Materials & Techniques: line engraving / Collection: Prints and Drawings

Print made by Robert Wallis, 1794–1878

Virginia Water No. 1

1828-1832

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by James T. Willmore, 1800–1863

Nantes

1828-1837

Print made by James T. Willmore, 1800–1863

Nantes

1828-1832

Print made by Robert Wallis, 1794–1878

St. Germain-en-Laye

1828-1837

Print made by James T. Willmore, 1800–1863

Fire at Sea (vignette)

1835

Print made by William Miller, 1796–1882

Palace of La Belle Gabrielle

1828-1837

Print made by William Miller, 1796–1882

Palace of La Belle Gabrielle

1828-1837

Print made by James T. Willmore, 1800–1863

Destruction of Both Houses of Parliament

1835

Print made by James T. Willmore, 1800–1863

The Sea The Sea (vignette)

1836

Print made by James T. Willmore, 1800–1863

The Sea The Sea (vignette)

1836

Print made by James T. Willmore, 1800–1863

Fire at Sea (vignette)

1835

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein

1824

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Etched by Samuel Middiman, ca. 1750–1831

The Temple of Jupiter in the Island of Aegina

1828

Etched by Samuel Middiman, ca. 1750–1831

The Temple of Jupiter in the Island of Aegina

1828

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by Benjamin Green, ca. 1736–ca. 1800

Oxford Physic Garden

1766

Print made by unknown artist

Mrs. Wright of New York, the Remarkable Modeller in Wax

after 1775

Engraved by John Raphael Smith, 1752–1812

A Lady and Her Children Relieving a Cottager

1784

unknown artist

John Flaxman

undated

John Goldar, 1729–1795

The Sacrifice

1767

John Goldar, 1729–1795

The Refusal

1768

Print made by unknown artist

Chairs to Mend

1812

Print made by Robert Cooper, ca. 1800–1836

Mr. Wilkinson as Michael in Free & Easy

1822

Print made by Henry Lemon, 1823–1882

Saturday Night

ca. 1850

Print made by Adam Ludwig Wirsing, 1733–1797

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

1768

Mark Catesby An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Print made by workshop of Mark Catesby, 1682–1749

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

1754

John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Mark Catesby An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Print made by Mark Catesby, 1682–1749

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

1754

Print made by Elizabeth Blackwell, died 1774

Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by James Caldwall, 1739–1819

The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

1800

John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Print made by Elizabeth Blackwell, died 1774

Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by unknown artist

Edward Duke of Kent, Father of Her Majesty Queen Victoria

after 1837

Print made by William Woollett, 1735–1785

George the Third King of Great Britain &c &c &c

1763-1764

Print made by James Dobie, 1849–1911

Horae Serenae

1896

Print made by Georg Dionysius Ehret, 1708–1770

The Banana Tree, Plate 16

1750

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by John Russell, 1745–1806

Lunar Planisphere, Flat Light

1805

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Frontispiece: Hercules Fighting the Hydra

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Gerard de Jode De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

Print made by Gerard de Jode, born 1509 or 1517, died 1591

De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

between 1546 and 1590