Wooded Landscape with a River Leading to Distant Buildings
undated
19
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
20
James Ward, 1769–1859
Study of a Kid
1796
21
Peter Tillemans, 1684–1734
From Hampstead
1730
22
Louis Philippe Boitard, active 1734–1760
Three Seated Ladies
undated
23
Louis Philippe Boitard, active 1734–1760
A London Potboy
1759
24
Matthew Haughton, 1768–1821
Girl and Boy Anglers
1791
25
Allan Ramsay, 1713–1784
Study for a Portrait of a Woman
undated
26
Allan Ramsay, 1713–1784
Study for a Portrait of a Woman
undated
27
Francis Wheatley, 1747–1801
Adelaide
between 1785 and 1786
28
Joseph Wilton, 1722–1803
A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
Between 1747 and 1755
29
Arthur Pond, ca. 1705–1758
The Arch of Titus from the Forum, Rome
ca. 1725
30
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
31
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
32
Allan Ramsay, 1713–1784
Head of a Woman
undated
33
Archibald Rutherford, 1743–1779
Portrait of a Man
1774
34
Thomas Rowlandson, 1756–1827
George Morland
between 1780 and 1799
35
Giovanni Battista Cipriani, 1727–1785
Selling of Cupids
undated
36
Francis Towne, 1740–1816
Ambleside
1786
37
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
38
Edward Edwards, 1738–1806
A Young Lady Seated Wearing a White Dress
1788
39
Thomas Gainsborough, 1727–1788
A Milkmaid Climbing a Stile
ca. 1750
40
Capt. Francis Grose, 1731–1791
Mitford Castle, Northumberland
undated
41
Capt. Francis Grose, 1731–1791
Holy Island and Castle, Northumberland
undated
42
John Eckstein, 1735–1818
Design for Funerary Monument
undated
43
James Seymour, 1702–1752
Rider With a Draw-Rein, Walking to Left
undated
44
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
45
James Seymour, 1702–1752
Woman Wearing a Tricorne Hat, Riding to Right
undated
46
Thomas Rowlandson, 1756–1827
Pigs at a Trough
ca. 1790
47
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
48
James Seymour, 1702–1752
Study of a Mounted Jockey, Facing Left, June 3rd, 1744
1744
49
Paul Sandby, 1731–1809
Two Girls Seated
undated
50
Paul Sandby, 1731–1809
Girl with Packhorse
undated
51
James Seymour, 1702–1752
Studies of Stags' Heads
undated
52
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
53
James Seymour, 1702–1752
Flying Childers and Grooms
undated
54
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
55
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
56
Francis Towne, 1740–1816
The Grange at the Head of Keswick Lake
1786
57
Nathaniel Smith, 1740–1787
Westminster Abbey and St. Paul's from Battersea Fields
undated
58
Thomas Rowlandson, 1756–1827
Jack Bannister in his Dressing Room
1783
59
John Robert Cozens, 1752–1797
Part of the Wall of Rome Near the Villa Medici
between 1782 and 1783
60
John Robert Cozens, 1752–1797
A Waterfall
ca. 1780
61
John Robert Cozens, 1752–1797
In the Garden of a Villa
ca. 1780
62
John Devoto, active 1708–1752
Monument: Peace seated upon an urn, a man with drawn sword standing on the base of the monument
undated
63
Benjamin West, 1738–1820
The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765
between 1765 and 1766
64
Benjamin West, 1738–1820
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
between 1765 and 1766
65
Attributed to John Dunthorne, active 1783–1792
A Seated Man
undated
66
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
67
Attributed to Augustin Heckel, 1690–1770
Sketches of Figures
undated
68
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
69
John Robert Cozens, 1752–1797
A Sarcophagus Behind a Domed Building
between 1782 and 1783
70
John Robert Cozens, 1752–1797
A Sarcophagus Behind the Palace
between 1782 and 1783
71
Alexander Cozens, 1717–1786
Study of Two Willows
ca. 1760
72
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
73
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche of Cupid and Diana
undated
74
Alexander Cozens, 1717–1786
Buildings by a River with Hills in Background
between 1746 and 1750
75
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putti
undated
76
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
77
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putti
undated
78
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
79
Attributed to Augustin Heckel, 1690–1770
Two Columns with a Head of a Woman and a Grotesque Head
undated
80
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
81
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
82
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Mythological Figures
undated
83
Thomas Girtin, 1775–1802
St. Mary Redcliff, Bristol
ca. 1797
84
Henry Fuseli, 1741–1825
Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
1791
85
James Moore, 1762–1799
Sectional Studies for Architectural Designs, of Castles and Cathedrals