Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
undated
4202
Mrs. P. D. H. Page, 20th century
Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
undated
4203
Mrs. P. D. H. Page, 20th century
Puffer, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 100 A]
undated
4204
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: Weeks, General Gamble's coachman
undated
4205
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: A Slight Dispute in the Kitchen
undated
4206
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
4207
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
4208
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
4209
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
4210
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
4211
Print made by unknown artist
The Battle of Blenheim
undated
4212
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
4213
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
4214
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
4215
Anthony Devis, 1729–1817
American Deer
undated
4216
unknown artist
Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
between 1713 and 1718
4217
unknown artist
Head of a Male Lion
undated
4218
Sawrey Gilpin, 1733–1807
A Horse Standing, Head Turned, Wearing Quarter Sheet
undated
4219
unknown artist
Studies of a Sleeping Lion
undated
4220
Sawrey Gilpin, 1733–1807
Studies of Cattle
undated
4221
unknown artist
Head of a Leopard
undated
4222
Sawrey Gilpin, 1733–1807
Horse Standing, Side View Facing Right
undated
4223
Sawrey Gilpin, 1733–1807
A Horse Grazing
undated
4224
Sawrey Gilpin, 1733–1807
Seven Studies of Jockeys' Caps
undated
4225
Sawrey Gilpin, 1733–1807
Man With a Horse Harnessed to a Roller
undated
4226
Sawrey Gilpin, 1733–1807
Hunting Sketch: Gone to Earth
undated
4227
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
4228
Sawrey Gilpin, 1733–1807
Two Horses Walking to Left
undated
4229
Sawrey Gilpin, 1733–1807
Rubbing Down a Horse in a Paddock at a Racetrack
undated
4230
Sawrey Gilpin, 1733–1807
A Gathering of Horsemen, With Coach, Tents, Flags, etc. (?a horse fair)
undated
4231
Samuel Howitt, 1756–1822
Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"
undated
4232
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
4233
Samuel Howitt, 1756–1822
The Check
undated
4234
Samuel Howitt, 1756–1822
Going to Cover
undated
4235
Samuel Howitt, 1756–1822
Going out of Kennel
undated
4236
Samuel Howitt, 1756–1822
The Death
undated
4237
Samuel Howitt, 1756–1822
Going Home
undated
4238
Samuel Howitt, 1756–1822
Full Cry
undated
4239
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
undated
4240
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
4241
Sir Edwin Henry Landseer, 1802–1873
The Deer-Stalker, Oct. 15, 1852
1852
4242
Sir Edwin Henry Landseer, 1802–1873
Sportsman and Two Dogs
undated
4243
Attributed to Inigo Jones, 1573–1652
A Plumed Saddle-Horse
ca. 1640
4244
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
4245
Possibly Sir Thomas Lawrence, 1769–1830
The Duke of Wellington Riding Copenhagen
undated
4246
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
4247
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
4248
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
4249
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
4250
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
4251
Paul Sandby, 1731–1809
A Coach with Royal Coat of Arms
ca. 1764
4252
Paul Sandby, 1731–1809
Studies of a Carter Pumping Water For His Horses
undated
4253
James Seymour, 1702–1752
A Hare Running, with Ears Laid Back
undated
4254
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
4255
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
4256
James Seymour, 1702–1752
Rider in Armour
undated
4257
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
4258
James Seymour, 1702–1752
Two Horses Trotting in Harness
undated
4259
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
4260
James Seymour, 1702–1752
A Hare Running, with Ears Pricked
undated
4261
James Seymour, 1702–1752
A Boar Hunt
undated
4262
James Seymour, 1702–1752
Sir Sidney Meadows Schooling a Horse
undated
4263
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
4264
James Seymour, 1702–1752
Sketches of a Gelding
undated
4265
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
4266
James Seymour, 1702–1752
A Greyhound, Facing Left
undated
4267
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
4268
James Seymour, 1702–1752
Flying Childers Galloping to Left: Bridled but not Saddled
undated
4269
James Seymour, 1702–1752
Saddled Horse, Walking to Left
undated
4270
James Seymour, 1702–1752
Smiling Tom, Saddled and Bridled: Standing, Facing Left
undated
4271
James Seymour, 1702–1752
Rider With a Draw-Rein, Walking to Left
undated
4272
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
4273
James Seymour, 1702–1752
Schooling Horses: Three Studies on a Page
undated
4274
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
4275
James Seymour, 1702–1752
Sloven, with Jockey Up, Galloping to Right
undated
4276
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
4277
James Seymour, 1702–1752
Coursing - After the Kill
undated
4278
James Seymour, 1702–1752
A Hound Tethered to a Tree Stump
undated
4279
James Seymour, 1702–1752
Woman Wearing a Tricorne Hat, Riding to Right
undated
4280
James Seymour, 1702–1752
Flying Childers and Grooms
undated
4281
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
4282
James Seymour, 1702–1752
Saddled Horse, with a Crest Branded on His Flank, Walking to Right
undated
4283
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
4284
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
4285
James Seymour, 1702–1752
Conqueror Going to Start
undated
4286
James Seymour, 1702–1752
Hind Legs and Tail of a Horse
undated
4287
William Makepeace Thackeray, 1811–1863
A Mail Coach in a Hilly Landscape
undated
4288
Peter Tillemans, 1684–1734
A Saddle Horse of the Duke of Devonshire
undated
4289
Peter Tillemans, 1684–1734
Racing: a Match in Progress
undated
4290
Francis Barlow, 1622–1704
Hare Hunting
undated
4291
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
4292
Peter Tillemans, 1684–1734
The Duke of Somerset on Horseback
undated
4293
James Barenger, 1780–after 1831
The Saddling Enclosure, Epsom
undated
4294
Peter Tillemans, 1684–1734
A Saddled Horse, Facing Left
undated
4295
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
4296
Peter Tillemans, 1684–1734
A Match at Newmarket
undated
4297
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
4298
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
4299
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."