Materials & Techniques: laid paper / Work Type: drawing / Subject Terms: church

1. A Ford at Wrentham, Suffolk

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Pen and gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 9 1/8 inches (17.5 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. In Saint Paul's Church, One of the Choir Doors

Creator:: Wenceslaus Hollar, 1607–1677
Date:: between 1656 and 1658
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 3/4 × 5 inches (7 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Boston Church, Lincolnshire

Creator:: J. Harrison, active 1821
Date:: 1821
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper mounted to thick, rough cream wove paper
Dimensions:: Sheet: 8 1/2 × 7 inches (21.6 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Monument of Thomas Fiennes

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor within triple-ruled pen and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 × 18 1/4 inches (64.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Two Figures by the Side of a Pond and a Church in a Hilly Landscape

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: undated
Materials & Techniques:: Graphite on very thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 12 inches (25.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. View of Dürrenstein

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 15 inches (18.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Lorch on the Rhine

Creator:: Charles Gore, 1729–1807
Date:: between 1790 and 1799
Materials & Techniques:: Watercolor over graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 21 3/8 inches (19.4 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Konigstein

Creator:: Charles Gore, 1729–1807
Date:: 1789
Materials & Techniques:: Watercolor and gouache with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 18 1/4 inches (26.4 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Edinburgh

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Gray wash and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Ruins of Leiston Abbey

Creator:: Thomas Hearne, 1744–1817
Date:: 1781
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 × 18 5/8 inches (64.1 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Herstmonceux Castle, East Sussex: View

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Temple of Venus and Rome from the Colosseum

Creator:: William Pars, 1742–1782
Date:: 1781
Materials & Techniques:: Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. A Christening in Chevening Church, Kent

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Graphite and white chalk on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Secundini Monument at Ighel in the Duchy of Luxembourg

Creator:: William Pars, 1742–1782
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and black ink with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/16 x 20 inches (33.5 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Landscape with Lake and Figures on a Rocky Road

Creator:: unknown artist
Date:: 1777
Materials & Techniques:: Watercolor, pen, brown ink, gray ink, and white gouache on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Badminton Church and Part of the Duke of Beaufort's House

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Westminster Abbey and Bridge from Somerset Garden

Creator:: Samuel Scott, 1701/2–1772
Date:: 1759
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 10 1/4 inches (20 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1838
Materials & Techniques:: Watercolor, pen and brown ink, gray wash, and graphite on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 9 5/8in. (34.3 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Icklesham Church

Creator:: Imitator of Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 7/8 inches (16.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. A Tudor Manor House and Church

Creator:: Claude de Jongh, ca. 1600–1663
Date:: 1625
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 1/2 inches (20.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Westminster Abbey from Dean's Yard

Creator:: Alexander Nasmyth, 1758–1840
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 8 15/16 inches (17 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Plans of Ancient Roman Church: 4. Terme di Tito

Creator:: Giovanni Stern, 1734–1794
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:: Sheet: 23 1/2 x 35 1/4 inches (59.7 x 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Design for a Church. Elevation of West Front

Creator:: attributed to Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, crean laid paper
Dimensions:: Sheet: 17 1/2 x 13 1/8 inches (44.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Bushey Church from the South West

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 15 inches (24.8 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Netley Abbey

Creator:: John Linnell, 1792–1882
Date:: 1810
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/8 inches (15.9 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Abbey Church at St. Albans

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1781
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Church in Italy

Creator:: Joseph Wright of Derby, 1734–1797
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 12 3/4 inches (24.8 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Harbledown, a Village near Canterbury

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: 1757
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 10 1/4 × 23 1/2 inches (26 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Design for a Church: Elevation of the West Front

Creator:: James Paine, 1717–1789
Date:: ca. 1750
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 9 3/8 inches (25.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Capel Church, Near Dorking, Surrey

Creator:: John Monro, 1801–1880
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, blue white laid paper
Dimensions:: Sheet: 8 5/8 × 11 15/16 inches (21.9 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Landscape with a Church among Trees

Creator:: Attributed to William Pearson, 1772–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 6 15/16 inches (11.7 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Unidentified Landscape: Trees with Church

Creator:: William Pearson, 1772–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 11 inches (17.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Landscape with Trees and Church Spire

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 8 13/16in. (18.4 x 22.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. City of Bath

Creator:: Francis Place, 1647–1728
Date:: 1678
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 15/16 × 12 9/16 inches (10 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Croydon Church

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 7 × 9 1/8 inches (17.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1838
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 7 1/2 inches (31.3 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Salisbury Cathedral

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash, yellow wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Jedburgh Abbey from the South East

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. The Test

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray ink and wash over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 16 5/16 inches (28.6 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Pangbourne, Berkshire

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 13 7/8 inches (24.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

43. Saint John's, Oxford

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

44. Christ Church Cathedral, Oxford

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/8 × 13 3/4 inches (23.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

45. Tivoli

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor, gouache and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 6 5/8 inches (14.3 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

46. Trees with a Distant Church on the Right

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 7/8 × 6 3/4 inches (9.8 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Church at Stanstead

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream wove paper mounted to thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 1/4 × 8 7/8 inches (15.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Italian Landscape (after Titian)

Creator:: John Evelyn, 1620–1706
Date:: 1656
Materials & Techniques:: Pen and brown ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 11 7/8 inches (19.4 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Travellers on Horseback Approaching a Village with a Spire

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1765 and 1770
Materials & Techniques:: Watercolor over black chalk and gum on medium, slightly textured, cream laid paper, laid down on (laminated wove paper) card
Dimensions:: Sheet: 8 5/8 x 12 1/4 inches (21.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

Creator:: attributed to Thomas Gainsborough, 1727–1788
Date:: 1742
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 15 inches (29.2 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Hampton Court Church

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 12 7/8in. (26.2 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Leicester, St. Mary's Church

Creator:: Edward Edwards, 1738–1806
Date:: 1778
Materials & Techniques:: Gray wash, pen, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. St. Alban's Abbey

Creator:: Henry Edridge, 1769–1821
Date:: 1805
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 × 13 5/8 inches (22.9 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Coastal Scene with Figures and Boats

Creator:: imitator of Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Gray wash, black ink, black chalk, and white chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 7/8 x 14 1/4 inches (27.6 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Landscape with a Ruined Norman Church

Creator:: attributed to Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Watercolor with gouache over graphite on medium, smooth, beige laid paper
Dimensions:: Sheet: 13 1/8 x 19 1/8 inches (33.3 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Northwest View of Castle Church, Hexham, Northumberland

Creator:: Attributed to Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 9 1/8 inches (16.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Half the Plan of Ceiling, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:: Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Impost and Base of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Entrance Doorway in the Tower, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Details of the Screen of Entrance Porch, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. New East Front, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1801
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 6 1/2 inches (39.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Springing of an Arch, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Dr Syntax Meditating on the Tombstones

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and red ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 7/16 inches (11.3 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/16 inches (21 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Doorway and Window of a Church

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 15/16 × 9 7/16 inches (32.9 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. River Scene with Church, Cottage and Windmill

Creator:: John Collet, ca. 1725–1780
Date:: undated
Materials & Techniques:: Black ink, brown ink, gray wash and brown wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 5 3/4 inches (9.8 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Crypt of Saint Gervaise, Rouen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1817
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 10 3/4 inches (20 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The River Stour, St. Mildred's Church and the Castle of Canterbury

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: 1757
Materials & Techniques:: Watercolor with pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 21 7/8in. (21 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Study of the North Side of Canterbury Cathedral

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 1/4 × 7 1/8 inches (10.8 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Ariccia

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 8 1/4 inches (11.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Interior of a Church, Looking West from South Aisle

Creator:: imitator of John Sell Cotman, 1782–1842
Date:: ca. 1804
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 7 1/2 inches (28.9 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. West Front of Byland Abbey, Yorkshire

Creator:: imitator of John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 x 6 1/4 inches (21.3 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. East End of the Abbey Church of St. Paul at Rouen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Graphite and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Parish Church, Front and Partial Right View, Ayot St. Lawrence, Hertfordshire

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 3/8 inches (28.6 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Chapel Church, Surrey

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor, gouache and scraping over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/4 x 16 inches (31.1 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Church of St. John, Peronne (Somme)

Creator:: John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 10 3/8 inches (20 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

95. A View of Bristol with Ratcilffe Church and Lime Kiln Dock

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, gray wash and graphite on medium, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 10 1/4 x 24 3/4 inches (26 x 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund in honor of John Baskett

96. Rumburgh Priory Church, Suffolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Wimborne Minster, Dorset, Englad

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Amsbury Abbey, Wiltshsire, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Old Church Portland

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Views in the Levant: A Ruined Byzantine Church

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 13 5/16 inches (23.5 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques laid paper

Work Type drawing

Subject Terms church

Search Results

1. A Ford at Wrentham, Suffolk

2. In Saint Paul's Church, One of the Choir Doors

3. Boston Church, Lincolnshire

4. The Monument of Thomas Fiennes

5. Two Figures by the Side of a Pond and a Church in a Hilly Landscape

6. View of Dürrenstein

7. Lorch on the Rhine

8. Konigstein

9. Edinburgh

10. The Ruins of Leiston Abbey

11. Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone

12. Herstmonceux Castle, East Sussex: View

13. The Manse, Cults, Fife: The Artist's Old Home

14. Temple of Venus and Rome from the Colosseum

15. A Christening in Chevening Church, Kent

16. The Secundini Monument at Ighel in the Duchy of Luxembourg

17. Landscape with Lake and Figures on a Rocky Road

18. Badminton Church and Part of the Duke of Beaufort's House

19. Westminster Abbey and Bridge from Somerset Garden

20. Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

21. Icklesham Church

22. A Tudor Manor House and Church

23. Westminster Abbey from Dean's Yard

24. Plans of Ancient Roman Church: 4. Terme di Tito

25. Design for a Church. Elevation of West Front

26. Bushey Church from the South West

27. Netley Abbey

28. Abbey Church at St. Albans

29. A Church in Italy

30. Harbledown, a Village near Canterbury

31. Design for a Church: Elevation of the West Front

32. Capel Church, Near Dorking, Surrey

33. Landscape with a Church among Trees

34. Unidentified Landscape: Trees with Church

35. Landscape with Trees and Church Spire

36. City of Bath

37. Croydon Church

38. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

39. Salisbury Cathedral

40. Jedburgh Abbey from the South East

41. The Test

42. Pangbourne, Berkshire

43. Saint John's, Oxford

44. Christ Church Cathedral, Oxford

45. Tivoli

46. Trees with a Distant Church on the Right

47. A Church at Stanstead

48. Italian Landscape (after Titian)

49. Travellers on Horseback Approaching a Village with a Spire

50. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

51. Hampton Court Church

52. Leicester, St. Mary's Church

53. St. Alban's Abbey

54. Coastal Scene with Figures and Boats

55. Landscape with a Ruined Norman Church

56. Northwest View of Castle Church, Hexham, Northumberland

57. Half the Plan of Ceiling, St Stephen's Chapel

58. Plan of Moldings, St Stephen's Chapel

59. Plan of Moldings, St Stephen's Chapel

60. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

61. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

62. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

63. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

64. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

65. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

66. Impost and Base of Columns, St Stephen's Chapel

67. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

68. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

69. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

70. Entrance Doorway in the Tower, St Stephen's Chapel

71. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

72. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

73. Details of the Screen of Entrance Porch, St Stephen's Chapel