Materials & Techniques: laid paper / Associated Places: London / Subject Terms: architectural subject

1. Possibly Saint Paul's, London

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 7 5/8 inches (18.4 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

2. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A View of the Fire in Covent Garden

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1769
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. View of Old Somerset House from the Thames

Creator:: Canaletto, 1697–1768
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 x 28 7/8 inches (41.3 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. In Saint Paul's Church, One of the Choir Doors

Creator:: Wenceslaus Hollar, 1607–1677
Date:: between 1656 and 1658
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 3/4 × 5 inches (7 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Chapel of the Foundling Hospital, London

Creator:: Attributed to Theodore Jacobsen, died 1772
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 13 1/16 inches (11.4 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Chapel of the Foundling Hospital, London

Creator:: Attributed to Theodore Jacobsen, died 1772
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 11/16 x 9 15/16 inches (6.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The City of Westminster from Near the York Water Gate

Creator:: Canaletto, 1697–1768
Date:: between 1746 and 1747
Materials & Techniques:: Watercolor, gray wash, and pen and brown ink on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 x 28 1/4 inches (38.7 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Sketch for the Oil Painting "The Conversion of St. Paul"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Receipt for a Set of Six London Views

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1758
Materials & Techniques:: Graphite, pen and black ink, and gray wash, incised for transfer on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 5/8 x 4 5/8in. (11.7 x 11.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Hinton St. George, Somerset: View of the Saloon

Creator:: Sir John Soane, 1753–1837
Date:: 1797
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 14 15/16 inches (23.5 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Westminster Abbey and Bridge from Somerset Garden

Creator:: Samuel Scott, 1701/2–1772
Date:: 1759
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 10 1/4 inches (20 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. St. Paul's Cathedral and Blackfriar's Bridge

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1817
Materials & Techniques:: Watercolor and brown ink over graphite on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 13 1/4 inches (22.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Rotunda and Gardens, Ranelagh

Creator:: John Maurer, active 1713–1761
Date:: ca. 1744
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 16 11/16in. (25.4 x 42.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Mansion House

Creator:: John Maurer, active 1713–1761
Date:: undated
Materials & Techniques:: Pen and black ink, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/16 x 15 1/4in. (23 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Whitehall Palace, London: Elevation of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 17 11/16 inches (34.4 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Design for the Staircase at Stratford Place

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Pen and black ink, yellow and gray washes; (verso) graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 23 1/8 inches (41.9 x 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

19. The Monument in Westminster Abbey of King Henry V

Creator:: George Vertue, 1684–1756
Date:: between 1699-1756
Materials & Techniques:: Engraving on medium smooth laid paper
Dimensions:: Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Monument of King Edward III in Westminster Abbey

Creator:: Claude Du Bosc, c.1711–1740
Date:: undated, ca. 1726-1740
Materials & Techniques:: Engraving on medium smooth laid paper
Dimensions:: Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Horse Guards

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1911
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 14 5/8 inches (33 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22. The Building of Waterloo Bridge

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1816
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 x 15 5/8 inches (25.4 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Design for the Parterre at Hampton Court

Creator:: unknown artist
Date:: early 18th century
Materials & Techniques:: Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, gray wash, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 13 3/16 inches (24.8 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Chapel of the Foundling Hospital, London

Creator:: Attributed to Theodore Jacobsen, died 1772
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 13 3/16 inches (18.7 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Near Edgware Road, London

Creator:: John Linnell, 1792–1882
Date:: 1806
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, blue laid paper
Dimensions:: Contemporary drawn border: 7 x 13 1/4 inches (17.8 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Treasury, Whitehall, London: Alternate Elevations of the Facade

Creator:: William Kent, ca.1686–1748
Date:: ca. 1733
Materials & Techniques:: Graphite, pen and black ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 17 1/4 inches (21.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. King's Mews, Charing Cross, London: Section

Creator:: William Kent, ca.1686–1748
Date:: 1731
Materials & Techniques:: Graphite, pen and black ink and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 12 7/8 inches (25.1 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Broom House, Fulham, London

Creator:: William Augustus Barron, active 1777
Date:: 1774
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 8 7/8 inches (14.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Scenery, Haymarket Theatre

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Croydon Church

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 7 × 9 1/8 inches (17.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Whitehall Palace, London: Section of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Pen and brown ink, gray wash within double-ruled border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 17 1/2 inches (33 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. View of London from Richmond House, Whitehall

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 11/16 × 18 1/8 inches (27.1 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View of New Street, near London Bridge

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper mounted on thick, slightly textured, cream card
Dimensions:: Mount: 7 1/4 x 10 1/2 inches (18.4 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Painter-Stainers’ Hall

Creator:: Charles Tomkins, 1757–1823
Date:: 1799
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 5 3/8 inches (22.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Guys Hospital

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 7/16 × 5 3/4 inches (8.7 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. St. Bartholomews Hospital

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 5 5/8 inches (8.3 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. St James's House, Le Palais Royal de St James

Creator:: Print made by Johannes Kip, 1653–1722
Date:: 1707
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 19 1/4 inches (36.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Helen Chillman

39. The Adam and Eve Tavern, Old Chelsea

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1878
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 14 3/4 inches (24.8 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

40. Old Hungerford Bridge

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1861
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 9 3/16 inches (17.5 x 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Boris I. Bittker

41. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1761
Materials & Techniques:: Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso
Dimensions:: Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Stainborough Hall, Yorkshire: Three Floor Plans

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 x 4 5/8 inches (24.1 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Stainborough Hall, Yorkshire: Front and Back Elevations

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 3/8 × 4 5/8 inches (23.8 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Bush Hill, Edmonton, London: Plan of a Knot Garden

Creator:: unknown artist
Date:: 1713
Materials & Techniques:: Graphite, pen and brown ink, and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 5 1/2 inches (25.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

Creator:: unknown artist
Date:: printed 1740, drawn ca. 1760
Materials & Techniques:: Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Half the Plan of Ceiling, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:: Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Impost and Base of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. View of the Office of Ordnance with the Entrance of the House of Lords

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. East End, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Plan of Princes Chamber, One Pair

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. East Front of Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 7 3/4 inches (31.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Princes Chamber, East Side with the Old House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/4 × 3 1/4 inches (19.7 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. South Side of Princes Chamber West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 5 7/8 × 7 1/2 inches (14.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Window Detail, Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 3 3/16 × 2 1/4 inches (8.1 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

Creator:: Print made by John Woods, active 1836–1860
Date:: 1825
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.6 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Drawing Room Ceiling, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Ceiling of Front Parlor House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 10 3/8 inches (31.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The South-East Prospect of King Henry The VII's Chapel at Westminster

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750
Date:: 1739
Materials & Techniques:: Line engraving on moderately textured, medium, white laid paper
Dimensions:: Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Buildings on East Side of Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Syon House, London

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, beige laid paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Admiralty Building from Whitehall

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1782
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 1/4 inches (18.4 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 8 5/8 inches (20.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. East View of Modern Buildings in Continuation from St Stephen's Chapel

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 17 3/8 inches (13 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Entrance Doorway in the Tower, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Details of the Screen of Entrance Porch, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. New East Front, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1801
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 6 1/2 inches (39.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Springing of an Arch, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

Creator:: Print made by Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Entrance of the House of Lords with the Office of Ordnance

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Plan of the Basement Story under the House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Parts in Stone Underhouse of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 5 1/4 inches (18.7 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. View of the Higher House of Parliament in England

Creator:: Print made by unknown artist
Date:: ca. 1695
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 15 1/8 inches (47 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Palace at Westminster

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 × 3 1/2 inches (15.2 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Side Window, North, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. East Front of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Wall Paintings

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Enlarged Detail of Figures from Painting Shown in Previous Sketch

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 9 5/8 × 5 inches (24.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Sections of Room under Painted Chamber

Creator:: Charles James Richardson, 1806–1871
Date:: 1827
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Seats in Henry VII Chapel, Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Henry the Seventh's Chapel

Creator:: Print made by Edward Rooker, 1724–1774
Date:: undated
Materials & Techniques:: Etching on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Continuation of the Preceeding Ornaments

Creator:: Attributed to John Carter, 1748–1817
Date:: 1793
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Door-way in Wall of South Precints of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Line of Buildings on East Side, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 31 1/8 inches (29.4 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques laid paper

Associated Places London

Subject Terms architectural subject

Search Results

1. Possibly Saint Paul's, London

2. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

3. A View of the Fire in Covent Garden

4. View of Old Somerset House from the Thames

5. In Saint Paul's Church, One of the Choir Doors

6. The Chapel of the Foundling Hospital, London

7. The Chapel of the Foundling Hospital, London

8. The City of Westminster from Near the York Water Gate

9. Sketch for the Oil Painting "The Conversion of St. Paul"

10. Receipt for a Set of Six London Views

11. Hinton St. George, Somerset: View of the Saloon

12. Westminster Abbey and Bridge from Somerset Garden

13. St. Paul's Cathedral and Blackfriar's Bridge

14. The Rotunda and Gardens, Ranelagh

15. The Mansion House

16. Whitehall Palace, London: Elevation of Proposed Design

17. Design for the Staircase at Stratford Place

18. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

19. The Monument in Westminster Abbey of King Henry V

20. The Monument of King Edward III in Westminster Abbey

21. Horse Guards

22. The Building of Waterloo Bridge

23. Design for the Parterre at Hampton Court

24. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

25. The Chapel of the Foundling Hospital, London

26. Near Edgware Road, London

27. The Treasury, Whitehall, London: Alternate Elevations of the Facade

28. King's Mews, Charing Cross, London: Section

29. Broom House, Fulham, London

30. Scenery, Haymarket Theatre

31. Croydon Church

32. Whitehall Palace, London: Section of Proposed Design

33. View of London from Richmond House, Whitehall

34. View of New Street, near London Bridge

35. Painter-Stainers’ Hall

36. Guys Hospital

37. St. Bartholomews Hospital

38. St James's House, Le Palais Royal de St James

39. The Adam and Eve Tavern, Old Chelsea

40. Old Hungerford Bridge

41. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

42. Stainborough Hall, Yorkshire: Three Floor Plans

43. Stainborough Hall, Yorkshire: Front and Back Elevations

44. Bush Hill, Edmonton, London: Plan of a Knot Garden

45. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

46. Half the Plan of Ceiling, St Stephen's Chapel

47. Plan of Moldings, St Stephen's Chapel

48. Plan of Moldings, St Stephen's Chapel

49. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

50. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

51. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

52. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

53. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

54. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

55. Impost and Base of Columns, St Stephen's Chapel

56. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

57. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

58. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

59. View of the Office of Ordnance with the Entrance of the House of Lords

60. East End, Painted Chamber

61. Plan of Princes Chamber, One Pair

62. East Front of Princes Chamber

63. Princes Chamber, East Side with the Old House of Lords

64. Princes Chamber

65. South Side of Princes Chamber West

66. Window Detail, Princes Chamber

67. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

68. Drawing Room Ceiling, No. 3 Old Palace Yard

69. Ceiling of Front Parlor House in Old Palace Yard

70. The South-East Prospect of King Henry The VII's Chapel at Westminster

71. Buildings on East Side of Dean's Yard

72. Syon House, London

73. The Admiralty Building from Whitehall