Materials & Techniques: line engraving / Exhibition History: Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)

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Materials & Techniques line engraving

Exhibition History Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

Print made by James T. Willmore, 1800–1863

Llanthony, Monmouthshire

1834

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Edward Goodall, 1795–1870

The Fall of the Rebel Angels

1835

Print made by Robert Wallis, 1794–1878

Sinai's Thunder

1837

Print made by James T. Willmore, 1800–1863

Penmaen Mawr, Caernarvonshire

1832

Print made by James T. Willmore, 1800–1863

Ullswater, Cumberland

1835

Etched by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1818

Print made by John Landseer, 1769–1852

High Force or Fall of the Tees

1821

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Dudley, Worcestershire

1835

Print made by W. R. Smith, active 1819–1851

Lowestoffe, Suffolk

1837

Print made by William Radclyffe, 1780–1855

Salisbury, Wiltshire

1830

Print made by Daniel Wilson, 1816–1892

Ancient Carthage - The Embarcation of Regulus

1840

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Robert Wallis, 1794–1878

Lake of Lucerne

1854

Print made by Thomas Abiel Prior, 1809–1886

Zurich

1854

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