'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
3
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
4
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
5
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
6
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
7
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
8
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
9
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
10
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
11
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
12
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
13
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
14
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
15
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
16
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
17
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
18
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
19
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
20
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
21
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
22
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
23
Print made by John Boydell, 1720–1804
The Boscawen and Sheerness Privateers
1753
24
Print made by John Boydell, 1720–1804
A Calm
1754
25
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
26
Print made by John Boydell, 1720–1804
Morning
1753
27
Print made by John Boydell, 1720–1804
Evening
1755
28
Print made by John Boydell, 1720–1804
Greenland Fishery
1754
29
Print made by John Boydell, 1720–1804
Noon
1753
30
Print made by John Boydell, 1720–1804
The Wreck of the Nuestra Senora de los Remedios
1753
31
Print made by John Browne, 1741–1801
Morning
ca. 1797
32
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
33
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
34
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
35
Print made by Samuel Cousins, 1801–1887
Master Henry Thomas Hope
1836
36
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
37
Print made by Pierre Charles Canot, ca. 1710–1777
A Strong Gale or Squall
1745
38
Print made by Pierre Charles Canot, ca. 1710–1777
Shipwreck
1745
39
Print made by Pierre Charles Canot, ca. 1710–1777
A Ship in Distress
1745
40
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
41
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
42
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
43
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
44
Print made by A. Birrell, ca.1770–ca. 1820
John Home, Esq
1799
45
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 2
1773
46
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
47
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
48
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 3
1773
49
Print made by Pierre Charles Canot, ca. 1710–1777
Sun Under a Cloud
1745
50
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
51
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
52
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
53
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
54
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
55
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
56
Print made by John Burnet, 1784–1868
Buckingham House, St. James' Park
1810
57
Edward Francis Finden, 1791–1857
View of Lichfield, The Birth Place of Dr. Samuel Johnson
1835
58
Print made by William Angus, 1752–1821
Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr
undated
59
Print made by Gerard van der Gucht, 1696–1776
The Cape of Good Hope
1736
60
Print made by Gerard van der Gucht, 1696–1776
Tellicherry
1736
61
Print made by Gerard van der Gucht, 1696–1776
Fort St. George
1736
62
Figures engraved by William Sharp, 1749–1824
Niobe
1792
63
Pierre Charles Canot, ca. 1710–1777
The Great Bridge over the Taafe
1775
64
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
65
Print made by James Caldwall, 1739–1819
Ham Court, the Seat of John Martin, Esq
undated
66
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
67
Richard Bernard Godfrey, 1728–op.1794
Ships in Distress
1796
68
Print made by Jacques Bouillard, 1744–1806
Franciscus Bartolozzi
undated
69
Print made by Peter P. Benazech, 1767–1794
The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
ca. 1760
70
Print made by Peter P. Benazech, 1767–1794
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...
ca. 1760
71
Print made by Peter P. Benazech, 1767–1794
The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..
ca. 1759
72
Print made by James Walker, 1748–1808
Rochester
1794
73
Print made by James S. Storer, 1771–1853
Chepstow
1794
74
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
75
Print made by James Walker, 1748–1808
Sheffield
1798
76
Print made by Thomas Chambars, ca. 1724–1789
Robert van Voerst
1771
77
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
78
Print made by James Walker, 1748–1808
Bridgenorth
1795
79
Print made by Esme de Boulonois, active 1645–1681
Antonius Morus Ultraiectinus Pictor
between 1645 and 1681
80
Print made by James Walker, 1748–1808
Rochester
1794
81
Print made by James Walker, 1748–1808
Rochester
1794
82
Print made by James Walker, 1748–1808
Bridgenorth
1795
83
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
84
Print made by James Walker, 1748–1808
Sheffield
1798
85
Print made by George Murray, died 1822
Staines
1795
86
Print made by John Landseer, 1769–1852
Orchard Bay
1799
87
Print made by John Landseer, 1769–1852
Orchard Bay
1799
88
Print made by John Landseer, 1769–1852
Alum Bay, Isle of Wight
1799
89
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
90
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
91
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
92
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
93
Print made by John Landseer, 1769–1852
Shanklin Castle
1799
94
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
95
Print made by John Landseer, 1769–1852
Cowes
1799
96
Print made by James S. Storer, 1771–1853
Chepstow
1794
97
Print made by James Basire II, 1769–1822
A View of Worcester College &c
1804
98
Print made by James Basire II, 1769–1822
A View of Worcester College &c
1804
99
Print made by James Basire II, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808
100
Print made by James Basire II, 1769–1822
View of Oxford from the South Side of Heddington Hill