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1. The Sleeping Shepherd

The Sleeping Shepherd
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. Lear Awakened by Cordelia

Lear Awakened by Cordelia
Creator:
George Romney, 1734–1802
Date:
ca. 1774
Materials & Techniques:
Brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 19 5/16 inches (38 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. Lear Awakened by Cordelia

Lear Awakened by Cordelia
Creator:
George Romney, 1734–1802
Date:
between 1774 and 1775
Materials & Techniques:
Brown ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 19 5/16 inches (30.7 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. A Man Asleep with Hands Crossed in a Chair

A Man Asleep with Hands Crossed in a Chair
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, beige laid paper mounted to medium, slightly textured cream laid paper
Dimensions:
Sheet: 7 1/2 × 4 3/4 inches (19.1 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Man Asleep in a Long Blue Coat

Man Asleep in a Long Blue Coat
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, beige laid paper mounted to medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 1/2 x 5in. (19.1 x 12.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Man Asleep with his Mouth Wide Open and Hands Crossed

Man Asleep with his Mouth Wide Open and Hands Crossed
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream laid paper mounted to medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 3/8 × 4 3/4 inches (18.7 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Man Sleeping Outdoors

Man Sleeping Outdoors
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, blue-green laid paper
Dimensions:
Sheet: 7 1/2 x 12 1/4 inches (19.1 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Man Asleep in a Bunk on Board a Ship

Man Asleep in a Bunk on Board a Ship
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 3/8 inches (13 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Study of a Man Asleep on a Bench

Study of a Man Asleep on a Bench
Creator:
John Taylor, 1739–1838
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/16 × 6 13/16 inches (15.7 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Studies of Woman and Greyhound

Studies of Woman and Greyhound
Creator:
Sir George Hayter, 1792–1871
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 5 1/8 inches (23.8 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Page Boy Asleep

Page Boy Asleep
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/16 x 5 9/16 inches (21.4 x 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Literary Characters Assembled Around the Medallion of Shakespeare

Literary Characters Assembled Around the Medallion of Shakespeare
Creator:
John Hamilton Mortimer, 1740–1779
Date:
1776
Materials & Techniques:
Pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 11 1/4 inches (21 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Artist's Wife and Child

Artist's Wife and Child
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 × 20 1/8 inches (33 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Union Club

The Union Club
Creator:
Charles Williams, active 1796–1830
Date:
undated
Materials & Techniques:
Pen and black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/4 x 16 7/16 inches (31.1 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A Mother and Child

A Mother and Child
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Graphite with pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Doctor Overcame

The Doctor Overcame
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/16 x 5 13/16 inches (10.6 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Temps Difficiles

Temps Difficiles
Creator:
William Lee Hankey, 1869–1952
Date:
1917
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 15/16 x 10 3/16 inches (30.4 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

18. Lady Percy Watching the Sleeping Hotspur

Lady Percy Watching the Sleeping Hotspur
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 24 x 19 1/8 inches (61 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Antigonus Disposing of Perdita

Antigonus Disposing of Perdita
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:
Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Comforts of Bath: The Music Master

Comforts of Bath: The Music Master
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Studies of a Sleeping Lion

Studies of a Sleeping Lion
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Charcoal, graphite, and red chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 13/16 × 8 15/16 inches (17.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. An Academy

An Academy
Creator:
John Hamilton Mortimer, 1740–1779
Date:
ca. 1773
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 19 3/8 inches (31.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. Study of a Lion, Resting

Study of a Lion, Resting
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/16 × 12 9/16 inches (20.5 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Man Asleep leaning against a table

Man Asleep leaning against a table
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 5 inches (18.4 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Portrait of an Old man

Portrait of an Old man
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, blue pastel, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/16 x 6 1/8 inches (17.9 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Drunken Nurse

The Drunken Nurse
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 11/16 x 7 9/16 inches (14.4 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. A Young Man Asleep

A Young Man Asleep
Creator:
George Lambert, 1700–1765
Date:
undated
Materials & Techniques:
Red chalk over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Monte della Madonna, near Argua

Monte della Madonna, near Argua
Creator:
John Robert Cozens, 1752–1797
Date:
1783
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, white laid paper, mounted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 14 3/4 inches (25.7 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The National Gallery

The National Gallery
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/8 x 16 inches (33.3 x 40.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

30. Shepherd with Dog and Sheep

Shepherd with Dog and Sheep
Creator:
Print made by John Boyne, ca. 1750–1810
Date:
1806
Materials & Techniques:
Lithograph on medium, moderately textured, gray laid paper
Dimensions:
Sheet: 8 7/8 x 12 7/16 inches (22.5 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

31. The Belfry

The Belfry
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1930
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 8 9/16 inches (27.6 x 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

32. Cupid and Psyche

Cupid and Psyche
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/16 × 13 1/2 inches (25.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. Endymion and Diana

Endymion and Diana
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 7 1/16 inches (22.5 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

34. Tristis Mea est Anima Usque ad Mortem / My Soul is Sorrowful Even Unto Death

Tristis Mea est Anima Usque ad Mortem / My Soul is Sorrowful Even Unto Death
Creator:
Print made by John Smith, 1652–1743
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 9/16 × 7 1/16 inches (24.3 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. Cupid and Psyche

Cupid and Psyche
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 13/16 × 13 1/16 inches (24.9 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36. Cupid and Psyche

Cupid and Psyche
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
between 1690 and 1699
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 13 inches (24.1 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Cupid and Psyche

Cupid and Psyche
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 13/16 × 13 3/16 inches (24.9 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

38. Peter Delivered out of Prison by an Angel

Peter Delivered out of Prison by an Angel
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 6 11/16 inches (22.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. Sleepy Maid

Sleepy Maid
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 × 10 1/4 inches (36.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

40. The Artist's Son, Henry, Asleep

The Artist's Son, Henry, Asleep
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/8 x 6 5/8 inches (11.7 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Cupid and Psyche

Cupid and Psyche
Creator:
Print made by William Say, 1768–1834
Date:
1816
Materials & Techniques:
Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

42. Guardian Angels

Guardian Angels
Creator:
Print made by Charles Howard Hodges, 1764–1837
Date:
1786
Materials & Techniques:
Mezzotint (second state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 16 3/4 inches (54.6 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

43. King Lyncus Turned Into a Lynx by Ceres

King Lyncus Turned Into a Lynx by Ceres
Creator:
Print made by Jacob Gole, 1660–1737
Date:
between 1675 and 1700
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 7/8 × 17 7/16 inches (35.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

44. Cupid and Psyche

Cupid and Psyche
Creator:
Print made by Valentine Green, 1739–1813
Date:
1784
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/16 x 20 3/8 inches (38.6 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

45. Virgin and Child

Virgin and Child
Creator:
Print made by Richard Purcell, active 1746–1766
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 10 1/16 inches (35.6 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

46. The Sleeping Nymph

The Sleeping Nymph
Creator:
Print made by William Ward, 1766–1826
Date:
1808
Materials & Techniques:
Mezzotint (only state) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 11/16 × 24 13/16 inches (52.5 × 63 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

47. Sketch of a Sleeping Woman

Sketch of a Sleeping Woman
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 8 1/8 inches (24.6 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

48. Cupid's Tent

Cupid's Tent
Creator:
Print made by Isaac Beckett, 1652/3–1719
Date:
1680s
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 7/16 × 7 5/16 inches (24 × 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

49. The Guitar Player

The Guitar Player
Creator:
Print made by Gerhard Bockman, 1686–1773
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 16 15/16 x 10 15/16 inches (43.1 x 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

50. Man and His Wife Sleeping at Table

Man and His Wife Sleeping at Table
Creator:
Print made by Jacob Gole, 1660–1737
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 9 9/16 inches (17 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

51. The Curious Maids

The Curious Maids
Creator:
Print made by John Greenwood, 1727–1792
Date:
1768
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 11 3/4 inches (44.2 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

52. The Murder of Duncan - Macbeth Stabbing Duncan

The Murder of Duncan - Macbeth Stabbing Duncan
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Pen and brown ink on moderately thick, textured, brown laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 9 9/16 inches (14.4 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Unlucky Boy

The Unlucky Boy
Creator:
Print made by Philip Dawe, ca.1745–ca.1809
Date:
1772
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, greened white laid paper
Dimensions:
Sheet: 20 1/16 × 14 inches (51 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Study of Mrs. Nash

Study of Mrs. Nash
Creator:
Paul Nash, 1889–1946
Date:
ca. 1916
Materials & Techniques:
Graphite and black chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/8 × 10 3/8 inches (20.6 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Elizabeth S. Tower

55. The Murder of Duncan - Study of Sleeping Grooms

The Murder of Duncan - Study of Sleeping Grooms
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, brown laid paper
Dimensions:
Sheet: 3 13/16 × 7 7/16 inches (9.7 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk, pen and brown ink on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 5 1/16 inches (11.1 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 5 1/16in. (11.1 x 12.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Murder of Duncan - The Sleeping Groom

The Murder of Duncan - The Sleeping Groom
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 6 7/8in. (11.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Isabel van Loo

Isabel van Loo
Creator:
Charles Exshaw, c. 1730–1771
Date:
ca. 1757
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 11 inches (35.5 x 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Death of Cora

The Death of Cora
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 9/16 x 10 3/16 inches (34.4 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Resting, Men and Dogs Under a Big Tree

No cover image available
Creator:
Print made by William Alfred Delamotte, 1775–1863
Date:
1802
Materials & Techniques:
Lithograph on medium, rough, beige laid paper
Dimensions:
Sheet: 9 1/8 × 12 13/16 inches (23.2 × 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

63. Elkanah, Hannah and Samuel

No cover image available
Creator:
Print made by George Graham, active 1786–1813
Date:
1815
Materials & Techniques:
Mezzotint (proof without letters) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/4 × 25 5/8 inches (52.7 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund