etching begun ca. 1880; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
3
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
4
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
5
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
6
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
7
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
8
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
9
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
10
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
11
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
12
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
13
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
14
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
15
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
16
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
17
George Romney, 1734–1802
John Henderson as Falstaff
1780
18
George Romney, 1734–1802
Tempest, Version A
undated
19
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
20
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
21
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
22
George Romney, 1734–1802
Daphnis and Chloe
undated
23
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
24
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
25
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
26
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
27
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
28
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
29
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
30
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
31
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
32
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
33
John Raphael Smith, 1752–1812
Bellsane and Parcival under the Enchantment of Urma
1782
34
Print made by Henry Fuseli, 1741–1825
O Evening thou Bringest All
1802
35
Richard Wilson, 1713/4–1782
Gulliver Bound by the Lilliputians
undated
36
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
37
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
38
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
39
unknown artist
The Death of Cordelia
undated
40
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
41
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
42
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
43
Robert Smirke, 1752–1845
Prospero and Ariel
1821
44
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
45
Michael "Angelo" Rooker, 1746–1801
Illustration to Beaumont and Fletcher
undated
46
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
47
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
48
unknown artist
Samuel Butler
undated
49
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
50
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
51
Samuel De Wilde, 1748–1832
Head of a Man with a Beard and Long Hair in the Wind
1786
52
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
53
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1807
54
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
55
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
56
unknown artist
Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
57
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
58
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
59
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
60
Print made by John Raphael Smith, 1752–1812
Love in Her Eyes Sits Playing
1778
61
Print made by John Raphael Smith, 1752–1812
Serena
1782
62
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
63
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
64
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
65
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
66
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
67
Mary Hoare, 1744–1820
Prospero and Miranda
1781
68
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
69
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
70
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
71
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
72
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
73
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
74
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
75
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
76
Print made by unknown artist
Grandpapa's Story or The Witches Frolick
1838
77
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
78
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
79
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
80
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
81
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
82
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
83
Print made by William Miller, 1796–1882
Skiddaw
1834
84
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
85
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
86
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
87
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
88
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
89
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
90
Print made by George Vertue, 1684–1756
William Cavendish of Newcastle
1739
91
Print made by Jacobus Houbraken, 1698–1780
James Graham Marquess of Montrose
1740
92
Print possibly made by George Vertue, 1684–1756
William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North
1713
93
Print made by George Vertue, 1684–1756
William Cavendish, Duke of Newcastle
1739
94
Print made by Anker Smith, 1759–1819
Vortigern & Rowena
1816
95
Nathaniel Dance, 1735–1811
Theatrical Scene
after 1804
96
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
97
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
98
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1