Materials & Techniques: laid paper / Genre: landscape / Subject Terms: path

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Etched by Joseph Mallord William Turner, 1775–1851

Tenth Plague of Egypt

1816

William Blake, 1757–1827

A Woody Landscape

ca. 1801

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Print made by George Arnald, 1763–1841

Choquer

1821

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

William Turner of Oxford, 1789–1862

Scene near Shipton on Cherwell, Oxfordshire

1835

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Print made by John Browne, 1741–1801

The Sportsman

1775

Print made by Jean B. C. Chatelain, 1710–1771

Classical Landscape with Travellers, a Dog and House on the left

1741

Print made by Austin, Robert, 1895-1973, 1895–1973

Plane Tree Cottage

1926

Print made by Bernard Lens II, 1659–1725

Tobit and the Angel

undated

Rev. William Gilpin, 1724–1804

Landscape

1765

Print made by John Robert Cozens, 1752–1797

Bath: The Crescent

1773

Thomas Girtin, 1775–1802

Chalfont Lodge, Buckinghamshire

undated

Print made by John Robert Cozens, 1752–1797

Ariccia

between 1783 and 1789

Hablot Knight Browne, 1815–1882

"You're Not Going to Follow, Belle, Are You?"

undated

William Ellis, 1747–1810

Baskerville House, the Residence of John Ryland, Esq

1792

Print made by John Browne, 1741–1801

A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

after 1762

Louisa Augusta Greville, 1743–active 1762

Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

1759

Print made by Hester Gwynne-Evans Frood, 1882–1971

Villeneuve-les-Avignon

undated

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Sir Francis Seymour Haden, 1818–1910

The Lark at Heaven's Gate Sings

1859

Sir Francis Seymour Haden, 1818–1910

The Lark at Heaven's Gate Sings

1859

Print made by Sir Francis Seymour Haden, 1818–1910

The Towing Path

1864

Print made by Sir Francis Seymour Haden, 1818–1910

The Towing Path

1864

Print made by Sir Francis Seymour Haden, 1818–1910

Hampton Court

1864

Print made by Sir Francis Seymour Haden, 1818–1910

The Towing Path

1864

Print made by Sir Francis Seymour Haden, 1818–1910

The Towing Path

1864

Sir Francis Seymour Haden, 1818–1910

Windmill Hill, no. 1

1877

Print made by Philip Gilbert Hamerton, 1834–1894

Val Sainte Veronique and Ancient Chestnuts

ca. 1874

Sir Francis Seymour Haden, 1818–1910

The Lark at Heaven's Gate Sings

1859

Print made by William Havell, 1782–1857

Landscape with Trees, Girl Crossing a Footbridge

1804

Print made by Austin, Robert, 1895-1973, 1895–1973

Highbridge

1927

Paul Sandby, 1731–1809

A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

1802

William P. Sherlock, c.1780–1850

The Rape of Persephone

undated

Jakob Phillip Hackert, 1737–1807

Lake Nemi

1776

Harold Gilman, 1876–1919

Romney Marsh

undated

Charles Gore, 1729–1807

Hubertusburg Château

undated

Thomas Hearne, 1744–1817

Leeds Castle, Kent

undated

unknown artist

Landscape with Lake and Figures on a Rocky Road

1777

John Varley, 1778–1842

Landscape with a Clump of Trees near a Road and a Stream

undated

Paul Drury, 1903–1987

After Work

1926

Philippe-Jacques de Loutherbourg, 1740–1812

A Path on a Hilltop

undated

Michael "Angelo" Rooker, 1746–1801

Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House

undated

Master of the Wire Line, 18th century

Country Scene: Cottage and Figures on a Winding Road

undated

Jacob More, 1740–1793

View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

1783

Bernard Sickert, 1863–1932

Excavation

1923

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745