Materials & Techniques: line engraving / On-site Access: Accessible by appointment in the Study Room / Exhibition History: Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Exhibition History Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

Print made by William Hogarth, 1697–1764

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by William Hogarth, 1697–1764

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

Print made by William Hogarth, 1697–1764

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Print made by William Hogarth, 1697–1764

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

Print made by William Hogarth, 1697–1764

Hogarth Painting the Comic Muse

1764

Print made by Paulus Pontius, 1603–1658

Petrus Paulus Rubbens

ca. 1635

Simon Gribelin, 1662–1733

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Print made by unknown artist

Key to Life School at the Royal Academy

1794

Print made by Paulus Pontius, 1603–1658

Antonius Van Dyck Eques and Peter Paul Rubens Eques

between 1618 and 1658

Print made by William Faithorne, ca. 1620–1691

Charles I

1658

Simon François Ravenet, 1706–1774

The Good Samaritan

1772

Simon François Ravenet, 1706–1774

The Pool of Bethesda

1772

Print made by Robert van Voerst, 1597–1636

Inigo Iones

ca. 1635

Wenceslaus Hollar, 1607–1677

Palatium Regis Prope Londinum, Vulgo Whitehall

ca. 1647

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