Materials & Techniques: line engraving / On-site Access: Accessible by appointment in the Study Room / Associated Places: United Kingdom

1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

2. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

3. The Wreck of the Nuestra Senora de los Remedios

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Eastnor Castle, Herefordshire

Creator:: Print made by Henry Hobson, born 1814
Date:: between 1812 and 1825
Materials & Techniques:: Engraving with chine collé; proof before letters on smooth, thin, cream wove paper
Dimensions:: Image: 3 1/4 × 5 inches (8.3 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A View of the Bridge at Walton-on-Thames in Surrey

Creator:: Charles Grignion, 1717–1810
Date:: 1752
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

Creator:: Print made by William Bromley, 1769–1842
Date:: 1811
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 21 x 14 13/16 inches (53.4 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. The Old Téméraire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1845
Materials & Techniques:: Etching and engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 17 inches (33.7 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

Creator:: Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 18 1/4 inches (31.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Ceiling in the Banqueting House at Whitehall

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Crossing the Brook

Creator:: Print made by unknown artist
Date:: ca. 1879
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Crossing the Brook

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1842
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 1/8 × 22 5/8 inches (76.5 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Old Téméraire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1845
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 5/8 × 24 3/4 inches (47.3 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Farne Island - Shipwreck

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1853-1874
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 12 7/8 inches (38.7 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 9 3/4 inches (34.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Crichtoun Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1834
Materials & Techniques:: Etching and engraving with chine-collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 1/4 inches (20.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Tantallon Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1833
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 5/8 inches (24.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Roslin Castle

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Wolf's Hope

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 14 1/8 inches (29.2 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Ullswater, Cumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/8 × 16 3/8 inches (35.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Llanthony, Monmouthshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and engraving; engraver's proof (b) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Longships Lighthouse, Land's End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof (a) on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Etching and engraving; first published state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Llanthony, Monmouthshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 1/2 inches (42.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Etching with chine-collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Crickieth Castle, North Wales

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1837
Materials & Techniques:: Etching and engraving, with graphite and white chalk; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

34. Ruins of St. Paul Covent Garden

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Crossing the Brook

Creator:: Print made by William Richardson, active 1842–1877
Date:: between 1859 and 1861
Materials & Techniques:: Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/4 × 8 7/8 inches (29.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and engraving; first published state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Traitor's Gate, Tower of London

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving; first published state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Bolton Abbey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Penzance, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Edgar's Tower at Worcester

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 7 5/8 x 9 1/4 inches (19.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Dudley Priory in Worcestershire, Plate 1

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 8 11/16 inches (17.8 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Dudley Priory in Worcestershire, Plate 2

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Merchant Taylors' School and St. Paul's School

Creator:: Print made by Benjamin Cole, 1697–1783
Date:: 1756
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 9/16 × 9 5/8 inches (39.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Blockley Church

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: ca. 1793
Materials & Techniques:: Line engraving with etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 5/16 × 11 11/16 inches (21.1 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Athenaeum

Creator:: Print made by R. F. Cahusac, active 1830
Date:: 1830
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 15/16 x 18 7/8 inches (32.8 x 48 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Buckingham House, St. James' Park

Creator:: Print made by John Burnet, 1784–1868
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. View of Lichfield, The Birth Place of Dr. Samuel Johnson

Creator:: Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 × 9 5/16 inches (15.9 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Tooting Church

Creator:: Print made by George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 × 5 1/8 inches (11.2 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.

Creator:: Print made by William Angus, 1752–1821
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 7/16 inches (13.7 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

Creator:: Print made by unknown artist
Date:: ca. 1840
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 9 3/16 inches (14.6 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Eddystone Lighthouse

Creator:: Hamlet Winstanley, 1698–1756
Date:: 1703
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 39 1/2 x 28in. (100.3 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Palatium Regis Prope Londinum, Vulgo Whitehall

Creator:: Wenceslaus Hollar, 1607–1677
Date:: ca. 1647
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 13 1/8 inches (15.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

Creator:: Print made by John Fairburn, active 19th century
Date:: 1796
Materials & Techniques:: Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Part of Waterloo Bridge with the Shot Tower, &c.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Inverlochy Castle, Invernesshire

Creator:: Henry Griffiths, 1835–1849
Date:: 1836
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Tynemouth Castle and Priory, Northumberland

Creator:: Print made by Benjamin Comte, 1760–1851
Date:: 1802
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Hagley Hall

Creator:: Print made by James Caldwall, 1739–1819
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 11 7/16 inches (21.3 x 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Ham Court, the Seat of John Martin, Esq.

Creator:: Print made by James Caldwall, 1739–1819
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 10 1/4 inches (28.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Ticket to Westminster Abbey

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: before 1791
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 7 3/8 inches (22.3 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Yarmouth, Norfolk

Creator:: Edward Francis Finden, 1791–1857
Date:: 1837
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A Perspective View of the Foundling Hospital with Emblematic Figures

Creator:: Charles Grignion, 1717–1810
Date:: 1749
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:: Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Geometrical Plan of his Majesty's Dockyard, Deptford

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1755
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 28 9/16 inches (54.6 × 72.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Geometrical plan of his Majesty's Dockyard near Portsmouth

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1754
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 x 25 1/4in. (47.6 x 64.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Geometrical Plan of his Majesty's dockyard, at Sheerness

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1755
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 28 11/16 inches (56.2 × 72.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Geometrical Plan of his Majesty's Dockyard, near Plymouth

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1756
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper mounted on laid paper
Dimensions:: Sheet: 22 1/16 × 28 13/16 inches (56 × 73.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Geometrical Plan of his Majesty's Dockyard, at Chatham

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1755
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 28 13/16 inches (56.2 × 73.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Geometrical Plan of his Majesty's Dockyard, at Woolwich

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1753
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 28 9/16 inches (56.2 × 72.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Brignall Church

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 6 7/8 inches (25.4 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Crichtoun Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1833
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 3/4 inches (17.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Loch Leven Castle

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1844
Materials & Techniques:: Etching and engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 5/8 inches (19.4 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1836
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Roslin Castle

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 3/4 inches (17.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Tantallon Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1834
Materials & Techniques:: Etching and engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 9 5/8 inches (16.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Crichtoun Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1833
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 10 5/8 inches (22.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Wolf's Hope

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1843
Materials & Techniques:: Etching and engraving on thin, slightly textured, crean wove paper
Dimensions:: Sheet: 6 × 9 3/8 inches (15.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Junction of the Greta and Tees at Rokeby

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1819
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Brignall Church

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1821
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 inches (32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1823
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 × 16 1/2 inches (27.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Kirkby Lonsdale Churchyard

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1821
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 15 1/16 inches (30.5 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Crichton Castle

Creator:: Print made by George Cooke, 1781–1834
Date:: 1819
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 15 1/16 inches (27.8 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 11 3/4 inches (23.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. High Force or Fall of Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1821
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 3/4 inches (30.8 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Egglestone Abbey, near Barnard Castle

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1818-1823
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 3/4 inches (28.6 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 11/16 inches (28.9 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1822
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 3/8 inches (27.3 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 17 11/16 inches (30 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Crook of the Lune, Looking Towards Hornby Castle

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1821
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/16 × 12 5/8 inches (23 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Aysgarth Force

Creator:: Print made by John Scott, 1774–1828
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé on moderaetely thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/4 inches (30.5 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and engraving; third state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 11/16 inches (27.3 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/16 inches (26 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 3/8 inches (27.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and engraving; third state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Associated Places United Kingdom

Search Results

1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

2. The First Stage of Cruelty: Children Torturing Animals

3. The Wreck of the Nuestra Senora de los Remedios

4. Eastnor Castle, Herefordshire

5. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

6. A View of the Bridge at Walton-on-Thames in Surrey

7. A View from Richmond Hill Up the River

8. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

9. The Old Téméraire

10. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

11. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

12. The Ceiling in the Banqueting House at Whitehall

13. Crossing the Brook

14. Crossing the Brook

15. The Old Téméraire

16. Farne Island - Shipwreck

17. Fingal's Cave, Staffa

18. Crichtoun Castle

19. Tantallon Castle

20. Roslin Castle

21. Wolf's Hope

22. Berwick-upon-Tweed

23. Blenheim, Oxfordshire

24. Ullswater, Cumberland

25. Llanthony, Monmouthshire

26. Longships Lighthouse, Land's End

27. Longships Lighthouse, Lands End

28. Lyme Regis, Norfolk

29. Llanthony, Monmouthshire

30. Lyme Regis, Norfolk

31. Crickieth Castle, North Wales

32. Aldborough

33. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

34. Ruins of St. Paul Covent Garden

35. Crossing the Brook

36. St. Herbert's Chapel

37. Traitor's Gate, Tower of London

38. Bolton Abbey

39. Penzance, Cornwall

40. Edgar's Tower at Worcester

41. Dudley Priory in Worcestershire, Plate 1

42. Dudley Priory in Worcestershire, Plate 2

43. Merchant Taylors' School and St. Paul's School

44. Blockley Church

45. Athenaeum

46. Buckingham House, St. James' Park

47. View of Lichfield, The Birth Place of Dr. Samuel Johnson

48. Tooting Church

49. Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.

50. Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

51. Eddystone Lighthouse

52. Palatium Regis Prope Londinum, Vulgo Whitehall

53. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

54. Part of Waterloo Bridge with the Shot Tower, &c.

55. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

56. Inverlochy Castle, Invernesshire

57. Tynemouth Castle and Priory, Northumberland

58. Hagley Hall

59. Ham Court, the Seat of John Martin, Esq.

60. Ticket to Westminster Abbey

61. Yarmouth, Norfolk

62. A Perspective View of the Foundling Hospital with Emblematic Figures

63. Geometrical Plan of his Majesty's Dockyard, Deptford

64. Geometrical plan of his Majesty's Dockyard near Portsmouth

65. Geometrical Plan of his Majesty's dockyard, at Sheerness

66. Geometrical Plan of his Majesty's Dockyard, near Plymouth

67. Geometrical Plan of his Majesty's Dockyard, at Chatham

68. Geometrical Plan of his Majesty's Dockyard, at Woolwich

69. Richmond, Yorkshire

70. Brignall Church

71. Fingal's Cave, Staffa

72. Crichtoun Castle

73. Loch Leven Castle