

27. Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration

28. Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante

29. La Fontaine de Topana a Constantinople

30. La Fontaine de Ste. Sophie a Constantinople

31. Rue Pigale, Quai D'Orsay: Elevation View

32. Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan

33. Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan

34. Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete

35. Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin

36. Rue Pigale, Quai D'Orsay - Elevation sur la Cour

37. Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)

38. Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein

39. Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)

40. Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)

41. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours

42. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin

43. Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer

44. Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine

45. Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif

46. Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette

47. Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif

48. Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete