Materials & Techniques: laid paper / Associated Places: England

701. Embarkation at Southampton, June 20th 1794 (Version A)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Pen and brown ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 9/16 x 11 3/16 inches (21.7 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

702. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

Creator:: unknown artist
Date:: printed 1740, drawn ca. 1760
Materials & Techniques:: Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

703. East View of Modern Buildings in Continuation from St Stephen's Chapel

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 17 3/8 inches (13 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

704. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

705. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

706. Entrance Doorway in the Tower, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

707. Details of the Screen of Entrance Porch, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

708. Springing of an Arch, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

709. New East Front, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1801
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 6 1/2 inches (39.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

710. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

711. Impost and Base of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

712. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:: Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

713. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

714. Half the Plan of Ceiling, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

715. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

716. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

717. Milkmaids and Gentlemen in St. James's Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray-brown ink with wash, over graphite; verso: pen and gray brown ink and watercolor blots on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 12 3/16 inches (18.1 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

718. Portsmouth Children

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1887
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 3/4 × 3 7/8 inches (7 × 9.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

719. Hyde Park Corner

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

720. An Audience Watching a Play at Drury Lane Theatre

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/8 x 14 5/16 inches (23.8 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

721. Skating on the Serpentine

Creator:: Thomas Rowlandson, 1756–1827
Date:: before 1790
Materials & Techniques:: Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

722. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

723. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

724. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

725. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

726. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

727. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

728. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

729. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

730. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

731. Entrance of the House of Lords with the Office of Ordnance

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

732. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

Creator:: Print made by Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

733. Parts in Stone Underhouse of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 5 1/4 inches (18.7 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

734. View of the Office of Ordnance with the Entrance of the House of Lords

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

735. Plan of the Basement Story under the House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

736. View of the Higher House of Parliament in England

Creator:: Print made by unknown artist
Date:: ca. 1695
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 15 1/8 inches (47 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

737. Palace at Westminster

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 × 3 1/2 inches (15.2 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

738. Side Window, North, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

739. East End, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

740. Wall Paintings

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

741. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

742. Details of Capitals and Arches, Painted Chamber

Creator:: unknown artist
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/16 inches (14.6 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

743. Paintings on the Wall by H in Plan

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Pen and black ink and graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

744. Details of one of the Figures

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 4 1/4 × 2 3/8 inches (10.8 × 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

745. Sections of Room under Painted Chamber

Creator:: Charles James Richardson, 1806–1871
Date:: 1827
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

746. East Front of Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 7 3/4 inches (31.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

747. Princes Chamber, East Side with the Old House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

748. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

Creator:: Print made by John Woods, active 1836–1860
Date:: 1825
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.6 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

749. Plan of Princes Chamber, One Pair

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

750. Window Detail, Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 3 3/16 × 2 1/4 inches (8.1 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

751. South Side of Princes Chamber West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 5 7/8 × 7 1/2 inches (14.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

752. Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/4 × 3 1/4 inches (19.7 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

753. Ceiling to Boudoir House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/8 × 9 5/16 inches (30.8 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

754. Drawing Room Ceiling, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

755. Ceiling of Front Parlor House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 10 3/8 inches (31.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

756. The South-East Prospect of King Henry The VII's Chapel at Westminster

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750
Date:: 1739
Materials & Techniques:: Line engraving on moderately textured, medium, white laid paper
Dimensions:: Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

757. Henry the Seventh's Chapel

Creator:: Print made by Edward Rooker, 1724–1774
Date:: undated
Materials & Techniques:: Etching on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

758. Seats in Henry VII Chapel, Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

759. Continuation of the Preceeding Ornaments

Creator:: Attributed to John Carter, 1748–1817
Date:: 1793
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

760. Door-way in Wall of South Precints of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

761. View of Modern Gateway in South East Angle of Dean's Yard

Creator:: John Carter, 1748–1817
Date:: between 1780 and 1807
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 3/4 × 4 7/8 inches (12.1 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

762. North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: 1792
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

763. Part of the Old Dormitory

Creator:: Attributed to John Carter, 1748–1817
Date:: 1815
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

764. South View of the Abbey Church, Westminster, Taken from Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: 1785
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

765. Line of Buildings on East Side, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 31 1/8 inches (29.4 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

766. Buildings on North Side, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 10 1/4 × 11 inches (26 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

767. Continuation of Detail

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

768. Detail for Preceding Elevations

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 7/8 inches (32.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

769. Continuation of Details

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 3/8 inches (32.4 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

770. Buildings on East Side of Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

771. Window, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

772. Continuation of Detail

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 3/4 inches (32.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

773. Figure study, Henry VII Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 3/16 × 2 1/16 inches (10.6 × 5.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

774. Footbridge over the Wiley

Creator:: Print made by Richard Samuel Chattock, 1825–1906
Date:: 1884
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/8 x 16 11/16in. (31.4 x 42.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

775. Fishing Boats at Hastings

Creator:: Print made by James Dobie, 1849–1911
Date:: 1882
Materials & Techniques:: Etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/8 x 16 11/16 inches (31.4 x 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

776. Rag Fair or Rosemary Lane

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and red-brown and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 5 inches (18.4 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

777. Title Page of "A Series of Sixteen Etchings of Scenes of the Thames and Other Subjects"

Creator:: James McNeill Whistler, 1834–1903
Date:: 1871
Materials & Techniques:: Letterpress on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 9 1/2 inches (38.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

778. Battersea Reach

Creator:: James McNeill Whistler, 1834–1903
Date:: 1863
Materials & Techniques:: Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:: Sheet: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

779. Comforts of Bath: The Music Master

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

780. The "Adam and Eve," Old Chelsea

Creator:: James McNeill Whistler, 1834–1903
Date:: 1879
Materials & Techniques:: Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 13 3/4 inches (22.2 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

781. Plymouth Dock

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:: Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

782. A Review on Blackheath, May 1785

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1785
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

783. Leiston Abbey, Suffolk England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/16 × 7 3/4 inches (15.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

784. Bungay Castle

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Watercolor, graphite, pen and gray ink and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

785. Leiston Abbey, Suffolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, crea, laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

786. Rumburgh Priory Church, Suffolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

787. Mettingham Castle, Suffolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

788. Wingfield Castle

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

789. Walsingham Priory, Norfolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 7 15/16 inches (16.2 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

790. Refectory of Walsingham

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 15/16 inches (15.9 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

791. Ely Cathedral

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/16 × 7 15/16 inches (16 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

792. Castle Acre Priory, Norfolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

793. Binham Priory, Norfolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 × 7 15/16 inches (16.4 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

794. Thetford Priory, Norfolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

795. Walsingham Priory, Norfolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 7 15/16 inches (16.2 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

796. Hadleigh Castle, Essex, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 7 13/16 inches (16.5 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

797. Chapel of the Holy Ghost, Basingstoke, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

798. Chapel of the Holy Ghost, Basingstoke, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

799. Hadleigh Castle, Essex, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 7 13/16 inches (16.5 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

800. Stonehenge

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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701. Embarkation at Southampton, June 20th 1794 (Version A)

702. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

703. East View of Modern Buildings in Continuation from St Stephen's Chapel

704. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

705. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

706. Entrance Doorway in the Tower, St Stephen's Chapel

707. Details of the Screen of Entrance Porch, St Stephen's Chapel

708. Springing of an Arch, St Stephen's Chapel

709. New East Front, St Stephen's Chapel

710. Plan of Moldings, St Stephen's Chapel

711. Impost and Base of Columns, St Stephen's Chapel

712. Plan of Moldings, St Stephen's Chapel

713. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

714. Half the Plan of Ceiling, St Stephen's Chapel

715. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

716. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

717. Milkmaids and Gentlemen in St. James's Park

718. Portsmouth Children

719. Hyde Park Corner

720. An Audience Watching a Play at Drury Lane Theatre

721. Skating on the Serpentine

722. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

723. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

724. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

725. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

726. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

727. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

728. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

729. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

730. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

731. Entrance of the House of Lords with the Office of Ordnance

732. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

733. Parts in Stone Underhouse of Lords

734. View of the Office of Ordnance with the Entrance of the House of Lords

735. Plan of the Basement Story under the House of Lords

736. View of the Higher House of Parliament in England

737. Palace at Westminster

738. Side Window, North, Painted Chamber

739. East End, Painted Chamber

740. Wall Paintings

741. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

742. Details of Capitals and Arches, Painted Chamber

743. Paintings on the Wall by H in Plan

744. Details of one of the Figures

745. Sections of Room under Painted Chamber

746. East Front of Princes Chamber

747. Princes Chamber, East Side with the Old House of Lords

748. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

749. Plan of Princes Chamber, One Pair

750. Window Detail, Princes Chamber

751. South Side of Princes Chamber West

752. Princes Chamber

753. Ceiling to Boudoir House in Old Palace Yard

754. Drawing Room Ceiling, No. 3 Old Palace Yard

755. Ceiling of Front Parlor House in Old Palace Yard

756. The South-East Prospect of King Henry The VII's Chapel at Westminster

757. Henry the Seventh's Chapel

758. Seats in Henry VII Chapel, Westminster Abbey

759. Continuation of the Preceeding Ornaments

760. Door-way in Wall of South Precints of Westminster Abbey

761. View of Modern Gateway in South East Angle of Dean's Yard

762. North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

763. Part of the Old Dormitory

764. South View of the Abbey Church, Westminster, Taken from Dean's Yard

765. Line of Buildings on East Side, Dean's Yard

766. Buildings on North Side, Dean's Yard

767. Continuation of Detail

768. Detail for Preceding Elevations

769. Continuation of Details

770. Buildings on East Side of Dean's Yard

771. Window, Dean's Yard

772. Continuation of Detail

773. Figure study, Henry VII Chapel

774. Footbridge over the Wiley