etching begun ca. 1880; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
3
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
4
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
5
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
6
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
7
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
8
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
9
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
10
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
11
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
12
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
13
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
14
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
15
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
16
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
17
George Romney, 1734–1802
John Henderson as Falstaff
1780
18
George Romney, 1734–1802
Tempest, Version A
undated
19
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
20
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
21
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
22
George Romney, 1734–1802
Daphnis and Chloe
undated
23
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
24
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
25
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
26
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
27
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
28
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
29
Print made by Paulus Pontius, 1603–1658
Aubertus Miræus
ca. 1635
30
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
31
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
32
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
33
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
34
Richard Wilson, 1713/4–1782
Gulliver Bound by the Lilliputians
undated
35
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
36
unknown artist
The Death of Cordelia
undated
37
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
38
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
39
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
40
Francis Hayman, 1707/8–1776
Falstaff Inspecting the Recruits
between 1761 and 1765
41
Robert Smirke, 1752–1845
Prospero and Ariel
1821
42
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
43
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
44
Michael "Angelo" Rooker, 1746–1801
Illustration to Beaumont and Fletcher
undated
45
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
46
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
47
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
48
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
49
Samuel De Wilde, 1748–1832
Head of a Man with a Beard and Long Hair in the Wind
1786
50
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
51
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1807
52
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
53
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
54
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
55
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
56
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
57
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
58
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
59
unknown artist
Troilus and Cressida?
undated
60
unknown artist
Scene from the Inferno Dramatic Landscape
undated
61
unknown artist
Scene from the Inferno
undated
62
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
63
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
64
unknown artist
Hudibras and Rolpho
undated
65
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
66
Mary Hoare, 1744–1820
Prospero and Miranda
1781
67
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
68
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
69
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
70
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
71
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
72
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
73
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
74
Print made by unknown artist
Grandpapa's Story or The Witches Frolick
1838
75
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
76
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
77
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
78
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
79
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
80
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
81
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
82
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
83
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
84
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
85
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
86
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
87
unknown artist
Scene from the Tempest
undated
88
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
89
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
90
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
91
unknown artist
Mrs. Yates in the Character of Medea
after 1771
92
unknown artist
Titania and Bottom from A Midsummer Night's Dream
undated
93
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
94
John Finlayson, 1730–1776
David Garrick in the Character of 'Kitely'
1769
95
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
96
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
97
Print made by John Hall, 1739–1797
Comedies
ca. 1776
98
George Augustus Sala, 1828–1895
Mefistofile II
1880
99
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare