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1. Henrietta Countess of Warwick

Henrietta Countess of Warwick
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1780
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/16 × 14 1/4 inches (51.3 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Lady Charlotte Smith and her Children; George Henry, Louisa and Charlotte

Lady Charlotte Smith and her Children; George Henry, Louisa and Charlotte
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/16 inches (38.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Diego Ignacio de Pina Manique

Diego Ignacio de Pina Manique
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 8 7/16 inches (27.6 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Henry Bennet Earl of Arlington

Henry Bennet Earl of Arlington
Creator:
Print made by Jacobus Houbraken, 1698–1780
Date:
1739
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

6. Thomas Parr

Thomas Parr
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

7. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Studies for the Instruction of Painters, two suites. Rome

Studies for the Instruction of Painters, two suites. Rome
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Onvphrii Panvinii Veronensis, Fratris Eremitae Augustiniani. XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae

No cover image available
Creator:
Prints made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Young Queen Victoria in Profile

No cover image available
Creator:
Frank O. Salisbury, 1874–1962
Date:
1921
Materials & Techniques:
Graphite
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

48. Portrait of Queen Victoria

No cover image available
Creator:
Frank O. Salisbury, 1874–1962
Date:
1921
Materials & Techniques:
Graphite
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

49. Richard Steele

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper laid to size on card
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

50. Bonifacius IX, Papa Neapolitanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Xystus IV, Papa Savonensis Ligur

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Paulus II, Papa Venetus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Pius III, Papa Senensis

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Adrianus VI, Papa Traiectensis Belga

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Iulius II, Papa Savonensis Ligur

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Clemens VII, Papa Florentinus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Pius V, Papa Alexandrinus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Gregorius XIII, Pon. Op. Max

No cover image available
Creator:
Print made by unknown artist
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Paulus III, Pont Opt Max

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Urbanus VI, Papa Neapolitanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Frontispiece, Fratris Eremitae Augustiniani XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Martinus V, Papa Romanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Ioannes XXIII, Papa Neapolitanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Eugenius IIII, Papa Venetus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Gregorius XII, Papa Venetus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Innocentius VII, Papa Sulmonensis

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Alexander V, Papa Cretensis Graecus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Nicolaus V, Papa Sergianensis

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Felix IIII, dictus V Dux Sabaudiae

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Innocentius VIII, Papa Genuensis

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Pius II, Papa Senensis

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Alexander VI, Papa Valentinus Hispanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Leo X, Papa Florentinus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Calixtus III, Papa Valentinus Hispanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Iulius III, Papa Arretinus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Pius IV, Papa Mediolanensis

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Paulus IV, Papa Neapolitanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Marcellus II, Papa Politianensis Tuscus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Maria Scotoru Regina et Franciae Dotaria

No cover image available
Creator:
Print made by George Vertue, 1684–1756
Date:
1735
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery Collection

80. King James II

No cover image available
Creator:
Print made by George Vertue, 1684–1756
Date:
1736
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery Collection

81. Richard Boyle, 2nd Viscount Shannon

No cover image available
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1733
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery Collection

82. Maria Theresa Kemble (née du Camp)

No cover image available
Creator:
Print made by Richard Morton Paye, 1750–1821
Date:
1805
Materials & Techniques:
Stipple engraving printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery Collection

83. John Locke Esq.

No cover image available
Creator:
Print made by George Vertue, 1684–1756
Date:
1738
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/2 × 12 1/2 inches (41.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery Collection

84. A Ship of War, of the First Rate, with Rigging &c. at Anchor

No cover image available
Creator:
Print made by unknown artist
Date:
ca. 1728
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery Collection