Materials & Techniques: laid paper / Subject Terms: Grand Tour

201. The Arbra Sacra on the Banks of Lake Nemi

Creator:: Richard Wilson, ca. 1712–1782
Date:: between 1754 and 1756
Materials & Techniques:: Black chalk and white chalk on moderately thick, moderately textured, greened white laid paper
Dimensions:: Sheet: 15 5/16 × 22 inches (38.9 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. A View of Rome Taken from the Pincio

Creator:: William Pars, 1742–1782
Date:: 1776
Materials & Techniques:: Watercolor, pen and gray ink, graphite and black crayon on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 17 15/16 x 24 1/8 inches (45.5 x 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Italian Landscape with Three-Arched Bridge, Bridgehouse, Figures on near Bank, and Poplars on Farther Bank

Creator:: Richard Wilson, ca. 1712–1782
Date:: ca. 1752
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 13/16 x 11 1/8 inches (19.8 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Convent at Valmontone. November 1790

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 x 22 5/8 inches (41.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Italian Landscape with Ruined Castle

Creator:: William Taverner, 1703–1772
Date:: undated
Materials & Techniques:: Brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 9 5/8 inches (12.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. The Arch of Titus from the Forum, Rome

Creator:: Arthur Pond, ca. 1705–1758
Date:: ca. 1725
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 6 1/4 inches (24.8 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. A View of Several Palaces at Naples at Sun Rise

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 5/8 x 12 1/8 inches (24.5 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Mountain of Rigi and the Ancient Castle of Hapsbourg on the Lake of Lucerne

Creator:: Thomas Sunderland, 1744–1828
Date:: 18th century-19th century
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, slightly textured, cream laid paper mounted to thick cream card
Dimensions:: Sheet: 13 1/8 × 18 1/8 inches (33.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Temple of Venus, Bay of Baie

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: ca. 1788-1820
Materials & Techniques:: Black chalk and stump on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 8 inches (14.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome

Creator:: Joseph Wilton, 1722–1803
Date:: Between 1747 and 1755
Materials & Techniques:: Graphite, pen and brown ink and brown wash on medium, moderately textured cream laid paper
Dimensions:: Sheet: 10 × 6 1/8 inches (25.4 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Italianate Landscape with Castle, Cascade and Anglers

Creator:: Paul Sandby, 1731–1809
Date:: between 1780 and 1790
Materials & Techniques:: Watercolor and pen and brown ink and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 x 10 1/2 inches (37.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. The Campagna

Creator:: Joseph Wright of Derby, 1734–1797
Date:: undated
Materials & Techniques:: Graphite, gray wash and blue wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 19 3/8 inches (27.6 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. A Church in Italy

Creator:: Joseph Wright of Derby, 1734–1797
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 12 3/4 inches (24.8 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Vatican from the road to Ponte Mola

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1783
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 × 19 1/4 inches (35.6 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Temple of Venus Monday, March 18th, 1782

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1782
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 × 19 9/16 inches (35.6 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Hermitage Near Albano

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1782
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Mount: 13 7/8 × 19 5/16 inches (35.2 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Larici

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1782
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Mount: 13 15/16 × 19 3/8 inches (35.4 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. From the Window of the Inn at Lauterbraun

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: ca. 1811
Materials & Techniques:: Graphite, gray wash, white chalk and black chalk on moderately thick, moderately textured, blue laid paper
Dimensions:: Sheet: 11 7/8 × 18 1/4 inches (30.2 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Cascade of Buffalora

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Gray wash, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 14 5/8 inches (24.1 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Classical Composition

Creator:: Gavin Hamilton, 1723–1798
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/8 × 17 5/8 inches (33.3 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

221. Ponte Lucano, Near Tivoli

Creator:: Thomas Manby, 1633(?)–1695
Date:: between 1660 and 1690
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 14 1/2in. (23.5 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Tivoli

Creator:: William Marlow, 1740–1813
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. View of Leghorn

Creator:: William Marlow, 1740–1813
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/16 x 13 15/16in. (25.9 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Nîmes from the Tour Magne

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:: Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. A Street in Florence with the Duomo and Campanile in the Background

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 18 1/4 x 22 1/2 inches (46.3 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Oxcart in the Grotto at Posillipo

Creator:: William Marlow, 1740–1813
Date:: ca. 1770
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 10 5/8 x 14 13/16in. (27 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Temple of Venus and Rome from the Colosseum

Creator:: William Pars, 1742–1782
Date:: 1781
Materials & Techniques:: Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Alpine Scene

Creator:: John Warwick Smith, 1749–1831
Date:: 1781
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 13/16 x 9 1/2 inches (17.3 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. A View at Terracina

Creator:: Jacob More, 1740–1793
Date:: 1778
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper in contemporary laid paper insert with pen and black ink, and gray wash boader
Dimensions:: Mount: 16 x 21 1/2 inches (40.6 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

Creator:: Jacob More, 1740–1793
Date:: 1783
Materials & Techniques:: Gray wash, watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 13 9/16 x 17 11/16 inches (34.5 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Arch of Janus, after Piranesi

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. The Grotto at Posillipo

Creator:: Thomas Jones, 1742–1803
Date:: ca. 1782
Materials & Techniques:: Watercolor, graphite, pen and gray ink, and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 5/8 inches (29.2 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

233. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. View of St. Peters, Rome

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Watercolor over graphite with some scratching out on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/16 x 36 1/4 inches (38.3 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Ruins at Capua

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 × 12 1/2 inches (38.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Isola Bella, Lago Maggiore

Creator:: Charles Gore, 1729–1807
Date:: ca. 1776
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 22 1/4 inches (19.4 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. The Claudian Aquaduct, Rome

Creator:: Francis Towne, 1740–1816
Date:: 1785
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Sketchbook of Portrait Studies

Creator:: Thomas Patch, 1725–1782
Date:: 1760s
Materials & Techniques:: Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper bound in carta fiorentina
Dimensions:: Sheet: 8 3/4 x 6 1/2 inches (22.2 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome

Creator:: Sir William Chambers, 1723–1796
Date:: between 1750 and 1755
Materials & Techniques:: Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 9 5/8in. (35.2 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. A View of the Sea from the Palace of the Vice Roy at Naples

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/2 x 12 7/8 inches (24.1 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Place des Victoires, Paris

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1783
Materials & Techniques:: Watercolor in pen and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 21 inches (34.9 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

242. Modern Bridge at Narni

Creator:: Francis Towne, 1740–1816
Date:: 1795
Materials & Techniques:: Watercolor and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 11 3/4 inches (21 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. The Chestnut Grove, Near Rocca del Papa Near Lake Albano

Creator:: Francis Towne, 1740–1816
Date:: 1781
Materials & Techniques:: Gray wash and black ink and watercolor over graphite on medium moderately textured cream laid paper
Dimensions:: Sheet: 15 1/4 x 10 inches (38.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Entrance to the Grotto at Posilippo, Naples

Creator:: Francis Towne, 1740–1816
Date:: 1781
Materials & Techniques:: Watercolor and gray ink over graphite on medium slightly textured cream laid paper
Dimensions:: Sheet: 12 5/8 x 9 1/8 inches (32.1 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. View on Lake Maggiore at Evening

Creator:: Francis Towne, 1740–1816
Date:: 1781
Materials & Techniques:: Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 8 1/4 inches (15.2 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Iola S. Haverstick

246. The Bay of Naples from Capodimonte, Italy

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 11 7/8 inches (20.6 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Iola S. Haverstick

247. View of the Market Place at Juliers in Westphalia

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Watercolor with pen and brown, black, and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 x 21 1/16 inches (31.6 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. In the Camp Vaccinio at Rome

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1777
Materials & Techniques:: Watercolor and gouache over graphite on medium, rough, cream laid paper
Dimensions:: Sheet: 15 1/8 x 23 13/16 inches (38.4 x 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Salerno

Creator:: John Warwick Smith, 1749–1831
Date:: 1764-1831
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 20 1/8 inches (33.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Coast Near Sorrento

Creator:: John Warwick Smith, 1749–1831
Date:: 1764-1831
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 18 1/8 inches (29.8 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. The Villa Medici, Rome

Creator:: John Warwick Smith, 1749–1831
Date:: 1784
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 20 1/4 inches (34.6 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Classical Landscape with Figures

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 4 7/8 x 10 1/8in. (12.4 x 25.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Studies of Rows of Spectators

Creator:: John Brown, 1749–1787
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. View from Behind the Colonnade, Piazza San Pietro, Rome

Creator:: John Brown, 1749–1787
Date:: ca. 1772
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 9 1/2 inches (22.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. The Val d'Aosta, Piedmont

Creator:: John Warwick Smith, 1749–1831
Date:: 1784
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/8 x 28 inches (49.2 x 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. An Interior View of the Colosseum, Rome

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. On Mt. Palatine

Creator:: John Warwick Smith, 1749–1831
Date:: 1764 to 1831
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper, mounted on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 x 11 inches (43.2 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

258. Near Chiavenna in the Grisons

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1779
Materials & Techniques:: Watercolor, black ink, graphite and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 x 24 1/2 inches (42.5 x 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. The Banks of the Avon at Hotwells

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1773
Materials & Techniques:: Pen and black ink on thin, smooth, cream laid paper, mounted on medium, rough, beige wove paper
Dimensions:: Sheet: 6 1/4 x 10 1/2 inches (15.9 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Thomas Banks, the Sculptor

Creator:: William Daniell, 1769–1837
Date:: between 1808 and 1814
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper mounted on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 3/4 x 7 1/2 inches (24.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Study of Classical Figures

Creator:: attributed to Mauritius Lowe, 1746–1793
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 8 1/4 inches (27.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

262. Ruined Archway with a Line of Washing, possibly in Rome

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor, graphite, and blue wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 8 7/8 inches (26.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Facade of Ruined (?) Roman Temple, with Columns and Doorway

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor and graphite, verso: blue wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 × 8 inches (23.5 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. A Sarcophagus Behind the Palace

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 6 3/8 inches (13.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. A Sarcophagus Behind a Domed Building

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 6 3/8 inches (14 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. An Obelisk with Roofs and Trees in the Distance

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 x 5 7/8 inches (13 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Ariccia

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 8 1/4 inches (11.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Fanale di villa Franca

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 x 7 1/2 inches (11.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Distant View of an Imaginary City

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 x 7 3/8 inches (14.6 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Broken Side of the Amphitheatre at Rome

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 6 3/8 x 10 inches (16.2 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. River and Mountain, with Ruins

Creator:: Alexander Cozens, 1717–1786
Date:: between 1750 and 1759
Materials & Techniques:: Brushed black ink, gray wash, pen and brown ink, and pen and black ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 x 6 3/4 inches (8.9 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Landscape with a Ruined Temple

Creator:: Alexander Cozens, 1717–1786
Date:: between 1746 and 1750
Materials & Techniques:: Graphite, brown ink, brown wash and brown ground on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 x 17 1/4 inches (35.6 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Tivoli

Creator:: John Robert Cozens, 1752–1797
Date:: 1778
Materials & Techniques:: Pen and black ink, watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 5/8 x 21 inches (37.1 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Interlaken

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Watercolor, brown wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 13 7/8 inches (23.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Between Chamonix and Martigny

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Pen and black ink, watercolor, graphite, gray wash and brown wash on medium, slightly textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 12 15/16 x 17 11/16 inches (32.8 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Monte della Madonna, near Argua

Creator:: John Robert Cozens, 1752–1797
Date:: 1783
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, white laid paper, mounted on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 3/4 inches (25.7 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. The Falls of the Reichenbach

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Pen and black ink with gray wash and green wash on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/8 x 7 1/8 inches (24.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Upon the Aare between Unterseen and the Lake of Brientz

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Watercolor, blue wash, gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 1/4 x 14 1/4 inches (23.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Lake of Vico Between Rome and Florence

Creator:: John Robert Cozens, 1752–1797
Date:: 1783
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 13/16 inches (25.7 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. The Lake of Geneva from the Canton of Berne

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Watercolor, gray wash, brown wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 14 inches (24.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Galleria di Sopra, Albano

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1778
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 18 3/8 x 24 1/2 inches (46.7 x 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. The Pays de Valais

Creator:: John Robert Cozens, 1752–1797
Date:: between 1780 and 1785
Materials & Techniques:: Watercolor, graphite and red-brown gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 1/2 inches (36.2 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. A View from the Inn at Terracina

Creator:: John Robert Cozens, 1752–1797
Date:: 1783
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 5/8 inches (26.4 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Part of the Wall of Rome Near the Villa Medici

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 5 7/16 x 6 3/8 inches (13.8 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. A Waterfall

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite, black chalk and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 6 3/8 inches (22.2 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. The Temple of Diana near Baia

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 6 1/2 inches (14 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. The Maurienne's

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 3/8 × 7 3/8 inches (13.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. In the Garden of a Villa

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 6 3/8 inches (13.3 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. The Roman Arch at Canterbury

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 9 5/8 inches (21.3 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Convent at Vietri

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 7 1/2 inches (25.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Convent of S. Martino and Castello di Sant' Elmo from the Mole, Naples

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 11 1/2 inches (16.8 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Convent of Monte Olivetto near Florence

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Terrano Bridge, Civita Castellana

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1777
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 7 inches (25.7 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Promontory of Porto Fino

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/4 x 10 1/4 inches (18.4 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. At Portici, Evening, August 9

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 9 1/2 inches (18.7 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Carthusian Convent near Florence

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 x 6 1/2 inches (11.7 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Ronciglione

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite, buff ground and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 x 7 inches (12.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Waterfall at Terni

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/8 x 7 1/8 inches (23.8 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. James Northcote

Creator:: William Daniell, 1769–1837
Date:: between 1798 and 1819
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 x 7 1/2 inches (24.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Plates 1-4: Il Carlo, Mr. Piters, Mr. D., and an Unidentified Man

Creator:: Print made by Thomas Patch, 1725–1782
Date:: 1768
Materials & Techniques:: Four etchings; printed together on single sheet of medium, slightly textured, cream laid paper
Dimensions:: Binding: 18 1/2 inches (47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques laid paper

Subject Terms Grand Tour

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201. The Arbra Sacra on the Banks of Lake Nemi

202. A View of Rome Taken from the Pincio

203. Italian Landscape with Three-Arched Bridge, Bridgehouse, Figures on near Bank, and Poplars on Farther Bank

204. Convent at Valmontone. November 1790

205. Italian Landscape with Ruined Castle

206. The Arch of Titus from the Forum, Rome

207. A View of Several Palaces at Naples at Sun Rise

208. Mountain of Rigi and the Ancient Castle of Hapsbourg on the Lake of Lucerne

209. Temple of Venus, Bay of Baie

210. A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome

211. Italianate Landscape with Castle, Cascade and Anglers

212. The Campagna

213. A Church in Italy

214. Vatican from the road to Ponte Mola

215. Temple of Venus Monday, March 18th, 1782

216. Hermitage Near Albano

217. Larici

218. From the Window of the Inn at Lauterbraun

219. Cascade of Buffalora

220. Classical Composition

221. Ponte Lucano, Near Tivoli

222. Tivoli

223. View of Leghorn

224. Nîmes from the Tour Magne

225. A Street in Florence with the Duomo and Campanile in the Background

226. Oxcart in the Grotto at Posillipo

227. Temple of Venus and Rome from the Colosseum

228. Alpine Scene

229. A View at Terracina

230. View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

231. Arch of Janus, after Piranesi

232. The Grotto at Posillipo

233. Tempio d' Antonio e Faustina

234. View of St. Peters, Rome

235. Ruins at Capua

236. Isola Bella, Lago Maggiore

237. The Claudian Aquaduct, Rome

238. Sketchbook of Portrait Studies

239. Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome

240. A View of the Sea from the Palace of the Vice Roy at Naples

241. Place des Victoires, Paris

242. Modern Bridge at Narni

243. The Chestnut Grove, Near Rocca del Papa Near Lake Albano

244. Entrance to the Grotto at Posilippo, Naples

245. View on Lake Maggiore at Evening

246. The Bay of Naples from Capodimonte, Italy

247. View of the Market Place at Juliers in Westphalia

248. In the Camp Vaccinio at Rome

249. Salerno

250. Coast Near Sorrento

251. The Villa Medici, Rome

252. Classical Landscape with Figures

253. Studies of Rows of Spectators

254. View from Behind the Colonnade, Piazza San Pietro, Rome

255. The Val d'Aosta, Piedmont

256. An Interior View of the Colosseum, Rome

257. On Mt. Palatine

258. Near Chiavenna in the Grisons

259. The Banks of the Avon at Hotwells

260. Thomas Banks, the Sculptor

261. Study of Classical Figures

262. Ruined Archway with a Line of Washing, possibly in Rome

263. Facade of Ruined (?) Roman Temple, with Columns and Doorway

264. A Sarcophagus Behind the Palace

265. A Sarcophagus Behind a Domed Building

266. An Obelisk with Roofs and Trees in the Distance

267. Ariccia

268. Fanale di villa Franca

269. Distant View of an Imaginary City

270. Broken Side of the Amphitheatre at Rome

271. River and Mountain, with Ruins

272. Landscape with a Ruined Temple

273. Tivoli

274. Interlaken