Materials & Techniques: line engraving / Date: 1827 / Height [cm]: 27

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Materials & Techniques line engraving

Date 1827

Height [cm] 27

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake, 1757–1827

Illustrations to Dante's Divine Comedy

1827

Print made by Edward Goodall, 1795–1870

Old London Bridge and Vicinity

1827

Print made by John Cochran, active 1825–1854

Sir William Jones

ca. 1832

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Lancaster, from the Aqueduct Bridge

1827

Print made by Robert Wallis, 1794–1878

Colchester, Essex

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

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