Materials & Techniques: line engraving / Genre: architectural subject / Width [cm]: 65

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Materials & Techniques line engraving

Genre architectural subject

Width [cm] 65

Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Etched by Samuel Middiman, ca. 1750–1831

High Street, Oxford

1812

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Robert Pollard, 1755–1838

View of London Bloomsbury Square

1787

Print made by Robert Pollard, 1755–1838

View of Hanover Square

1787

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by George Hollis, 1792–1842

St. Mark's Place, Venice - Juliet and her Nurse

1842

Print made by James T. Willmore, 1800–1863

Ancient Italy - Ovid Banished from Rome

1842

Print made by William Miller, 1796–1882

Kilchurn Castle, Loch Awe

1847

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