Materials & Techniques: laid paper / Period: 19th century / Width [cm]: 27

1. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 16 3/4 inches (30.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Raglan Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Ben Arthur, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Dumbarton Rock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (e) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Dumbarton Rock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Ben Arthur, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 15 5/8 inches (28.3 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Solway Moss

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Junction of Severn and Wye

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, aquatint, and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 10 1/2 inches (18.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Dunstanborough Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 3/8 inches (20.3 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1860
Materials & Techniques:: Etching and mezzotint, printed in brown ink; finished state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 7/8 inches (34 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Dinant, No. 1: Southwest View

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. Dugald Stewart Esq.

Creator:: Charles Turner, 1774–1857
Date:: 1808
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Source of the Arveron

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1886
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Spine:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

32. Bonneville, Savoy

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1887
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 17 1/4 inches (32.1 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

33. Ben Arthur, Scotland

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1888
Materials & Techniques:: Etching printed in brown ink
Dimensions:: Sheet: 12 5/8 × 17 3/8 inches (32.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

34. Beachley near the Sea Shore, 29 May 1846

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1846
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 1/2 inches (19.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Figure Studies of the Virgin Mary

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Study of the Resurrection of Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 10 9/16 inches (19.4 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A Venetian Fountain [North Italian Set: No. 7]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1894
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

38. Emma, Lady Hamilton as 'Ariadne'

Creator:: Print made by Charles Brome, ca. 1774–1801
Date:: 1801
Materials & Techniques:: Etching and line engraving (first state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/4 × 17 inches (59.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Study of a Hound, Running

Creator:: Sir Francis Grant, 1803–1878
Date:: undated
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 8 3/8 inches (16.2 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Cremorne Gardens: Chelsea Bandstand

Creator:: Walter Greaves, 1846–1930
Date:: 1871
Materials & Techniques:: Etching and drypoint on thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 5/16 x 10 1/2 inches (33.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Stangate Creek, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Gargoyles: Stirling Castle

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Plate: 11 3/8 x 6 3/4in. (28.9 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

43. Joannis Darius

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 10 5/8 inches (40.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

44. Junction of the Greta and Tees at Rokeby

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1819
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1823
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 × 16 1/2 inches (27.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Simmer Lake, near Askrig

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Moss Dale Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1818-1823
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 10 15/16 inches (21.9 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Heysham and Cumberland Mountains

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1822
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 11/16 inches (29.5 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Portrait of Francis Seymour Haden, no. 2 (while Etching)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1862
Materials & Techniques:: Etching and drypoint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 11/16 inches (28.7 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

51. Smith's Yard at Etang

Creator:: Print made by Philip Gilbert Hamerton, 1834–1894
Date:: 1876
Materials & Techniques:: Drypoint and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 14 5/16 inches (26 x 36.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

52. Father Ambrose

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1893
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 10 1/2 inches (37.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

53. The Cloisters

Creator:: Print made by Percy Thomas, 1846–1922
Date:: 1897
Materials & Techniques:: Mezzotint and etching on laid paper
Dimensions:: Plate: 6 × 8 1/2 inches (15.2 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

54. Custom House

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1899
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 5/8 inches (20.3 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

55. Cart Bearing a Large Tree Trunk

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash with pen and gray ink over graphite on medium, moderately textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 6 7/8 × 10 1/2 inches (17.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

56. Stones Found in a Pitt, in Ringfield Near Beccles, Suffolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 10 3/4 inches (18.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A Dead Hare and a Cooked Lobster on a Bench

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1827
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 6 1/4 x 10 3/4 inches (15.9 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Bay Windows in the Flower Garden at Farnley

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Etching and engraving; published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 17 3/4 inches (30.2 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1819
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (c) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 17 15/16 inches (30.3 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and engraving; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and engraving; engraver's proof (b) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 5/16 inches (30.2 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and engraving; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 11 7/16 inches (21.6 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Heysham and Cumberland Mountains

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/16 × 11 3/16 inches (20.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Hudson From Phillips

Creator:: Thomas Sully, 1783–1872
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/16 × 10 3/4 inches (16 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Lyme Regis, Dorsetshire, a Squall

Creator:: Thomas Sully, 1783–1872
Date:: undated
Materials & Techniques:: Watercolor, graphite and brown wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 6 11/16 × 10 3/4 inches (17 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Norwich Catherdral, Ambulatory

Creator:: Maria Turner
Date:: 1814
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 7/16 × 10 5/8 inches (39.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Landscape Composition

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1801
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 3/4 inches (19.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. A Winding River

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 7 3/4 inches (27.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A Shooting Party: Mr. C. Leslie and Mr. John Leslie

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: 1833
Materials & Techniques:: Pen and brown ink, brown wash, and gray wash on thin, slightly textured, blue laid paper
Dimensions:: Sheet: 9 5/8 x 10 1/2 inches (24.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Sheerness, as Seen from the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Etching and mezzotint; proof on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 × 16 1/2 inches (30.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

73. Nicholas Revett

Creator:: William Camden Edwards, 1777–1855
Date:: 1827
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.4 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Drawing Room Ceiling, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Footbridge over the Wiley

Creator:: Print made by Richard Samuel Chattock, 1825–1906
Date:: 1884
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/8 x 16 11/16in. (31.4 x 42.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

76. Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Graphite on medium, slightly textured, laid paper
Dimensions:: Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Out of Whistler's Window

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

78. Barshaw House

Creator:: Peter Nicholson, 1765–1844
Date:: 1802
Materials & Techniques:: Watercolor, black ink, and graphite on medium, slightly textured, cream laid paper mounted on marbled endpaper
Dimensions:: Sheet: 4 3/4 × 10 1/2 inches (12.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

79. Crypt of Saint Gervaise, Rouen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1817
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 10 3/4 inches (20 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Composition: Sandy Road through Woodland

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 15/16 × 11 11/16 inches (38 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Finances of the Gods

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching on thin, slightly textured, beige modern laid paper
Dimensions:: Sheet: 8 3/4 × 10 3/4 inches (22.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

87. The Taking of Lungtungpen

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 10 3/4 inches (19.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

88. In the Rukh

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching on thin, slightly textured, beige modern laid paper
Dimensions:: Sheet: 8 3/4 × 10 1/2 inches (22.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

89. A Matter of Fact

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on thin, slightly textured, beige modern laid paper
Dimensions:: Sheet: 8 3/4 × 10 3/4 inches (22.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

90. The Judgment of Dungara

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 10 3/4 inches (22.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

91. A View of the Savoy from the River Thames

Creator:: Print made by unknown artist
Date:: between 1803 and 1814
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 10 3/4 inches (20.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

92. Album of Monro School Drawings

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Album of Seven watercolor drawings by various hands on medium, slightly textured, cream laid paper mounted on album pages
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Brazen Image erected on a Pedestal wrought by Himself

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 10 3/4 inches (43.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

94. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Etching and mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 1/2 inches (29.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques laid paper

Period 19th century

Width [cm] 27

Search Results

1. Opening the Fold

2. Opening the Fold

3. Entrance of Calais Harbour

4. Entrance of Calais Harbour

5. Dumblain Abbey, Scotland

6. Raglan Castle

7. The Source of the Arveron in the Valley of Chamouni, Savoy

8. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

9. Bonneville, Savoy

10. Bonneville, Savoy

11. Ben Arthur, Scotland

12. Apuleia in Search of Apuleius

13. Dumbarton Rock

14. The Source of the Arveron in the Valley of Chamouni, Savoy

15. The Woman and Tambourine

16. Dumbarton Rock

17. Ben Arthur, Scotland

18. The Source of the Arveron in the Valley of Chamouni, Savoy

19. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

20. Dumblain Abbey, Scotland

21. Solway Moss

22. Entrance of Calais Harbour

23. Calm

24. London from Greenwich

25. Junction of Severn and Wye

26. Dunstanborough Castle

27. The Woman and Tambourine

28. The Source of the Arveron in the Valley of Chamouni, Savoy

29. Dinant, No. 1: Southwest View

30. Dugald Stewart Esq.

31. The Source of the Arveron

32. Bonneville, Savoy

33. Ben Arthur, Scotland

34. Beachley near the Sea Shore, 29 May 1846

35. Figure Studies of the Virgin Mary

36. Study of the Resurrection of Lazarus

37. A Venetian Fountain [North Italian Set: No. 7]

38. Emma, Lady Hamilton as 'Ariadne'

39. Study of a Hound, Running

40. Cremorne Gardens: Chelsea Bandstand

41. Stangate Creek, on the River Medway

42. The Gargoyles: Stirling Castle

43. Joannis Darius

44. Junction of the Greta and Tees at Rokeby

45. Wycliffe, near Rokeby

46. Simmer Lake, near Askrig

47. Moss Dale Fall

48. Heysham and Cumberland Mountains

49. Weathercote Cave when Half Filled with Water

50. Portrait of Francis Seymour Haden, no. 2 (while Etching)

51. Smith's Yard at Etang

52. Father Ambrose

53. The Cloisters

54. Custom House

55. Cart Bearing a Large Tree Trunk

56. Stones Found in a Pitt, in Ringfield Near Beccles, Suffolk

57. A Dead Hare and a Cooked Lobster on a Bench

58. Bay Windows in the Flower Garden at Farnley

59. Richmond, Yorkshire

60. Junction of the Greta and Tees at Rokeby

61. Junction of the Greta and Tees at Rokeby

62. Junction of the Greta and Tees at Rokeby

63. Wycliffe, near Rokeby

64. Wycliffe, near Rokeby

65. Heysham and Cumberland Mountains

66. The Hudson From Phillips

67. Lyme Regis, Dorsetshire, a Squall

68. Norwich Catherdral, Ambulatory

69. Landscape Composition

70. A Winding River

71. A Shooting Party: Mr. C. Leslie and Mr. John Leslie

72. Sheerness, as Seen from the Nore

73. Nicholas Revett