Materials & Techniques: laid paper / Associated Places: England

601. Benjamin Disraeli, Sketched at a Royal Academy Dinner

Creator:: George Richmond, 1809–1896
Date:: 1876
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/2 × 4 5/8 inches (19.1 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

602. Part of Roche Abbey, Yorkshire

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 15 1/4 inches (24.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

603. Hulks in the Medway

Creator:: Francis Swaine, 1730–1782
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 12 1/4 inches (15.2 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

604. A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud

Creator:: Sir James Thornhill, 1675–1734
Date:: ca. 1715
Materials & Techniques:: Pen and brown ink with brown wash over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/2 x 6 inches (14 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

605. Reading Gate-Way

Creator:: Charles Tomkins, 1757–1823
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured cream laid paper
Dimensions:: Sheet: 6 × 8 13/16 inches (15.2 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

606. The House of Commons

Creator:: Sir James Thornhill, 1675–1734
Date:: after 1731
Materials & Techniques:: Pen and brown ink and brown wash with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 6 1/2 inches (31.8 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

607. A Scene at Windsor

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Graphite and brown wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 1/2 inches (10.5 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

608. The Woodyard, Great Windsor Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1792
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 14 7/8 inches (25.1 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

609. Scenery, Haymarket Theatre

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

610. Eton College from the South

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 17 inches (21.3 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

611. A Niche for Mr. Portman's House at Sherborne

Creator:: Sir James Thornhill, 1675–1734
Date:: ca. 1720
Materials & Techniques:: Pen and brown ink, black ink, gray wash, brown wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 10 1/8 inches (25.1 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

612. Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral

Creator:: Sir James Thornhill, 1675–1734
Date:: between 1709 and 1717
Materials & Techniques:: Red chalk on thin, moderately textured, brown laid paper
Dimensions:: Sheet: 9 1/2 × 11 3/4 inches (24.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

613. Poston Bridge, Herefordshire

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 11 15/16 inches (18.4 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

614. Moses and the Brazen Serpent - Design for the chapel at Dunster Castle

Creator:: Sir James Thornhill, 1675–1734
Date:: ca. 1723
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 x 14 1/8 inches (22.9 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

615. Byland Abbey, Yorkshire

Creator:: John Varley, 1778–1842
Date:: 1808
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/8 x 15 1/4 inches (27.6 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

616. Cowes Castle, Isle of Wight

Creator:: John Inigo Richards, 1730/31?–1810
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 9 5/8 inches (26.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

617. Crowcombe Court: a gentleman with his dog walking by the river

Creator:: Coplestone Warre Bampfylde, 1719–1791
Date:: ca. 1775
Materials & Techniques:: Pen and gray ink, gray wash, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 18 3/16 inches (29.5 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

618. A Large Church (Westminster Abbey) at Sunset

Creator:: Attributed to Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor and graphite on moderately thick, moderately textured, greened white laid paper
Dimensions:: Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

619. Broad Street, Oxford

Creator:: John Malchair, 1730–1812
Date:: ca. 1790
Materials & Techniques:: Watercolor, charcoal and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 17 7/8 inches (30.5 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

620. Christ Church, Oxford

Creator:: John Malchair, 1730–1812
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 7 3/8in. (22.9 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

621. Landing of William of Orange at Tor Bay

Creator:: Peter Monamy, 1681–1749
Date:: 1688
Materials & Techniques:: Gray wash, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 3/8 x 14 3/8in. (23.8 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

622. The Long Minuet as Danced at Bath

Creator:: unknown artist
Date:: after 1787
Materials & Techniques:: Brown ink with brown wash over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 7/16 x 58 7/16 inches (24 x 148.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

623. Harbledown, a Village near Canterbury

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: 1757
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 10 1/4 × 23 1/2 inches (26 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

624. The Queen Elizabeth Gate

Creator:: Paul Sandby, 1731–1809
Date:: 1767
Materials & Techniques:: Gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

625. Sketch for the Oil Painting "The Conversion of St. Paul"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

626. Old London, View from St. James Park Looking East

Creator:: William Henry Pyne, 1769–1843
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 12 3/4in. (19.7 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

627. Brougham Castle

Creator:: John Inigo Richards, 1730/31?–1810
Date:: undated
Materials & Techniques:: Watercolor, wash, and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 13 1/4 inches (22.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

628. Iron Forge on the River Kent, Westmorland

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 11 1/8 inches (27.3 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

629. Nottingham Castle

Creator:: Paul Sandby, 1731–1809
Date:: 1759
Materials & Techniques:: Graphite and gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 14 3/8 inches (14 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

630. The Paper Mill at Rickmansworth

Creator:: Attributed to Robert Udney, 1740–1808
Date:: between 1765 and 1781
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 1/4 inches (29.5 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

631. Bablock Hythe, Near Oxford

Creator:: Alfred Parsons, 1847–1920
Date:: 1881
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 6 15/16 × 11 9/16 inches (17.6 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

632. Cobham Hall, Kent: Drawing at large for the ornament in the center of the ceiling of the vestibule at Cobham

Creator:: James Wyatt, 1746–1813
Date:: 1791
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/4 x 40 inches (56.5 x 101.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

633. Newark Castle

Creator:: C. Waller, active 1785–1788
Date:: between 1785 and 1795
Materials & Techniques:: Watercolor and pen and brown ink on thick, rough, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 5/8 inches (34.6 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

634. Estuary on the River Taw, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

635. A Naval Squadron Lying at Spithead

Creator:: Francis Swaine, 1730–1782
Date:: between 1745 and 1783
Materials & Techniques:: Pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

636. An English Frigate and Other Shipping in the Solent off Calshot Castle

Creator:: John Cleveley the younger, 1747–1786
Date:: undated
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

637. A Town House on the Thames

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige laid paper, with thin, slightly textured, blue laid paper border, mounted on linen backed with moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 40 1/8 inches (40.6 x 101.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

638. A Thames Wharf with Westminster Bridge in the Distance

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 35 3/4 inches (36.8 x 90.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

639. The Thames with Montagu House and Westminster Bridge

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and gouache on medium, slightly textured, beige laid paper with medium, slightly textured, cream wove paper border, mounted on linen, backed with medium, slightly textured, blue laid paper
Dimensions:: Sheet: 17 1/4 x 36 inches (43.8 x 91.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

640. A Wood Yard on the Thames at Nine Elms

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

641. Westminster Bridge under Construction

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 x 28 3/8 inches (35.9 x 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

642. Figures and Boats on the Thames

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 34 7/8 inches (29.8 x 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

643. A View of Bristol with Ratcilffe Church and Lime Kiln Dock

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, gray wash and graphite on medium, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 10 1/4 x 24 3/4 inches (26 x 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund in honor of John Baskett

644. Thames Side Buildings

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 33 inches (36.5 x 83.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

645. Mr. Vaughan's, Boys Hill, Dorset

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 21 1/4 x 42 1/2 inches (54 x 108 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

646. A View of the Estate at Esholt Hall, Yorkshire

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 33 5/8 inches (40 x 85.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

647. George Fox in the Garden of Dr. Craddock at Coventry

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 9/16 x 9 7/16 inches (29.4 x 23.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

648. George Fox Is Beaten in the Steeple-House at Ulverston

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paperr
Dimensions:: Sheet: 9 5/16 x 11 11/16 inches (23.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

649. George Fox Is Challenged to Fight at Scarborough Castle

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 5/8 x 12 11/16 inches (24.5 x 32.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

650. George Fox at Launceston Gaol

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/16 x 10 1/16 inches (31 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

651. George Fox and the Dead Cromwell

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1898
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, greened white laid paper
Dimensions:: Sheet: 9 1/2 x 12 inches (24.2 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

652. William Canynges

Creator:: Isaac Jehner, 1750–c.1806
Date:: undated
Materials & Techniques:: Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 7 1/2 inches (19.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

653. George Fox Preaching at Carlisle

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1912
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/16 x 14 1/16 inches (29 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

654. Ludlow Castle

Creator:: Samuel Scott, ca. 1702–1772
Date:: between 1765 and 1769
Materials & Techniques:: Watercolor, pen and ink and graphite on thick, moderately textured, cream laid paper with a thin, slightly textured, blue laid paper border
Dimensions:: Sheet: 18 3/8 x 35 1/2 inches (46.7 x 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

655. Edgware Road (perhaps tampered original)

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

656. Edystone Lighthouse

Creator:: Print made by Henry Winstanley, 1644–1703
Date:: between 1699 and 1708
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

657. Edystone Lighthouse

Creator:: Print made by Henry Winstanley, 1644–1703
Date:: between 1699 and 1708
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

658. A View of the Prince's House at Kew

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 9/16 × 10 1/16 inches (19.2 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

659. Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1775
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/16 × 9 3/4 inches (18.6 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

660. The North Prospect of the Cathedral Church of St. Mary at Worcester

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 13 7/16 inches (25.3 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

661. The Cathedral Church of Worcester

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 x 12 9/16 inches (20.9 x 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

662. Edgar's Tower, Worcester

Creator:: Richard Bernard Godfrey, 1728–op.1794
Date:: 1786
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper (page in book)
Dimensions:: Sheet: 13 1/2 x 8 9/16 inches (34.3 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

663. Edgar's Tower at Worcester

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

664. Dudley Priory in Worcestershire, Plate 2

Creator:: M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

665. Blockley Church

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: 1793
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

666. Lyme Regis, Dorset

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 11/16 x 17 1/16 inches (22.1 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

667. St. Alban's Cathedral, Hertfordshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 3/8 x 10 1/4 inches (36.5 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

668. Tynemouth Priory, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

669. Lincoln Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, white gouache, pen and black ink and graphite on moerately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

670. Winchester Cathedral, Hampshire, from the North-East

Creator:: Thomas Girtin, 1775–1802
Date:: after 1794
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/8 x 12 11/16 inches (23.8 x 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

671. St. Mary Redcliff, Bristol

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 × 6 1/8 inches (8.9 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

672. St. Alban's Cathedral, Hertfordshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 9/16 x 9 11/16 inches (31.9 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

673. A Devonshire Farm

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured, cream laid paper, mounted on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 7 3/4 × 11 5/8 inches (19.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

674. A Temple in Harewood Park

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, gouache, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 × 7 inches (21.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

675. Trees and Pond near Bromley, Kent

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor and gouache over graphite; verso: graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/16 x 12 5/16 inches (20.8 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

676. Chapel Church, Surrey

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor, gouache and scraping over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/4 x 16 inches (31.1 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

677. Turver's Farm, Wimbish, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 16 3/8 inches (30.2 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

678. Trees in Hyde Park, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1800
Materials & Techniques:: Gray and brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 17 3/4 inches (26.4 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

679. Kirkstall Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 15/16 x 8 1/16 inches (10 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

680. Saltram, Lord Boringdon's House at Plymouth

Creator:: Richard Cooper the Younger, 1740–1814
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 5/8 x 12 in. (21.9 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

681. The Abbey Mill, Knaresborough

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

682. Ripon Minster, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

683. Sandsend, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

684. The New Walk, York

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

685. The Old Bridge in Devon

Creator:: Thomas Girtin, 1775–1802
Date:: between 1797 and 1801
Materials & Techniques:: Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

686. Kingswear Seen from Dartmouth, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 5/8 x 12 13/16 inches (19.4 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

687. Berry Pomeroy Castle, Devon

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black chalk and graphite on thick, moderately textured, beige laid paper, mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

688. Guisborough Priory

Creator:: follower of Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 15/16 x 20 1/8 inches (30.3 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

689. Shipping in the Solent off Calshot Castle

Creator:: Dominic Serres, 1722–1793
Date:: between 1760 and 1793
Materials & Techniques:: Watercolor, black ink, and gray ink on medium, moderately textured, cream wove paper medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 x 10 1/2 inches (15.2 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

690. A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond

Creator:: Samuel Atkins, active 1787–1808
Date:: between 1787 and 1808
Materials & Techniques:: Watercolor, pen, black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 13 1/4 inches (23.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

691. Earlham Park, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

692. Earlham House, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

693. Earlham, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

694. Shelton Hall Lands

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

695. Earlham House, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

696. Earlham House, Elevation Plan with Dimensions

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

697. Earlham House, Front Elevation and Footprint

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

698. The Entrance to Wookey Hole, Somerset

Creator:: Bernard Lens III, 1682–1740
Date:: ca. 1719
Materials & Techniques:: Gray wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

699. Figures on Bank of the Long Water, Hampton Court Palace

Creator:: Bernard Lens III, 1682–1740
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 13 5/16in. (22.1 x 33.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

700. A London Riot

Creator:: Charles Reuben Ryley, 1752–1798
Date:: undated
Materials & Techniques:: Pen and black ink and wash over graphite on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 4 13/16 × 12 inches (12.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques laid paper

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Search Results

601. Benjamin Disraeli, Sketched at a Royal Academy Dinner

602. Part of Roche Abbey, Yorkshire

603. Hulks in the Medway

604. A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud

605. Reading Gate-Way

606. The House of Commons

607. A Scene at Windsor

608. The Woodyard, Great Windsor Park

609. Scenery, Haymarket Theatre

610. Eton College from the South

611. A Niche for Mr. Portman's House at Sherborne

612. Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral

613. Poston Bridge, Herefordshire

614. Moses and the Brazen Serpent - Design for the chapel at Dunster Castle

615. Byland Abbey, Yorkshire

616. Cowes Castle, Isle of Wight

617. Crowcombe Court: a gentleman with his dog walking by the river

618. A Large Church (Westminster Abbey) at Sunset

619. Broad Street, Oxford

620. Christ Church, Oxford

621. Landing of William of Orange at Tor Bay

622. The Long Minuet as Danced at Bath

623. Harbledown, a Village near Canterbury

624. The Queen Elizabeth Gate

625. Sketch for the Oil Painting "The Conversion of St. Paul"

626. Old London, View from St. James Park Looking East

627. Brougham Castle

628. Iron Forge on the River Kent, Westmorland

629. Nottingham Castle

630. The Paper Mill at Rickmansworth

631. Bablock Hythe, Near Oxford

632. Cobham Hall, Kent: Drawing at large for the ornament in the center of the ceiling of the vestibule at Cobham

633. Newark Castle

634. Estuary on the River Taw, Devon

635. A Naval Squadron Lying at Spithead

636. An English Frigate and Other Shipping in the Solent off Calshot Castle

637. A Town House on the Thames

638. A Thames Wharf with Westminster Bridge in the Distance

639. The Thames with Montagu House and Westminster Bridge

640. A Wood Yard on the Thames at Nine Elms

641. Westminster Bridge under Construction

642. Figures and Boats on the Thames

643. A View of Bristol with Ratcilffe Church and Lime Kiln Dock

644. Thames Side Buildings

645. Mr. Vaughan's, Boys Hill, Dorset

646. A View of the Estate at Esholt Hall, Yorkshire

647. George Fox in the Garden of Dr. Craddock at Coventry

648. George Fox Is Beaten in the Steeple-House at Ulverston

649. George Fox Is Challenged to Fight at Scarborough Castle

650. George Fox at Launceston Gaol

651. George Fox and the Dead Cromwell

652. William Canynges

653. George Fox Preaching at Carlisle

654. Ludlow Castle

655. Edgware Road (perhaps tampered original)

656. Edystone Lighthouse

657. Edystone Lighthouse

658. A View of the Prince's House at Kew

659. Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford

660. The North Prospect of the Cathedral Church of St. Mary at Worcester

661. The Cathedral Church of Worcester

662. Edgar's Tower, Worcester

663. Edgar's Tower at Worcester

664. Dudley Priory in Worcestershire, Plate 2

665. Blockley Church

666. Lyme Regis, Dorset

667. St. Alban's Cathedral, Hertfordshire

668. Tynemouth Priory, Northumberland

669. Lincoln Cathedral

670. Winchester Cathedral, Hampshire, from the North-East

671. St. Mary Redcliff, Bristol

672. St. Alban's Cathedral, Hertfordshire

673. A Devonshire Farm

674. A Temple in Harewood Park