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Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Aesacus and Hesperie
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
George Romney Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
George Romney Tempest, Version A
George Romney, 1734–1802
Tempest, Version A
undated
George Romney Sketch for Canidia and the Youth
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney Prospero and Miranda
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
George Romney Daphnis and Chloe
George Romney, 1734–1802
Daphnis and Chloe
undated
George Romney Standing Figure, Probably for Lady Macbeth
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Thomas Goff Lupton Procris and Cephalus
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
John Raphael Smith Bellsane and Parcival under the Enchantment of Urma
John Raphael Smith, 1752–1812
Bellsane and Parcival under the Enchantment of Urma
1782
Henry Fuseli O Evening thou Bringest All
Print made by Henry Fuseli, 1741–1825
O Evening thou Bringest All
1802
Richard Wilson Gulliver Bound by the Lilliputians
Richard Wilson, 1713/4–1782
Gulliver Bound by the Lilliputians
undated
Richard Parkes Bonington Studies for Shylock
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
Hugh Downman Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
Benjamin Robert Haydon Sketches for a Scene from 'Macbeth'
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
unknown artist The Death of Cordelia
unknown artist
The Death of Cordelia
undated
Sir David Wilkie Scene from Quentin Durward
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
Theodor von Holst Sheet of Sketches
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
Theodor von Holst Prospero Watching Ferdinand and Miranda
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
Robert Smirke Prospero and Ariel
Robert Smirke, 1752–1845
Prospero and Ariel
1821
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
Michael "Angelo" Rooker Illustration to Beaumont and Fletcher
Michael "Angelo" Rooker, 1746–1801
Illustration to Beaumont and Fletcher
undated
John Michael Rysbrack Illustration to the Iliad
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
Francesco Bartolozzi Tom Jones Assisting Molly Seagrim
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
unknown artist Samuel Butler
unknown artist
Samuel Butler
undated
Thomas Carwitham Ceres and Abas: Ovid, Metamorphoses, Book 5
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
Robert Smirke Falstaff in the Boar's Head
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
Samuel De Wilde Head of a Man with a Beard and Long Hair in the Wind
Samuel De Wilde, 1748–1832
Head of a Man with a Beard and Long Hair in the Wind
1786
Thomas Carwitham Illustration to Homer's Iliad
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1807
John Hamilton Mortimer Literary Characters Assembled Around the Medallion of Shakespeare
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
Alexander Runciman Celadon and Amelia from Thomson's 'The Seasons'
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
unknown artist Illustration to Tonson's Ovid Metamorphis (four of four)
unknown artist
Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
James Northcote Study for Burying the Royal Children
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
James Northcote Macbeth and the Witches
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
Philippe-Jacques de Loutherbourg Thomas Weston as Spy in Bates "The Rival Candidates"
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
John Raphael Smith Love in Her Eyes Sits Playing
Print made by John Raphael Smith, 1752–1812
Love in Her Eyes Sits Playing
1778
John Raphael Smith Serena
Print made by John Raphael Smith, 1752–1812
Serena
1782
Thomas Rowlandson Henderson in the Character of Falstaff
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
unknown artist Troilus and Cressida?
unknown artist
Troilus and Cressida?
undated
unknown artist Study for the Damned
unknown artist
Study for the Damned
undated
unknown artist Scene from the Inferno Dramatic Landscape
unknown artist
Scene from the Inferno Dramatic Landscape
undated
unknown artist Scene from the Inferno
unknown artist
Scene from the Inferno
undated
Sawrey Gilpin Study for the Figure of Gulliver
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
unknown artist Hudibras and Rolpho
unknown artist
Hudibras and Rolpho
undated
Mary Hoare Lady Percy Watching the Sleeping Hotspur
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
Mary Hoare Prospero and Miranda
Mary Hoare, 1744–1820
Prospero and Miranda
1781
Mary Hoare Antigonus Disposing of Perdita
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
Mary Hoare Ophelia's Death
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
Charles Gauthier Playter Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
Thomas Ryder Twelfth Night, Act III, Scene IV: Olivia's House
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
Peter Simon Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
unknown artist Grandpapa's Story or The Witches Frolick
Print made by unknown artist
Grandpapa's Story or The Witches Frolick
1838
Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Peter Simon Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
Robert Thew King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
Jean B. Michel King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
Robert Thew King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
William Miller Skiddaw
Print made by William Miller, 1796–1882
Skiddaw
1834
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
George Vertue William Cavendish of Newcastle
Print made by George Vertue, 1684–1756
William Cavendish of Newcastle
1739
Jacobus Houbraken James Graham Marquess of Montrose
Print made by Jacobus Houbraken, 1698–1780
James Graham Marquess of Montrose
1740
George Vertue William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North.
Print possibly made by George Vertue, 1684–1756
William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North
1713