View of the Source of the Lycus River (Nahr el-Kelb)
ca. 1751
3
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
4
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
5
Print made by Thomas Frye, 1710–1762
Portrait of a Man Wearing Turban
1760
6
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
7
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Staircase
undated
8
unknown artist
Three Figure Studies
undated
9
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ruins Outside Rome
ca. 1783
10
John Bewick, 1760–1795
A Magpie
undated
11
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
12
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's
ca. 1790
13
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
14
James Wyatt, 1746–1813
Cobham Hall, Kent: Unidentified Plan
ca. 1790
15
James Bruce, 1730–1794
Cyperus papyrus L. (Papyrus Sedge): finished drawing of inflorescence
undated
16
James Bruce, 1730–1794
Musa x sapientum L. (Banana): preliminary outline drawing of habit of tree with fruit
ca. 1769
17
James Bruce, 1730–1794
Pelecanus onocrotalus (Great White Pelican)
ca. 1769
18
Richard Wilson, 1713/4–1782
The Falls at Tivoli
between 1752 and 1757
19
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
20
Sir George Howland Beaumont seventh Baronet, 1753–1827
Vatican from the road to Ponte Mola
1783
21
Sir George Howland Beaumont seventh Baronet, 1753–1827
Hermitage Near Albano
1782
22
Sir George Howland Beaumont seventh Baronet, 1753–1827
Larici
1782
23
Sir George Howland Beaumont seventh Baronet, 1753–1827
Temple of Venus Monday, March 18th, 1782
1782
24
Richard Wilson, 1713/4–1782
Riverside Scene with Figures, Hexagonal Building Left and Horse-Drawn Wagon Crossing Bridge at Right
undated
25
Print made by John Raphael Smith, 1752–1812
A Lady at Haymaking
1780
26
John Raphael Smith, 1752–1812
A Maid - Une Pucelle
1791
27
John Raphael Smith, 1752–1812
A Widow - Une Veuve
1791
28
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
29
Print made by Thomas Frye, 1710–1762
Portrait of a Man Wearing a Turban, Leaning on Book
1760
30
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
31
Samuel Buck, 1696–1779
The South-East View of Rochester Castle
1735
32
Thomas Theodosius Forrest, 1728–1784
Theodosius Forrest
undated
33
Thomas Gainsborough, 1727–1788
Open Landscape with Horsemen and Covered Cart
between 1780 and 1788
34
Capt. Francis Grose, 1731–1791
View of Ipswich, Suffolk
1765
35
imitator of Thomas Gainsborough, 1727–1788
Cattle Watering by a Stream
undated
36
John Dixon, ca. 1740–1811
David Garrick, Esq
1779
37
Benjamin West, 1738–1820
The Three Sisters
1783
38
Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
undated
39
imitator of Thomas Gainsborough, 1727–1788
Coastal Scene with Figures and Boats
undated
40
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
41
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
42
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
43
Thomas Daniell, 1749–1840
Temple Ruins at Plessey
undated
44
Michael "Angelo" Rooker, 1746–1801
The Front of a Town House
1785
45
Print made by Gainsborough Dupont, 1754–1797
Elizabeth Ann (Linley) Sheridan
between 1787 and 1797
46
Samuel Howitt, 1756–1822
Racing Scene
1792
47
James Seymour, 1702–1752
Two Saddled Horses in Stalls in a Stable
undated
48
James Seymour, 1702–1752
Studies of Stags' Heads
undated
49
James Seymour, 1702–1752
A Hound Facing Left
undated
50
James Seymour, 1702–1752
Horse and Rider Walking to Right
undated
51
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat
undated
52
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat, Walking to Right
undated
53
James Seymour, 1702–1752
Saddled Horse Facing Left
undated
54
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
undated
55
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
56
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
57
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
58
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
59
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
60
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
61
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
62
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
63
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
64
Thomas Daniell, 1749–1840
Marmalong Bridge
ca. 1792
65
James Seymour, 1702–1752
Horse Walking to Left
undated
66
James Seymour, 1702–1752
A Rider in Armor, and Two Horses Lying Down
undated
67
James Seymour, 1702–1752
King Charles I of England, Mounted
undated
68
James Seymour, 1702–1752
A Horse Lying Down
undated
69
Print made by unknown artist
Key to Life School at the Royal Academy
1794
70
Dominic Serres, 1722–1793
Warships Preparing to Sail from their Anchorage
1782
71
George Lambert, 1700–1765
A Woody Landscape
undated
72
George Lambert, 1700–1765
A Village Pond with Farm Buildings
undated
73
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc
undated
74
Print made by John Raphael Smith, 1752–1812
Lord Richard Cavendish
1781
75
John Robert Cozens, 1752–1797
Between Chamonix and Martigny
1776
76
John Robert Cozens, 1752–1797
The Lake of Geneva from the Canton of Berne
1776
77
John Robert Cozens, 1752–1797
On the Lake of Nemi
between 1780 and 1783
78
Alexander Cozens, 1717–1786
The Glade
ca. 1750
79
pupil of Alexander Cozens, 1717–1786
A Road in a Mountain Landscape with Trees to the Right
ca. 1780
80
John Robert Cozens, 1752–1797
Upon the Aare between Unterseen and the Lake of Brientz
1776
81
Edward Fisher, 1722–1785
Hope Nursing Love
1771
82
John Raphael Smith, 1752–1812
Mrs. Stables and Two Daughters, Harriet & Maria
1781
83
Edward Fisher, 1722–1785
Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
1762
84
Print made by John Dixon, ca. 1740–1811
William Robertson, D.D
1772
85
Edward Fisher, 1722–1785
The Honorable George Seymour Conway
1771
86
John Dixon, ca. 1740–1811
Miss Emma Crewe and Miss Elizabeth Crewe
1782
87
John Dixon, ca. 1740–1811
William Robert Fitzgerald, Second Duke of Leinster
1775
88
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming