Materials & Techniques: line engraving / On-site Access: Accessible by appointment in the Study Room

Print made by W. Grainger, active 1793

Fable XV. The Cook-Maid, the Turnspit, and the Ox

1793

Print made by Charles Mosley, c.1720–c.1770

O the Roast Beef of Old England, &c

1749

Print made by Simon François Ravenet, 1706–1774

Marriage à la Mode, Plate 4

1745

Print made by William Skelton, 1763–1848

Fable XXXII. The Two Owls and the Sparrow

1793

Print made by Gerard Jean Baptiste Scotin, 1671–1716

Marriage à la Mode, Plate 1

1745

Print made by Bernard Baron, 1696–1762

Marriage à la Mode, Plate 3

1745

Print made by Simon François Ravenet, 1706–1774

Marriage à la Mode, Plate 5

1745

Print made by Edward Francis Finden, 1791–1857

Ancient Temple at Kunkhul

ca. 1840

Print made by John Russell, 1745–1806

Lunar Planisphere, Hypothetical Oblique Light

1806

Published by Giovanni Giacomo de Rossi, 1627–1691

Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

between 1546 and 1590

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Gerard de Jode, born 1509 or 1517, died 1591

Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat

between 1546 and 1590

Gerard de Jode Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

Print made by Gerard de Jode, born 1509 or 1517, died 1591

Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

between 1546 and 1590

Gerard de Jode Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

Print made by Gerard de Jode, born 1509 or 1517, died 1591

Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

between 1546 and 1590

Print made by William C. Wilson, active 1798–1836

Frontispiece, Monument to John Gay

1793

Print made by William Skelton, 1763–1848

Fable XX. The Old Hen and the Cock

1793

Print made by W. Grainger, active 1793

Fable XIX. The Lion and the Cub

1793

Print made by Lovegrove, active 1793

Fable XXIII. The Old Woman and Her Cats

1793

Print made by Wilson, active 1793

Fable XXI. The Rat-catcher and Cats

1793

Print made by W. Grainger, active 1793

Fable XXIX. The Fox at the Point of Death

1793

Print made by Philip Audinet, 1766–1837

Fable XXXI. The Universal Apparition

1793

Print made by Wilson, active 1793

Fable XXXIII. The Courtier and Proteus

1793

Print made by Wilson, active 1793

Fable XXXIX. The Father and Jupiter

1793

Print made by William Skelton, 1763–1848

Fable XXXVIII. The Turkey and the Ant

1793

Print made by Peter Mazell, active 1761–1797

Fable XXXVII. The Farmer's Wife and the Raven

1793

Print made by Philip Audinet, 1766–1837

Fable XLII. The Jugglers

1793

Print made by Wilson, active 1793

Fable XL. The Two Monkeys

1793

Print made by Peter Mazell, active 1761–1797

Fable XXXVI. Pythagoras and the Countryman

1793

Print made by Peter Mazell, active 1761–1797

Fable XLIV. The Hound and the Huntsman

1793

Print made by William Skelton, 1763–1848

Fable XLVIII. The Gardener and the Hog

1793

Print made by Peter Mazell, active 1761–1797

Fable IV. The Ant in Office

1793

Print made by W. Grainger, active 1793

Fable III. The Baboon and the Poultry

1793

Print made by W. Grainger, active 1793

Fable L. The Hare and Many Friends

1793

Print made by William C. Wilson, active 1798–1836

Fable V. The Bear in a Boat

1793

Print made by Lovegrove, active 1793

Fable VII. The Countryman and Jupiter

1793

Print made by S. Fisher, active 1831–1844

Shrine of Raiman Shah Doola, Ellichpur

ca. 1840

Print made by Thomas Higham, 1796–1844

Pilgrims at the Sacred Fair of Hurdwar

1836

Print made by James Baylis Allen, 1803–1876

View at Simla

ca. 1840

Print made by James Redaway, 1797–1858

A Suttee

1844

Print made by Thomas Higham, 1796–1844

Tombs of the Kings of Golconda

1837

Print made by W. J. Cook, active 1830s–1840s

Hurdwar, A Place of Hindoo Pilgrimage

1831

Print made by Thomas Jeavons, ca. 1800–1867

Bejapore

1834

Print made by E. Benjamin, active 1840s

Mountain Temples, Lake of Aboo

ca. 1840

Print made by John Byrne, 1786–1847

A View of Hall-head Sugar Plantation, Jamaica

1816

Print made by W. Taylor, active ca. 1834

Sarnat, A Boodh Monument near Benares

1834

Print made by Thomas Barber, ca. 1768–1843

Temple of Juggernaut

1844

Print made by James Sands, active 1813–1846

Death of Bishop Heber

1844

Print made by John Cochran, active 1825–1854

Sir William Jones

ca. 1832

Print made by unknown artist

Cootub Minar, Delhi

ca. 1845

Print made by William Miller, 1796–1882

The British Residency at Hyderabad

ca. 1845

Print made by unknown artist

The King's Palace at Delhi

ca. 1860

Print made by unknown artist

The Residency, Lucknow

ca. 1860

Print made by W. Floyd, active 1845

The Celebrated Hindoo Temples and Palace at Madura

ca. 1845

Print made by unknown artist

View of Calcutta from the Esplanade, No. 2

ca. 1860

Print made by R. Campbell, active ca. 1832

View of Calcutta

1832

Print made by William Walker, 1729–1793

Scene in the East Indies

1782

Print made by François-Louis Couché, 1782–1849

Le Banyan, Rives du Gange; Pondichéry

1835

Print made by François-Louis Couché, 1782–1849

Tombeau de Tippoo Saeb; De Beaussel, Lauriston

1835

Print made by unknown artist

Winding Silk

1822

Print made by G. Greatbach, active 19th century

Indian Procession, Ivory Carving; Indian Figures

undated

Print made by unknown artist

Inde Francaise, Costumes, Elephant Caparaconne

1835

Print made by unknown artist

A Tiger Seizing a Bullock in a Pass

ca. 1830

Print made by William Radclyffe, 1780–1855

St. Julian's, Tours

1833

Print made by Robert Brandard, 1805–1862

Blois

1833

Francesco Bartolozzi, 1728–1815

Transitium S. Joseph

Print made by Francesco Bartolozzi, 1728–1815

View of the Temple of Aesculapius

1764

Print made by Jacobus Houbraken, 1698–1780

Thomas Wentworth, 1st Earl of Stratford

1740

Print made by Jacobus Houbraken, 1698–1780

Robert Rich, 2nd Earl of Warwick

1747

Print made by Francesco Bartolozzi, 1728–1815

Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk

1798

Print made by George Vertue, 1684–1756

Francis Earl of Bedford

1737

Print made by Jacobus Houbraken, 1698–1780

George Lord Digby Earl of Bristol

1738

Print made by Jacobus Houbraken, 1698–1780

William Russell, Earl of Bedford

1738

Print made by Jacobus Houbraken, 1698–1780

Sir Kenelm Digby

1748

Print made by Francesco Bartolozzi, 1728–1815

Philip Dormer Stanhope, Earl of Chesterfield

1777

Print made by Francesco Bartolozzi, 1728–1815

View of the Porta Ferrea

1764

Print made by Francesco Bartolozzi, 1728–1815

Another View of the Temple of Aesculapius

1764

Print made by George Vertue, 1684–1756

Edward Sackville, Earl of Dorset, Lord Chamberlain

1742

Print made by George Vertue, 1684–1756

Francis Earl of Bedford

1737

Print made by J. Miller, active 1769–1825

James Boswell in the Dress of a Corsican Chief

1769

Print made by Ernest Stephen Lumsden, 1883–1948

Line Engraving/Dry Point/Soft Ground

ca. 1925

Print made by Thomas Prattent, active 1780–1810

The Palanquin presented by the Marquis Cornwallis to Prince Abdul Calic, Eldest son of Tippoo Sultan

1796

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833