Materials & Techniques: line engraving / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: priory

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Materials & Techniques line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms priory

Print made by James T. Willmore, 1800–1863

Llanthony, Monmouthshire

1834

Print made by James T. Willmore, 1800–1863

Llanthony, Monmouthshire

1836

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1818-1823

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by James T. Willmore, 1800–1863

Llanthony, Monmouthshire

1836

Print made by James T. Willmore, 1800–1863

Llanthony, Monmouthshire

1836

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory

1832

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 1

before 1786

M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

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